In Zhang Yueran’s novel Women, Seated, translated from the Chinese by Jeremy Tiang and forthcoming in August from Riverhead Books, the protagonist Yu Ling works as a nanny for a wealthy couple and their young son in China, after initially taking on duties assisting in the art studio of her employer, Qin Wen. In a flashback, Yu Ling recalls a remark by Qin Wen about an artist she admires: “Do you know why Alice Neel liked drawing mothers and children so much? It’s because she abandoned her own child.” Compose a pair of short lyrical essays, one that originates from loss and one that begins with a thing achieved or acquired. You might start with your instinctive responses to personal losses and gains, whether physical or more abstract. Do your attendant essays mirror each other or diverge?
Writing Prompts & Exercises
The Time Is Now
The Time Is Now offers three new and original writing prompts each week to help you stay committed to your writing practice throughout the year. We also curate a list of essential books on writing—both the newly published and the classics—that we recommend for guidance and inspiration. Whether you’re struggling with writer’s block, looking for a fresh topic, or just starting to write, our archive of writing prompts has what you need. Need a starter pack? Check out our Writing Prompts for Beginners.
Tuesdays: Poetry prompts
Wednesdays: Fiction prompts
Thursdays: Creative nonfiction prompts
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In award-winning Palestinian American poet and novelist Hala Alyan’s debut memoir, I’ll Tell You When I’m Home (Avid Reader Press, 2025), she explores themes of loss and exile in conjunction with her experience preparing for the arrival of a new baby through surrogacy after years of struggling with infertility and miscarriages. While looking forward to the birth of her daughter, Alyan reflects on her family’s history with immigration and her childhood moving around Kuwait, Jordan, Lebanon, the UAE, Texas, and Oklahoma, and examines the roles of heritage and matriarchal storytelling. Write a personal essay that looks to the role of storytelling in your own family and childhood. What stories were told to you by parents, aunts and uncles, grandparents, and elders in your community? How are these stories and myths connected to your cultural inheritance and your formation as a writer and storyteller?
In the comedic documentary series The Rehearsal, Nathan Fielder helps ordinary people rehearse difficult conversations they may be dreading by creating precisely replicated environments and hiring actors to prepare for each scenario. The elaborate sets include a fully functioning bar with patrons, a household with a child actor, and an exact reproduction of a Houston airport terminal. Compose a personal essay about a necessary conversation that has been weighing on you and write out several vignettes exploring potential ways the exchange might play out given your knowledge of your own mindset as well as the person you’re confronting. Consider incorporating thoughts about how some reactions or behaviors may be impossible to predict. How might this rehearsal of sorts help calm your nerves or provide an understanding of your own social tendencies?
“The price of the ride was listening to people talk.” This sentiment is expressed by the young narrator of Joe Westmoreland’s 2001 coming-of-age autofictional book, Tramps Like Us, reissued this week by MCD, to describe his hitchhiking adventures in search of queer belonging and identity. The novel portrays a wide range of characters Joe comes across, befriends, works with, sleeps with, and sometimes loses on the road and in various cities. Compose a memoiristic piece that recounts a cast of characters you’ve met in the past, perhaps only briefly as you traveled from one place to another, who had colorful tales about lives very different from your own. Incorporate snippets of dialogue, trying as best as possible to recall any idiosyncrasies in their speech or vocabulary. Reflect on what you learned from listening and why these stories have stayed with you through the years.
In the 1997 film Face/Off, an FBI agent survives an assassination attempt that kills his young son and is out for vengeance and justice. To foil this criminal’s next plot to bomb the city, the agent undergoes a secret surgery to replace his face with that of the criminal, only to have him surgically don the agent’s face, effectively creating a mirrored switch in physical identities and an epic showdown. Notable for its flabbergasting premise, another aspect of the film’s cult popularity is director John Woo’s signature style and trademark motifs: balletic action sequences, doves and churches, deadlocked gunfights, and coats blowing in slow motion in the wind. Write an essay about a dramatic situation from your past in which you insert small details and observations of physical description that complement the tone of your piece. How might you translate a slow-motion effect in cinema to a slow-motion moment in your storytelling?
