Article Archive

Small Press Points highlights the happenings of the small press players. This issue features Blue Moon Books, Soft Skull Press, Grove Press, Grove/Atlantic, Inc. Clear Cut Press, and Broadsided Press.

Why is Portland, Oregon, my favorite city in which to read? Let me count the ways.

This is the first installment in a series of Postcards written by Steve Almond and Julianna Baggott, coauthors of Which Brings Me to You (Algonquin Books, 2006), while on tour to promote their book.

Literary MagNet chronicles the start-ups and closures, successes and failures, anniversaries and accolades, changes of editorship and special issues—in short, the news and trends—of literary magazines in America. This issue's MagNet features One Less Magazine, the Women's Review of Books, Cream City Review, Global City Review, Bat City Review, Backwards City Review, and Poetry.

Sadly, recent revelations are forcing readers—confronted by a brand-new band of literary scallywags, hucksters, and hoaxers—to reconsider the veracity of the story as well as that of the storyteller.

As marketing director of Copper Canyon Press, the thirty-four-year-old independent publisher of poetry in Port Townsend, Washington, I am required to read a lot. While most of the titles on my reading list are poetry collections, I recently read two nonfiction texts that got me thinking about the "economics" of creative writing.

It took a long time to write these words. I'm not referring to the psychosomatic affliction known as writer's block. I mean the delays caused by the process of composition and revision.

Small Press Points highlights the happenings of the small press players. This issue features Seven Stories Press, Impassio Press, and BOA Editions, Ltd.

Bill Manhire is one of New Zealand’s most visible writers and certainly its most visible poet. The country’s inaugural poet laureate, Manhire is the author of more than ten books of poems, including Lifted, recently published by his long-time New Zealand publisher, Victoria University Press.

On a frigid night in early March, a well-dressed crowd of around five hundred people piled into the New School’s Tishman Auditorium to witness the announcement of the winners of the National Book Critics Circle Awards. The membership organization of seven hundred critics and reviewers, founded in 1974, bestows awards annually for poetry, fiction, biography, general nonfiction, and criticism. This year, for the first time, autobiography (or memoir), was added as a separate category—an interesting distinction at a time when the controversy over the genre has dominated literary news.