New Small Press Incubator Fellowship
The Center for Book Arts’s new fellowship program supports BIPOC creatives with essential resources to start a small press, planting seeds for a more diverse and equitable vision of publishing.
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The Center for Book Arts’s new fellowship program supports BIPOC creatives with essential resources to start a small press, planting seeds for a more diverse and equitable vision of publishing.
The former editorial director of Akashic Books, now an executive editor at Viking, talks about his experience moving from an indie press to one of the Big Five publishers.
The executive editor of Callaloo Literary Journal, one of the most influential publications of the African diaspora, speaks about Callaloo’s future and how the journal will continue to break new ground.
Excerpts from Bones Worth Breaking by David Martinez, Little Seed by Wei Tchou, The Lucky Ones by Zara Chowdhary, The Exit Is the Entrance by Lydia Paar, and Come by Here by Neesha Powell-Ingabire.
The Equity Directory is just one of the resources that the Literary Agents of Color initiative has developed to increase visibility of BIPOC agents and encourage new, fruitful relationships between agents and authors.
A new exhibit opening in June at the National Museum of the American Indian considers the important role that visual and material storytelling plays in chronicling the histories of Great Plains Native nations.
An introduction to three new anthologies, including Disability Intimacy: Essays on Love, Care, and Desire and A Mouth Holds Many Things: A De-Canon Hybrid-Literary Collection.
The principal agent of McKinnon Literary talks about how publishing can be a form of activism, the different ways agents and authors can use comp titles, and how the future of the book business still holds many wonderful possibilities.
Essays by debut authors Eirinie Carson (The Dead Are Gods), Leah Myers (Thinning Blood), Andrew Leland (The Country of the Blind), Jen Soriano (Nervous), and Jami Nakamura Lin (The Night Parade).
Random House executive editor and vice president Jamia Wilson talks about her passion for publishing as a craft, how being a writer informs her work as an editor, and the importance of keeping an expansive interest in books.