In her latest book, In the Rhododendrons: A Memoir With Appearances by Virginia Woolf (Algonquin, 2025), poet Heather Christle explores her past and her relationship with her mother through the life and work of Virginia Woolf. Christle reflects on the difficult, and sometimes painful, writing process for the book in an essay published on Literary Hub: “There’s a line from a Tony Tost poem I often think about: ‘I don’t know how to talk about my biological father, so I’m going to describe the lake.’ I had so many lakes. I began the process of draining them.” Spend some time jotting down a wide-ranging list of inspiring works of art, geographical locations, and cultural touchstones that are of interest to you. Then, begin an essay by describing something from your list that is seemingly disconnected from a difficult subject matter from your life, and inch your way toward it.
Four Seasons is a new comedy drama miniseries based on the 1981 film of the same name with an ensemble cast of middle-aged characters who are lifelong friends. Over the course of one year, the three couples take four group vacations together and reflect on the dynamics of their relationships, and in particular, the evolving circumstances after one couple’s divorce. Choose a significant relationship in your life and compose a four-part personal essay that relays an anecdote for each season of one year. You might turn back to old journals, photographs, e-mail messages, or planners for ideas and choose incidents not necessarily filled with drama, but that might reveal illuminating details about your bond with this person. Consider incorporating seasonal details to supplement the atmosphere of each section and add a sense of the passing of time through those twelve months.
When asked how he fills his days, in a 2019 Paris Review interview by Patrick Cottrell, author Jesse Ball talks about a household rule of not speaking in the morning and waiting until lunchtime to interact. “That leaves the morning for thinking,” says Ball. Write a personal essay about a routine or rule you have created to accommodate coexisting with another person, whether a parent, child, romantic partner, or roommate. How did you negotiate a compromise for your individual priorities? Were there any unexpected outcomes to the arrangement? Consider how the balance played out between what you sacrificed and what was gained with the cohabitation.
In a New Yorker interview about her short story “Marseille,” Ayşegül Savaş comments on a realization she made when putting together her story collection Long Distance, forthcoming from Bloomsbury in July: “Even though friendships are very important to my own life, I would still place marriage, or parents, or children at the center of my preoccupations. Then why do I write so much about friends?” Take a look through some of your past writing and try to locate any patterns of concerns that recur throughout different pieces, thus revealing your thematic priorities. Write an essay that muses on why these are primary concerns for you to explore creatively. How do your subjects influence your writing form and vice versa? Have themes evolved or shifted in big or small ways over the years?
In the introduction to his translation of Egyptian author Naguib Mahfouz’s I Found Myself…the Last Dreams, forthcoming in June from New Directions, Hisham Matar writes: “It is clear that Mahfouz, the professed realist, admired dreams, coveted their agile and wandering narratives, their convincing and often unsettling psychological and emotional power, and, perhaps most of all, their economy: how, in an instant, a world is evoked that is—no matter how unlikely or strange—convincingly compelling.” Matar goes on to describe the book’s short vignettes in which Mahfouz recorded his dreams in the last decade of his life. “Almost each starts with ‘I saw myself’ or ‘I found myself.’ And isn’t that the case, that we find or see ourselves in dreams…?” Try your hand at recording your own dreams for a stretch of time, perhaps beginning each entry with “I found myself…” Experiment with arranging them in an order that makes sense to you, through any type of thematic, narrative, or dream logic.
Considering the record-high cost of eggs due to shortages, a recent USA Today article suggests a list of alternatives for the traditional Easter activity of dyeing eggs. A few of the creative contenders include dyeing potatoes or marshmallows, and painting Easter rocks. Think back to a time when you’ve had to alter a long-held tradition because of circumstances outside of your control. Write a personal essay that recounts the emotional trajectory you experienced, beginning with the backstory and memories of your relationship to the tradition. Were you able to preserve the core importance of the tradition? What was lost or gained?
In her memoir Things in Nature Merely Grow, forthcoming from Farrar, Straus and Giroux in May, Yiyun Li writes about the loss of her two teenage sons. After her son Vincent’s death, Li wrote a book for him “in which a mother and a dead child continue their conversation across the border of life and death.” However, she finds that her son James’s character and their relationship evade her desire to write a book for him and in composing this memoir, Li embarks on a project to find a new alphabet, a new language, and a new way of storytelling. Taking inspiration from Li, write a lyrical essay about someone you have lost in a style that reflects their personality and your relationship, in all its complexities. Allow yourself to be experimental with structure and chronology.
