Ten Questions for Paige Lewis
“You can surely be a writer who doesn’t read. But you won’t be a very good writer.” —Paige Lewis, author of Canon
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Genre: Fiction
Lin King on Translating Taiwan Travelogue
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In this Cover to Cover podcast interview hosted by Emily Y. Wu, writer and translator Lin King talks about the nuances of Taiwanese and Japanese culture, and the process of translating Yáng Shuāng-zi’s novel Taiwan Travelogue (Graywolf Press, 2024), which won the 2024 National Book Award for Translated Literature and the 2026 International Booker Prize. “I feel like the food was, in some ways, the toughest part for me to translate,” says King.
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Thought, Speech: Dialogue Without Quotation Marks
The author of Discipline (Random House, 2026) reflects on the value of blending interior and exterior language with less punctuation.
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Jimin Han: Dreamt I Found You
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In this Books Are Magic event, Jimin Han reads from her novel Dreamt I Found You (Little, Brown, 2026) and talks about the book’s setting and the diversity of Korean American enclaves in New England in a conversation with Marie Myung-Ok Lee. For more from Han, read “A Win Right on Time: Contests for Older Writers” in the May/June 2026 issue of Poets & Writers Magazine.
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Early Blooms
Jacaranda trees, whose abundant violet-colored flowers dominate the streets of Los Angeles from late spring through early summer, have bloomed about a month earlier this year due to an unexpected heat wave in March. The trees have filled the city with large swaths of purple, both on the tree canopies and sprinkling carpets of blooms when they fall. Think of a sign in your local environment that annually signals a change from spring to summer and write a story that takes place against the backdrop of this seasonal indicator occurring earlier than usual. Experiment with how this subtle or explicit phenomenon in the natural environment can be expressed through various sensory details. How does this occurrence create a sense of tension in relation to the plot arc and character development of your narrative? Do your characters take notice of this anomaly or is it simply playing out in the background?
M Lin: The Memory Museum
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In this Free Library of Philadelphia event, M Lin reads from her debut story collection, The Memory Museum (Graywolf Press, 2026), and discusses how her background in film and art history shapes her writing in a conversation with ‘Pemi Aguda. Lin’s book is featured in Page One in the May/June 2026 issue of Poets & Writers Magazine.
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Overheard: Writing Third Person Through First Person
The author of Discipline (Random House, 2026) reflects on fusing points of view in fiction.
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Lost Data
Recently, the New Yorker published an article by Julian Lucas about the devastation experienced when losing digital data and the experts who are able to repair and recover data for victims. Steve Burgess, a “data-recovery pioneer,” talks about how the value of a person’s data is dependent on whether or not they have it. “Once they have it, it really wasn’t worth anything,” he says. “But, if they don’t have it, it’s worth an arm and a leg and their children.” Write a short story that launches from the starting point of a character experiencing an unfortunate mishap with their phone or computer, resulting in the loss of irreplaceable photos, texts, audio files, writing, and contact information. Were the lost items something that they took for granted before? What is your character willing to do to retrieve the data?
Ten Questions for Douglas Stuart
“I think every mistake or every moment of doubt is just part of the process.” —Douglas Stuart, author of John of John
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Jung Yun: All the World Can Hold
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In this Enoch Pratt Free Library event, Jung Yun reads from her third novel, All the World Can Hold (37 INK, 2026), and talks about complicated characters and how she stays focused and motivated through writer’s block in a conversation with Jane Delury.
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