Ten Questions for Rhoni Blankenhorn

“Notes/fragments help me relive moments that carry seeds, sparks, moments of import, humor, and beauty.” —Rhoni Blankenhorn, author of Rooms for the Dead and the Not Yet
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Articles from Poet & Writers Magazine include material from the print edition plus exclusive online-only material.
“Notes/fragments help me relive moments that carry seeds, sparks, moments of import, humor, and beauty.” —Rhoni Blankenhorn, author of Rooms for the Dead and the Not Yet
The author of Scream / Queen (Acre Books, 2025) recommends poets expand their research beyond their typical interests.
“The research I did for this novel was so intriguing, looking at the psychology and science of siblinghood, memory, identity.” —Fran Littlewood, author of The Accidental Favorite
The author of Scream / Queen (Acre Books, 2025) encourages poets to consider world-building in their collections like compiling a concept album.
Drawing on recommendations from industry veterans, one of our senior editors interviews six agents who reflect the best of a new cohort of talent, each with a vision for evolving the industry and a profound investment in their writers.
A former magazine editor shares how his experience satisfying and subverting audience assumptions during his tenure at GQ helped him better consider reader expectations throughout the novel-writing process.
A writer discusses the impact of perceived literary success on her marriage to another writer, drawing attention to the domestic and quotidian labor behind the privilege of being able to pursue one’s creative dreams.
Writing a book is a daunting challenge—but the texts we know and love can help. A nonfiction writer describes how a methodically organized spreadsheet of favorite quotes aided her journey from proposal to finished memoir.
A Nigerian professor and fiction writer describes how a new place like Starkville, Mississippi, becomes a home and how the color, texture, and form of her surroundings make their way into her storytelling.
Lauren Grodstein, David Heska Wanbli Weiden, Megan Kamalei Kakimoto, Honorée Fanonne Jeffers, and Jonathan Escoffery introduce five debut fiction authors: Sarah Yahm, Jon Hickey, Carrie R. Moore, Aaron John Curtis, and Jemimah Wei.
A new book examines Toni Morrison’s years as an editor at Random House and the complicated art of publishing books of poetry by Barbara Chase-Riboud, Lucille Clifton, and June Jordan.
It’s a stranger time than ever to exist online. An experienced agent at Frances Goldin advises anxious writers to focus on craft and not let cultivating an online following get in the way of writing the strongest manuscript possible.
The range of potential agents can feel overwhelming to someone just starting out; a senior agent at the Transatlantic Agency shares her tips for connecting with someone who will stand by your work with commitment and thoughtfulness.
Recently appointed judge of the Yale Series of Younger Poets, Monica Youn speaks about the value of publishing a debut collection regardless of age, how form helps poems come alive, and what she looks for as she reads submissions.
Novelist and graphic designer Peter Mendelsund describes embracing imperfection through the creative practice of painting, including using his nondominant hand, smearing the paint with a trowel, and flipping the canvas.
The author of How to be Unmothered: A Trinidadian Memoir spotlights magazines and journals, such as Forge Literary Magazine and Kweli, that authentically welcomed excerpts of her work.
Based in North Carolina, the independent publisher Blair champions local narratives, overlooked stories, and perspectives outside of traditional publishing. The press publishes ten to twelve books yearly in poetry, nonfiction, and fiction.
One poet’s personal reading goal gone viral, the Sealey Challenge invites participants to read a book of poetry every day in August and to share their reading lists publicly, offering sustained immersion in poetry and its community.
In the wake of the California wildfires, literary community members grieve the loss of public spaces and personal archives, and reflect on the creative relief efforts that offer hope.
The first lines of a dozen noteworthy books, including Florida Water by aja monet and I’ll Tell You When I’m Home by Hala Alyan.
For decades, the International Writing Program in Iowa City facilitated transformative connections for its resident writers—but the loss of funding worth nearly a million dollars challenges staff and students to find ways to keep going.
Artificial intelligence has irrevocably changed the paradigm of publishing. A journalist and editor speaks to agents about their thoughts on AI in a professional context, raising questions about contracts, rights, and the nature of art.
Write a poem that creates unexpected connections, a story from the point of view of someone older than you, or a pair of lyrical essays that explore your personal responses to losses and gains.
“If you put the hours in, the work will work itself out.” —Shoshana von Blanckensee, author of Girls Girls Girls
The author of Scream / Queen (Acre Books, 2025) encourages writers to consider how music albums are introduced as they craft the beginning of poetry collections.