Writing Prompts & Exercises

Wesley Yang’s essay collection, The Souls of Yellow Folk (Norton, 2018), takes inspiration from W. E. B. Du Bois’s 1903 book, The Souls of Black Folk, which addresses the experience of double consciousness: a divided identity split between the consciousness of how one views oneself and how one is viewed by others. A number of Yang’s essays examine his role as a writer within “the peculiar burden of nonrecognition, of invisibility, that is the condition of being an Asian American man,” and circle around the frustration and isolation of attempting to reconcile or unify public opinion with one’s inner life. In your own nonfiction, have you struggled with representing yourself honestly while being conscious of how your readers might view you? Write an essay about striking a balance between writing truthfully about your interior self and considering the pressures of others’ perceptions.

Poet Maggie Smith’s essay “Tracking the Demise of My Marriage on Google Maps” published in the New York Times Modern Love column, uses images of her house on Google Street View, photographed throughout a period of several years, as a means of imagining and remembering the events that occurred inside the residence. Smith reflects on the trajectory of her relationship with her husband and the gradual transformations of their family. Look up a current or former residence of yours using Google Street View. Click through photos taken over the years if available, and write a remembrance of your time spent there, focusing on your habitual movements within the home and how they have affected your relationships.

In the essay “The Poet’s Table,” published by the Poetry Foundation, food writer Mayukh Sen pays tribute to the late Maya Angelou for her lesser-known literary feats: her cookbooks. Angelou published two cookbooks when she was in her seventies and eighties, which offer readers more than just lists of measured ingredients and directions. The pages are filled with anecdotes and deeply personal stories touching upon cultural narratives, racial divisions, juvenile traumas, and moments of joy. “I feel cooking is a natural extension to my autobiography,” Angelou told the Guardian in 2011 regarding her cookbooks. This week, think of a recipe that contains some of your personal history within it—childhood memory, exploration of heritage, sense of place, or simply a snapshot of life. Write about the dish in detailed prose, allowing instruction to blend with your reminiscence.

In Amanda Hess’s New York Times essay “The End of Endings,” she writes about how in our current age of “the prequel, the reboot, the reunion, the revival, the remake, the spinoff,” the logic of the Internet contributes to a timeline where nothing ends, a time when scrolling through social media continues indefinitely, an age of never-ending online content. Whereas in the past, “we needed stories to end so we could make sense of them.” Write a personal essay that extends a previously explored subject or experience to investigate what came before or after, or that offers a different version or perspective. 

Is simpler always better? Last year, scientists reported findings that the familiar and more easily built, open bowl-shaped nests most birds build today likely evolved from more complicated dome-shaped nests with protective roofs, not the other way around as previously theorized. Write a personal essay about a task you’ve attempted to simplify, perhaps an everyday skill like cooking or cleaning that you learned from an elder as a child. Did you find your way was more efficient or did you go back to the ways you were taught? Has hindsight provided new perspectives?

In a recent New York Times profile by Penelope Green, author Anne Lamott says, “I don’t write stuff I don’t think is universal, if I write about my butt or my body or my, you know, challenges with self-esteem or my raging ego, I know it’s universal.” Jot down a list of personality traits, idiosyncratic beliefs or opinions, or past situations that seem extremely specific to you alone. Upon deeper reflection, is there a possible overlap between any of these topics and circumstances others may be familiar with? Select one of these items and write a personal essay that extends this seemingly personal concern into the realm of the universal.

“Where would we be without the women who plant their feet, who set their chins, who step forward and never fear the dark?” asks Laird Hunt in his Literary Hub essay “In Gratitude for the Fierce Women of the World.” Hunt describes his high school girlfriend and his grandmother, who both served as fierce female inspiration for him and his novels which center on women who “are making their own story, their own names, their own games.” Write a personal essay about a woman who has had a powerful presence in your life, who inspired you to persevere, to overcome obstacles, to not back down. 

“As a nonfiction writer I tend to write about things when I am still in the midst of them, when I am too close to the subject matter and there is no possible resolution to the thing I am writing about,” writes Steph Auteri in “Writing Partners: Working Together Through Writing and Life” in the November/December issue of Poets & Writers Magazine. What issues or conflicts are you in the midst of struggling with right now? Begin an essay about a subject that you are dealing with at the moment, writing down all the raw emotions without self-editing. Perhaps in a few weeks or months, you can revisit the piece and decide whether to continue working on it from more of a distance.

This past August, a couple browsing through a Florida Goodwill store’s secondhand goods found a baseball mitt that was lost by their son forty years earlier when the family lived in their hometown in Ohio. Think of the various belongings you lost as a child. Is there one item in particular whose loss hit you the hardest, or that you find yourself thinking about often? Write a personal essay about several long-lost objects, drawing upon your memories and what the object’s importance expresses about your values. If the objects were to turn up now, would they still hold meaning for you?

“And it seemed as though in a little while the solution would be found, and then a new and glorious life would begin; and it was clear to both of them that they still had a long, long road before them, and that the most complicated and difficult part of it was only just beginning.” In “The Chekhov Sentence That Contains Almost All of Life” published in the Atlantic, Gary Shteyngart talks to Joe Fassler about this last line of Anton Chekhov’s 1899 short story “The Lady With the Dog,” and explains why he believes it expresses a universal truth about all human relationships. Find a favorite final sentence from a prose piece you have long appreciated and write a personal essay about why you find it particularly resonant. How has your reading of it evolved over the years, and what memories surface upon its recollection?

In the September/October issue of Poets & Writers Magazine, Heather Lanier writes: “Don’t settle for your first idea or point, the thing that might have brought you to the page. Let that first point be a jumping-off place to deeper questioning.” Lanier shares an anecdote about starting an essay initially focused on exploring the etymology of a word, and then realizing it was on track to recreate a well-trod argument, a realization which steered her toward a more challenging and uncertain direction. Think of an essay topic that seems like a good idea for exploration, and then seek “the deeper questions, the ones for which you don’t have ready answers” as you write and dive into your topic. Where do you end up when you can’t see where you’re headed? 

“One of the most surprising responses to my book came from my mother. She said above all what the poems illustrated to her is that anyone can be a monster to any number of people—even if they don’t intend to act in ways that harm,” writes Diana Arterian in an essay on the Poetry Foundation’s blog, Harriet. Write an essay about a time when you were caught off guard by a surprising or unusual response to your creative writing, perhaps by someone close to you. How did this unexpected, or unintended, reaction offer a new perspective into your own work?