Ten Questions for Jordy Rosenberg
“I am often wildly optimistic about my productivity in the mornings. This feeling lasts no later than noon.” —Jordy Rosenberg
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“I am often wildly optimistic about my productivity in the mornings. This feeling lasts no later than noon.” —Jordy Rosenberg
The author of Clutch (Tin House, February 2026) describes the rigorous line work that went into finishing her manuscript.
“I think that losing the joy of process causes writer’s block.” —Tayari Jones, author of Kin
The author of Clutch (Tin House, February 2026) reflects on adjusting rising and falling action across time in fiction.
Write a series of formal poems to reflect on a complicated aspect of your life, a story in which you pose as the recipient of letters from a nonhuman character, or a hybrid essay that incorporates elements of memoir and criticism.
The new executive director of the American Literary Translators Association (ALTA) discusses the role of translation in the literary landscape and exciting upcoming initiatives at ALTA.
A new exhibition at the Center for Book Arts in New York City focuses on Isidore Isou and the postwar, avant-garde artistic movement he spearheaded in France.
The prose writer Mandy-Suzanne Wong highlights journals that have published some of her surprising, emotive essays on mollusks including Digging Press Journal and Black Warrior Review.
Founded in 2012 and now based in Minneapolis, Trio House Press publishes twelve books of poetry and nonfiction annually and aims for its titles to build empathy and understanding.
Boa Editions celebrates a half century of independent publishing and releases a previously unpublished collection of Lucille Clifton’s poetry.
The first lines of a dozen noteworthy books, including Night Owl by Aimee Nezhukumatathil and Frog: And Other Essays by Anne Fadiman.
Ahead of this year’s Independent Bookstore Day, a look back at last year’s controversy when Amazon surprised indie stores with a sale of its own.
Seven private foundations have forged a new partnership to support literary arts organizations amidst an increasingly precarious funding landscape.
A novelist explores the decision to name real places in fiction, the way maps circumscribe those places, how locales heavily defined by tourism are susceptible to those projections, and what it means to push against those expectations.
The author of Last Psalm at Sea Level considers the different shapes of language through a reflection on curating Deaf art and signed literature for programming at the Guggenheim Museum.
While promoting her book, an author collects personal stories of shelter and storm, curating an accidental anthology that demonstrates how sharing stories fosters community during a time of climate upheaval.
At Ragdale, the author of The Great Believers receives portents that shape her books and strengthen her resolve.
T Kira Māhealani Madden’s new novel, Whidbey, asks challenging questions about how we as a society treat and talk about both the survivors and perpetrators of sexual abuse.
Amid political turmoil and momentous life changes, a retreat at the Blue Mountain Center gives the author of The Archer inspiring ideas about how to be an artist—even without writing any new pages.
A fortuitous residency at Jentel gives the author of Incantation: Love Poems for Battle Sites a chance to dream big and forge the first hundred pages of a new collection in just two weeks.
Foxes, llamas, and one portentous bobcat remind the author of Ninetails: Nine Tales that the artistic process can’t be planned or tamed—and that perhaps its wildness is one of the reasons we write.
In the aftermath of his father’s death, an encounter with a literary hero at the Disquiet International Literary Program gives the author of Wyoming what he needs to write again: gratitude.
In a season of disappointment while trying to conceive, the author of How to Commit a Postcolonial Murder reconnects with creativity at the Summer Fishtrap Gathering of Writers.
With his second collection, Horses, award-winning poet Jake Skeets shows us how to contemplate the profundity of our interconnected world, holding space for both grief and beauty, the Anthropocene and queer eros.
“Take your time.” —D. S. Waldman, author of Atria