Craft Capsule: Revising Folktales and Myths
The author of Each of Us Killers shares strategies for reinventing folktales and myths for contemporary times.
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Craft Capsules
In our weekly series of craft essays, some of the best and brightest minds in contemporary literature explore their craft in compact form, articulating their thoughts about creative obsessions and curiosities in a working notebook of lessons about the art of writing.
Craft Capsule: The Art of Literary Criticism
The author of Each of Us Killers shares a manifesto for literary criticism.
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Craft Capsule: We Are All Translators
The author of Each of Us Killers explains why reading and writing are forms of translation.
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Craft Capsule: Racial Markers and Being Marked
The author of RENDANG consults poems by Monica Youn, Meiling Jin, and Mei-mei Berssenbrugge to analyze how racial markers function in poetry.
Craft Capsule: Possible and Impossible
The author of RENDANG reflects on the value of uncertainty in his reading and writing lives.
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Craft Capsule: Witness vs. Withness
The author of RENDANG considers the complex relationships embedded in the act of looking.
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Craft Capsule: Lyric vs. Narrative
The author of RENDANG blurs the boundary between narrative and lyric.
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Craft Capsule: Doors vs. Corridors
The author of RENDANG imagines poetry as a house with many corridors.
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Craft Capsule: The Cinema Factory
The author of Horsepower recalls the tricks that helped her revise and assemble her collection.
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Craft Capsule: The Black Bildungsroman
The author of Horsepower reimagines the bildungsroman to honor the narrative arc of Black childhood.
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Craft Capsule: Craft Is Not Objective
The author of Horsepower examines and resists the racism and subconscious anxieties that infect the U.S. literary imagination.
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Craft Capsule: The Authority of Black Childhood
The author of Horsepower suggests putting aside knowledge and focusing on unlearning.
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Craft Capsule: Breaking Genre
The author of This Is One Way to Dance resists genre limitations and seeks her own unique form.
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Craft Capsule: Break It Down or Shorter Forms
The author of This Is One Way to Dance reflects on using fragments to build a larger structure.
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Craft Capsule: Feel Your Way
The author of This Is One Way to Dance considers the consonances and dissonances between dance and writing.
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Craft Capsule: Notes From the Cutting Room Floor
The author of This Is One Way to Dance shares how notes—footnotes, codas, prologues, corrections—figure into her writing process.
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Craft Capsule: Obsessions, Hobbies, Dreams
The author of The Prettiest Star shares strategies and questions that help him get to know his characters.
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Craft Capsule: Minor Characters
The author of The Prettiest Star celebrates the magic of minor characters.
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Craft Capsule: Catalogues, Cetaceans, and Casey Kasem
The author of The Prettiest Star explores a variety of archives to help him capture the specific spirit and look of the eighties.
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Craft Capsule: Multiple Points of View
Carter Sickels recalls the challenges of juggling multiple first-person narrators in his novel The Prettiest Star.
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Craft Capsule: Cut for Time
The author of The Prettiest Star recommends keeping a novel-dedicated notebook for ideas, research, and informal experiments.
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Craft Capsule: Reading Backwards
The author of the novel The Prettiest Star shares an exercise to help you approach your manuscript from a new angle.
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Craft Capsule: Metabolizing
Emma Copley Eisenberg finds inspiration on the open road, driving more than ten thousand miles in three months.
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Craft Capsule: Living Images
Emma Copley Eisenberg borrows a creative exercise from beloved writer and comics artist Lynda Barry.
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Craft Capsule: Researching IRL
“You ask the right person the right question at the right time, and they’ll tell you something that has never before been told in the history of the world.” Emma Copley Eisenberg celebrates the magic of reporting as a research tool.
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