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Articles from Poet & Writers Magazine include material from the print edition plus exclusive online-only material.
Literary MagNet chronicles the start-ups and closures, successes and failures, anniversaries and accolades, changes of editorship and special issues—in short, the news and trends—of literary magazines in America. This issue's MagNet features New Letters, Brick, The Ohio Review, 96 Inc, Poetry Review, Gloss, and Explorations.
Alice James Books has published about 130 books by an eclectic list of poets including Jane Kenyon, Fanny Howe, B.H. Fairchild, Timothy Liu, and Rita Gabis, and it will celebrate its 30th anniversary with a yearlong schedule of events in 2003.
After finishing About a Boy by Nick Hornby, a reader in New York City left it on a Starbucks magazine rack with hopes that someone would pick up the novel and read it. Two days later a reader from Delta, British Columbia, found the book, took it back to Canada, read it, and left it in the waiting room of a dentist's office, where it found its way into the hands of another local reader. The tracking of such a literary journey is made possible by a unique online book club called BookCrossing.com.
Less than a year after his third novel, The Corrections, was awarded the National Book Award for fiction, Jonathan Franzen is back with a new collection of nonfiction.
Literary MagNet chronicles the start-ups and closures, successes and failures, anniversaries and accolades, changes of editorship and special issues—in short, the news and trends—of literary magazines in America. This issue's MagNet features One Story, Chicago Review, Boston Review, Agni, Ploughshares, Poetry, Blackbird, and Creative Nonfiction.
A Word A Day: A Romp Through Some of the Most Unusual and Intriguing Words in English—a collection of 273 unusual, obscure, and exotic words inspired by Anu Garg's linguistic e-mail service, A.Word.A.Day—will be published by John Wiley & Sons in October.
Black Sparrow Press, based in Santa Rosa, California, began in 1966 as a vehicle for John Martin to publish the work that he loved, but went on to become a financial success. It published more than 650 titles, with annual sales eventually rising to more than $1 million, which is why it came as a surprise to many in the publishing industry when Black Sparrow went out of business last spring.
Three new films based on books of fiction are scheduled to be released in October: Ethan Canin's The Palace Thief, Michael Cunningham's The Hours (which features an all-star cast including Meryl Streep, Nicole Kidman, Julianne Moore, Claire Danes, and Ed Harris), and Janet Fitch's White Oleander.
Over three hundred poems, short stories, and essays written in response to the events of last September have been collected in three new anthologies: September 11, 2001: American Writers Respond, Poetry After 9/11: An Anthology of New York Poets, and 110 Stories: New York Writes After September 11.
Witnesses looked on in anguish as the murky flood waters of the Vltava River surged over Prague, one of the world’s greatest literary cities-home of Kafka, Kundera, Hrabal, and Havel.
Don DeLillo is the author of twelve novels, including White Noise, Libra, Underworld, Mao II, and most recently, The Body Artist. He has won the National Book Award, the PEN/Faulkner Award for fiction, the Lila Wallace-Reader's Digest Award, and the Jerusalem Prize. He was born in 1936 and grew up in the Bronx.
The 16th annual Paris Writers Workshop wrapped up on July 5 after a week-long schedule of workshops, lectures, readings, and walking tours.
In January, National Geographic Books launched a series that offers a different kind of travel book—one that uses the unique perspective of a writer to explore the larger implications of place.
This is not an essay. Though maybe, in a way, it is. Because it's a strange thing about essays—even talking about them, trying to get at what they are, it's hard not to cleave to the spirit of the essay, that inconclusive, most outwardly formless of forms, which spills and seeps into so many other kinds of writing-memoir, feature, commentary, review—and punctuates every assertion with a qualification, a measure of doubt, an alternate possibility.
Writers, publishers, and bookstore owners who have profited a great deal from the success of Oprah's Book Club reeled from the announcement on April 5 that Oprah Winfrey had made her last monthly book club selection, for nothing else could elevate a book to the status of best-seller quite like it.
Giving a public reading, for most writers, involves a good deal of anxiety, a powerful dose of pride in one's work, and the cool relief of getting through the experience without humiliation. Payment often comes in the form of applause. But for those writers whose names regularly appear on book jackets and prize announcements, public readings can mean big business—and big paychecks.
Poet and editor Dave Smith will resign in July from The Southern Review, the literary journal based at Louisiana State University that he has been co-editing since 1990. Smith, who turns 60 in December, will leave Baton Rouge and the literary post of his hero, the poet Robert Penn Warren who started the journal, for a Chair in Poetry at Johns Hopkins University in Baltimore. The move will allow him to remain in the South, his home and the inspiration for much of his work.
W. S. Merwin made his first appearance at the Village Voice bookstore on May 27, the same evening a hailstorm hit Paris. Merwin is the author of 20 books of poems, four books of prose, and nearly 20 books of translations, including one of the Middle English Sir Gawain and the Green Knight, which is scheduled for publication in October by Knopf.
Lorine Niedecker: Collected Works, edited by Jenny Penberthy, a professor of English at Capilano College in Vancouver, was published in April by the University of California Press. The collection presents all of her surviving poetry and plays.
On April 1 Tree Swenson took up the post of executive director of the Academy of American Poets, the New York City–based membership organization responsible for founding National Poetry Month. Swenson succeeds William Wadsworth.
A new publishing model is emerging. Companies like Context Books, MacAdam/Cage, and McSweeney's Books are breaking with what has become standard publishing practice, and authors, agents, and the media are taking notice.
Public allegations of plagiarism are leveled at unsuspecting authors at least once a year, but their frequency doesn't diminish the calamitous results: bruised reputations, soured accusers, disenchanted readers, and riled media. This spectacle isn't, however, an invention of our media-saturated age. Public fascination with plagiarism is as old as our appetite for scandal.
This year the Poetry Society of America is celebrating the 10th anniversary of Poetry in Motion—the program that brings poems to subways and buses across the country. The 92-year-old literary nonprofit is printing newly designed posters, sponsoring a poetry contest, and hosting readings in Los Angeles, Chicago, and New York City.
The appearance of Karen Volkman's first book of poems, Crash's Law, selected for the National Poetry Series in 1995 and published by Norton the following year, signaled the arrival of a startling and canorous voice in American poetry. In the introduction to the book, series judge Heather McHugh called Volkman "an analyst of love," and remarked that the book "bespeaks a mind attuned no less to the accidents than to the orders of a sensual life."
Claudia Keelan was born in 1959 in Anaheim, California. She is the author of three books of poetry, Refinery (Cleveland State University (1994), The Secularist (University of Georgia, 1997), and Utopic (Alice James, 2000). A graduate of the University of Iowa Writers Workshop, Keelan directs the MFA program at the University of Nevada Las Vegas.