Among the thousands of structures that were destroyed in the devastating Los Angeles wildfires earlier this year was one home in Altadena. The house had been slated for renovations to become a foundation and residency honoring the late author and critic Gary Indiana, who died in October 2024. A shipment of hundreds of books constituting the writer’s personal library arrived at the home hours before the Eaton Fire, the entirety of which is now lost. Along with the library was an irreplaceable record of the authors who inspired Indiana’s work. In an act of reparative imagination, write a personal essay about a literary hero of yours and reflect on what might drive their creativity. If there are interviews and other materials available in which your subject reveals their muses, allow yourself the freedom to focus on your own speculations and connections.
Directed Boris Lojkine, the award-winning French drama film Souleymane’s Story follows a young immigrant from Guinea who prepares for his interview to seek asylum refugee status in Paris. In the harrowing forty-eight hours prior to his interview, Souleymane careens through the streets as a bike courier for a food delivery app account he rents for a hefty fee from a fellow immigrant, tries to memorize falsified stories about political imprisonment another immigrant coaches him on for a fee, and rushes to find a bed each night in a homeless shelter. Write a personal essay that recounts a momentous event from your life and begins forty-eight hours before the climactic scene. Try playing with focused descriptions of your surroundings and the style of your prose to reflect the pacing and dramatic moments of your story.
How much creative work do you do in a day? When Chinese artist and activist Ai Weiwei was asked this question for the New York Times Style Magazine’s Artist’s Questionnaire series, he said, “My work is trying to break the boundary of what is normally called ‘creative.’ I avoid trying to be creative. I try to push myself into normal life and bring the integrity of a normal life into the so-called art world.” Take inspiration from the idea of breaking down these boundaries and consider all the different ways your creative identity potentially bleeds over into your daily tasks and vice versa. Write a personal essay that begins with an exploration of how your relationship to language, craft, or aesthetics has affected your general outlook. Then expand on how this artistic perspective manifests in your day-to-day habits, actions, and interactions.
On March 11, 2020, the World Health Organization declared COVID-19 a global pandemic. Five years later, it may all feel like a distant dream (or nightmare) or completely forgotten, but there’s no denying that the pandemic created irrevocable changes in our world, both big and small. Write a personal essay that reflects on how your life has transformed in the last five years. You might trace certain hopes, fears, or expectations as they evolved over the course of each year and consider where you are today. What have been the biggest shifts in your mindset regarding relationships with family and friends, socializing, health, finances, and travel?
“There’s so much more to a book than just the reading; there is a sensuousness,” author and illustrator Maurice Sendak once said in a 1970 interview. Contrary to the growing demand of audiobooks and e-books, the tactile and tangible presence of a printed book is still regarded by antiquarian and rare book collectors, as well as bookstore lovers. Write a personal essay that examines your own book collecting philosophies, whether you dabble in digital editions or hold onto print books from certain periods of your life. As a reader and a writer, how do you perceive the value and enjoyment of a book as an object—the tactile delights, the smell, the sound of the pages, the craftsmanship, the wear and tear, the inscriptions found in used tomes? What does this say about your artistic pursuits and how they have evolved over time?
Have you ever conducted an oral history interview? There are many reasons for recording one, from documenting family stories to reporting the experiences of survivors of tragedies and storing knowledge and perspectives of a particular region or culture. Try your hand at documenting personal reflections by turning to a friend, acquaintance, or family member and conduct a short interview with them, selecting a particular element of their life that you would be curious to know more about and that they wouldn’t mind sharing. You might browse your local library’s oral history projects, maps, and photographs for ideas. Afterward, write a personal essay about the experience. How did preparing the questions and asking someone to share their stories affect the dynamic of your relationship?
