How to Write Ethically About Those You Love, and Don’t Love Anymore
The author of Pulse (Omnidawn, 2026) offers insight on how to approach writing sensitively about one’s most intimate relationships.
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In our weekly series of craft essays, some of the best and brightest minds in contemporary literature explore their craft in compact form, articulating their thoughts about creative obsessions and curiosities in a working notebook of lessons about the art of writing.
The author of Pulse (Omnidawn, 2026) offers insight on how to approach writing sensitively about one’s most intimate relationships.
The author of Pulse (Omnidawn, 2026) considers how metaphor can help metabolize anger.
The author of Pulse (Omnidawn, 2026) considers how one can morally bend the truth in poetry.
The author of Clutch (Tin House, February 2026) describes the rigorous line work that went into finishing her manuscript.
The author of Clutch (Tin House, February 2026) reflects on adjusting rising and falling action across time in fiction.
The author of Clutch (Tin House, February 2026) reflects on poetic time, dialogue, and writing effective scenes.
The author of Cord Swell (Norton, 2025) considers the power of leveraging different media in poetry.
The author of Cord Swell (Norton, 2025) reflects on offering reverence to ordinary objects in poetry.
The author of Cord Swell (Norton, 2025) considers how memory can be mined for particular phrases and pronunciations to guide poetry.
The author of Voice of the Fish: A Lyric Essay (Graywolf Press, 2022) reflects on what a trans essay might look like.
The author of Voice of the Fish: A Lyric Essay (Graywolf Press, 2022) considers what it would mean for the essay to embrace new kinds of meaning-making.
The author of Voice of the Fish: A Lyric Essay (Graywolf Press, 2022) reflects on the ancient origins of the essay form.
The author of Ocean of Clouds (Knopf, 2025) considers the lineage of his own loping lines and encourages poets to try them.
The author of Ocean of Clouds (Knopf, 2025) considers the benefits of planning elements of a poem before its composition.
The author of Ocean of Clouds (Knopf, 2025) reflects on the practice of poetry as one of both composition and listening.
The author of Bright Fear (Faber & Faber, 2023) and Flèche (Faber & Faber, 2019) explores what it means to write a self that “is in a perpetual state of becoming.”
The author of Bright Fear (Faber & Faber, 2023) and Flèche (Faber & Faber, 2019) considers what it means to estrange a familiar motif in one’s writing.
The author of Bright Fear (Faber & Faber, 2023) and Flèche(Faber & Faber, 2019) reflects on how queer traces in literature can open doorways of possibility.
The author of no swaddle (University of Iowa Press, 2025) reflects on approaching uncertainty on the page.
The author of no swaddle (University of Iowa Press, 2025) considers the legacies and influences of authors engaged in similar forms and topics.
The author of no swaddle (University of Iowa Press, 2025) considers the value of both engaging with and refuting a traditional form.
The author of Indigo (Copper Canyon Press, 2020) reflects on the lessons Robert Frost offers us when writing about loss.
The author of Indigo (Copper Canyon Press, 2020) recommends writers use coding when trying to describe loss.
The author of Indigo (Copper Canyon Press, 2020) reflects on how writers can turn grief into literature.
The author of Restitution (Regal House Publishing, September 2025) recommends writers refine their research and examine which details actually serve their characters and plots.