Jump to navigation Skip to content
Dedicated to “boundary-breaking prose,” Split/Lip Press is on the hunt for work that raises questions about the status quo and fits their punk aesthetic. The press publishes four titles a year, all selected from open submissions.
Buinho Creative Hub offers residencies of two weeks to three months year-round to poets, fiction writers, and creative nonfiction writers in the historic town of Messejana, Portugal. Residents are provided with a single- or double-occupancy room in one of three traditional Portuguese houses, as well as access to private and shared studios. The Buinho residence also features a central studio and backyard workshop. The cost of the residency is €800 to €1,000 (approximately $872 to $1,090) per month, depending on the room; transportation and meals are not included.
Buinho Creative Hub Residencies, Rua Nova de São Brás 43, 7600-346 Messejana, Portugal. Carlos Alcobia, General Manager.
For this event at the Korea Society in New York, Crystal Hana Kim speaks about writing her second novel, The Stone Home (William Morrow, 2024), in a conversation with author Susan Choi. Kim’s essay “Thinning the Line: On Multilingual Literature, Cultural Memory, and Writing as Translation” appears in the May/June issue of Poets & Writers Magazine.
The Cambridge Writers’ Workshop Budapest and Prague Writing Retreat will be held from July 19 to July 27 in the historic city centers of Budapest and Prague. The retreat features writing and publishing workshops, craft seminars, and generative writing sessions for poets, fiction writers, and creative nonfiction writers. The faculty includes poets and prose writers Rita Banerjee and Diana Norma Szokolyai. The cost of the retreat is $4,800, which includes tuition, lodging at Hotel Oktogon in Budapest and Falkensteiner Hotel in Prague, daily breakfast, and special meals.
Cambridge Writers’ Workshop Budapest and Prague Writing Retreat, Cambridge Writers’ Workshop, Inc., Artist’s Row, 24 New Derby Street, Salem, MA 01970. (617) 401-8950. Diana Norma Szokolyai, Executive Artistic Director.
In this new adaptation of Patricia Highsmith’s novel The Talented Mr. Ripley, written, directed, and executive produced by Steve Zaillian, the eight-episode limited Netflix series takes place in the early 1960s with the title character entering a life of deceit, fraud, and murder.
The author of Short War ponders the ways research can deepen a fiction project—and how to know when enough is enough.
In this 2001 Lannan Foundation event, John Barth speaks about the ways in which self-confidence and temperament play a role in his writing in a conversation with literary critic Michael Silverblatt. Barth died at the age of ninety-three on April 2, 2024. For more from Barth, read “All Trees Are Oak Trees: Introductions to Literature” from the January/February 2004 issue of Poets & Writers Magazine.
In the 1989 science fiction thriller film The Abyss, a search and rescue team descends thousands of feet into the depths of the ocean after a U.S. nuclear submarine mysteriously sinks in the Caribbean Sea. The word abyss could refer to both the oceanic zone that lies in perpetual darkness and to the more general space of mystery, fear, and awe in the face of the seemingly infinite expanse that the crew encounters, including an encounter with an alien being. Write a story that revolves around characters who find themselves in conflict with something deeply unknown and unfathomable. How might feelings of isolation surface or be exacerbated in such a situation? Play around with the pacing and order and quantity of revealed information to create a feeling of suspense.
“I consider Delany not only one of the most important science fiction writers of the present generation, but a fascinating writer in general who has invented a new style,” writes Umberto Eco. Samuel R. Delany discusses his novel Dhalgren, his childhood in Harlem, and the journey that led him to become the 2013 Damon Knight Memorial Grand Master of science fiction in this clip from Open Road Media.
The author of Short War contemplates the rewards of modeling minor characters on real people.