In “Eat, Memory,” an essay published by Harper’s Magazine in 2017, author David Wong Louie, who passed away a year after its publication, wrote about his experiences enduring years of treatment for throat cancer. Radiation, chemotherapy, a gastrostomy feeding tube, and laryngectomy surgery all affected his lifelong love for eating food and drinking, and he discovered how his memories of time spent with family and friends were deeply tied to communal dining. Write a lyric essay composed of short vignettes of memories you have that are tied to food—whether preparing and cooking meals, celebrating while eating out at a restaurant, buying produce at the market, or recalling phases of favorite snacks shared with friends. Taken together, how do these memories reveal a larger portrait of how you’ve enjoyed or been nourished by time spent around food?
In a recent New York Times Magazine interview, Dr. Anna Lembke, a Stanford psychiatrist who studies a variety of addictions from substance abuse to social media, talks about her speculative theory about contemporary society and narcissism. “Our culture is demanding that we focus on ourselves so much that what it’s creating is this deep need to escape ourselves,” she says. Take a break from self-actualization and write an essay that focuses on a close friend or loved one to create a lyrical profile of sorts. If you instinctively relate your observations and memories back to yourself, correct course and try to place the focus as much as possible on someone else. What emerges as a result?
Written around 2000 BCE in ancient Mesopotamia, “The Love Song of Shu-Sin” holds the record as the oldest known love poem. Forty centuries later, love poetry continues to be written, in times of joy and sorrow, for all different types of occasions in as many different styles as there are writers. Choose a favorite love poem and spend some time considering the people and things you’ve loved. Write a personal essay that reflects on the elements of the poem that most deeply resonate with you, whether it be the diction, imagery, or sentiments expressed. In what ways does this poem remind you of meaningful relationships in your life? How do these words reflect a message about love?
The science fiction thriller television series Severance, created by Dan Erickson, is centered around a group of characters who work on a classified project at a corporation and undergo a “severance” procedure, in which their nine-to-five workday selves have compartmentalized memories, separate from their outside-world selves, in effect creating two entirely differentiated lived experiences. In the pilot episode, it’s revealed that the main character Mark underwent the procedure after he lost his wife to a car accident, and in his grief was unable to continue with his job as a college history professor. Write a nonfiction piece that explores this idea of severance, speculating on a certain portion or element of your life that you would consider “severing” from your day-to-day consciousness. Though there might be gains, would they outweigh the losses?
Mati Diop’s 2024 hybrid documentary, Dahomey, chronicles the repatriation of twenty-six cultural treasures—including sculptures and a throne plundered during France’s colonial rule over the Kingdom of Dahomey—following them from the Musée du quai Branly in Paris back to the present-day Republic of Benin. Diop intersperses her footage with poetic voice-over narration representing the sentiments of a statue of a king, and uses cameras placed in the perspective of the looted artifacts while they’re in transit, the screen going dark when the crates are sealed and shipped. Think of an artwork, artifact, or other personally significant object that, due to its location in time or geography, has existed during a tumultuous period. Write a lyrical essay that gives the item voice and expression, using imaginative language to animate the inanimate with the capability of experience or witnessing.
During a time of year when many people are taking stock of the previous twelve months and preparing for new resolutions and fresh starts, take a brief contrarian turn and compose a personal essay that focuses on the well-trodden: old habits, die-hard routines, and tried-and-true tendencies. What are some things that you’d passionately never want to give up? Perhaps your essay is a compilation of a list of objects, behaviors, people, or traditions that have proven their worth over an extended period of time; or you might concentrate your essay on one specific subject, something dear you vow to hold onto. Are there trade-offs, sacrifices, or curiosities about the costs of keeping the old? How do you weigh any misgivings against your convictions?
In a recent New York Times article about New Year’s resolutions, Holly Burns describes the value of creating resolutions that are connected to other people. Burns cites Stephanie Harrison, author of New Happy: Getting Happiness Right in a World That’s Got It Wrong (TarcherPerigee, 2024), who says: “Our society has treated happiness as a highly individualistic pursuit—the idea being that it’s something that you make for yourself, that you get for yourself, and you do it all alone,” and yet, research shows that interpersonal relationships contribute to a significant portion of people’s happiness. Inspired by the idea of creating resolutions for the year (or beyond) that involve spending time with others, write a personal essay that reflects on times when you have discovered joy when helping or being helped by another person, perhaps unexpectedly. How might you incorporate this into future habits?