Next-Level Diversity: Beyond Faces and Names

The author of Spring, Summer, Asteroid, Bird (Norton, 2025) encourages writers to consider a deeper definition of diversity and embrace alternative storytelling styles and structures.
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The author of Spring, Summer, Asteroid, Bird (Norton, 2025) encourages writers to consider a deeper definition of diversity and embrace alternative storytelling styles and structures.
“Editing down is something I dread in the abstract because I know I can lose motivation easily. But this book has ingrained the lesson in me fully.” —Dennis E. Staples, author of Passing Through a Prairie Country
The author of Spring, Summer, Asteroid, Bird (Norton, 2025) recommends writers embrace circuitous storytelling structures, typical of nonwestern literature.
“The magic happens in the writing, on the page. That’s the high.” —Mariam Rahmani, author of Liquid: A Love Story
The author of Spring, Summer, Asteroid, Bird (Norton, 2025) encourages writers to introduce a surprising element more than halfway into their storytelling structure.
When you venture to inhabit identities and communities beyond your experience, seek people and places to ground your work. A journalist and novelist explains how research skills help fortify one’s imagined realities.
“Nothing makes a clunky sentence more obvious than saying it out loud.” —Margie Sarsfield, author of Beta Vulgaris
Write a poem about the pains and pleasures of cold weather, a short story that brings together an unexpected series of events, or an essay that contemplates companionship.
The author of Amphibian (Ig Publishing, October 2024) contemplates how lessons in screenwriting can be applied to fiction.
The first lines of a dozen noteworthy books, including Between the Night and Its Music: New and Selected Poems by A. B. Spellman and The Charterhouse of Padma by Padma Viswanathan.