“This is the way the world ends / This is the way the world ends / This is the way the world ends / Not with a bang but a whimper,” concludes T. S. Eliot’s 1925 poem “The Hollow Men,” described in his obituary in the New York Times as “probably the most quoted lines of any 20th-century poet writing in English.” When considering the ending of something enormously consequential, the expectation might be that the external drama of that conclusion match one’s internal turmoil, however the sorrow of Eliot’s sentiment comes through in the idea of ending not with something explosive and abrupt, but with something much smaller, anticlimactic, and quiet. Write a short story that revolves around an ending of some sort—whether it be the world, a war, or a relationship—and include some portion of these last four lines of Eliot’s poem.

In storytelling, the narrative strategy of beginning in medias res is to launch into the middle of a plot. Frequently applied to the composition of contemporary novels and films, such as Fight Club, Forrest Gump, and Raging Bull, the storytelling device can be traced back to Homer’s Greek epic poem The Iliad, which opens at the tail end of the Trojan War. This week write a poem that begins in medias res. Think of a story you’d like to recount in narrative verse and then select a starting point that may be much later than the logical or conventional beginning of the action. Sprinkle in flashbacks and recollections of memory to fill in any necessary pieces of context that allude to earlier events.

In her latest book, In the Rhododendrons: A Memoir With Appearances by Virginia Woolf (Algonquin, 2025), poet Heather Christle explores her past and her relationship with her mother through the life and work of Virginia Woolf. Christle reflects on the difficult, and sometimes painful, writing process for the book in an essay published on Literary Hub: “There’s a line from a Tony Tost poem I often think about: ‘I don’t know how to talk about my biological father, so I’m going to describe the lake.’ I had so many lakes. I began the process of draining them.” Spend some time jotting down a wide-ranging list of inspiring works of art, geographical locations, and cultural touchstones that are of interest to you. Then, begin an essay by describing something from your list that is seemingly disconnected from a difficult subject matter from your life, and inch your way toward it.

“Nothing happens without a reason. Everything was determined by something prior.” In Devs, a 2020 science fiction television miniseries written and directed by Alex Garland, the viewer is presented with heady questions around determinism and free will as more and more is revealed about a quantum simulation project at a cutting-edge tech company that appears to have the ability to simulate the world at any and all places and times, past and future. Write a short story in which you examine these ideas through characters with opposing opinions about the freedom to change the course of one’s life. You might choose to delve into science fiction or fantasy, or develop your story around a romance or a comedy of errors. What events in the past lead each character to their respective ways of thinking?

On her website, The Marginalian, Maria Popova writes about her admiration for Marie Howe’s poem “The Maples,” which appears in her Pulitzer Prize–winning collection, New and Selected Poems (Norton, 2024), and describes it as “spare and stunning.” The poem begins by asking a question that has fueled philosophical discussions for centuries: “How should I live my life?” The speaker poses this question to nearby maple trees to which they respond, “shhh shhh shhh,” and their leaves “ripple and gleam.” Compose your own poem that attempts to ask and even embody this big life question, situating a speaker in a setting in which their connection to the surrounding environment is incorporated into the answer. Do you find yourself drawn toward nature or somewhere else?

Four Seasons is a new comedy drama miniseries based on the 1981 film of the same name with an ensemble cast of middle-aged characters who are lifelong friends. Over the course of one year, the three couples take four group vacations together and reflect on the dynamics of their relationships, and in particular, the evolving circumstances after one couple’s divorce. Choose a significant relationship in your life and compose a four-part personal essay that relays an anecdote for each season of one year. You might turn back to old journals, photographs, e-mail messages, or planners for ideas and choose incidents not necessarily filled with drama, but that might reveal illuminating details about your bond with this person. Consider incorporating seasonal details to supplement the atmosphere of each section and add a sense of the passing of time through those twelve months.

Earlier this month, the National Endowment for the Arts notified hundreds of independent publishers, theaters, museums, residencies, and nonprofit arts organizations about the termination of their funding, affecting countless writers, visual artists, dancers, performers, actors, and directors. How can artists continue to create when their support is suddenly taken away? Write a short story about an artist who finds themselves without the support they need—whether financial, emotional, or otherwise. Where does your character turn and how do they keep going? Will your story take on elements of fantasy, horror, tragedy, satire, or dark comedy?

Diane Seuss’s poem “Romantic Poet,” which appears in her collection Modern Poetry (Graywolf Press, 2024), is a reference to John Keats and his famous poem “Ode to a Nightingale.” Seuss writes: “You would not have loved him, / my friend the scholar / decried. He brushed his teeth, / if at all, with salt. He lied, / and rarely washed / his hair.” This week write a poem about someone or something you love that takes inspiration from Seuss’s poem and the ways in which her verse spans the universe of mundane actions and the sublime. Consider how to apportion the profane and the profound with alternations. How can the rhythm, pacing, and sound of your lines introduce a tension between what you love and the reality of what you love?

When asked how he fills his days, in a 2019 Paris Review interview by Patrick Cottrell, author Jesse Ball talks about a household rule of not speaking in the morning and waiting until lunchtime to interact. “That leaves the morning for thinking,” says Ball. Write a personal essay about a routine or rule you have created to accommodate coexisting with another person, whether a parent, child, romantic partner, or roommate. How did you negotiate a compromise for your individual priorities? Were there any unexpected outcomes to the arrangement? Consider how the balance played out between what you sacrificed and what was gained with the cohabitation.

Pangolin: Kulu’s Journey, a new documentary directed by Pippa Ehrlich, who won an Oscar for My Octopus Teacher, chronicles the rescue of a pangolin from wildlife traffickers in South Africa. In one sense, the film is about the progression of a baby pangolin named Kulu who learns skills such as foraging, gains a healthy amount of weight, and heals from his trauma before being set free in the wild. But another rescue enters the story as Gareth Thomas, a middle-aged man with a troubled past, volunteers for a nonprofit pangolin center and finds meaning in his life after spending over a year rehabilitating and eventually letting go of Kulu. Write a short story in which your main character is on a rescue mission and ends up being healed or redeemed in an unexpected way. What are the obstacles along the way that provide moments of comedy, suspense, or pathos?