Upcoming Contest Deadlines

Are you an established writer developing a major creative project? Or perhaps an emerging or debut poet seeking to place your chapbook or full-length collection? Read on to learn about two prestigious fellowships and three poetry contests with application deadlines between September 14 and September 19. Both fellowships are open to poets, fiction writers, and nonfiction writers and offer $50,000 or more with no entry fee. All prizes awarded for poetry collections offer publication and $1,000 or more. We hope you share your work!

Harvard University
Radcliffe Institute Fellowships

Fellowships of $78,000 each, office space at the Radcliffe Institute, and access to the libraries at Harvard University are given annually to poets, fiction writers, and creative nonfiction writers to allow them to pursue creative projects. Fellows, who are expected to reside in Boston during the fellowship period, which lasts from September through May, also receive $5,000 to cover project expenses. Poets who have published a full-length collection or at least 20 poems in magazines or anthologies in the last five years and who are in the process of completing a manuscript are eligible. Fiction and creative nonfiction writers who have published one or more books, who have a book-length manuscript under contract for publication, or who have published at least three shorter works are eligible. Writers who are graduate students at the time of application are not eligible. Deadline: September 14. Entry fee: None.

Lightscatter Press
Poetry Prize

A prize of $1,000, 25 author copies, and multimodal publication by Lightscatter Press is given annually for a poetry collection written by an emerging writer. Hybrid works and multilingual texts that combine English with another language are eligible. Eduardo C. Corral will judge. Deadline: September 15. Entry fee: $30.

Finishing Line Press
New Women’s Voices Chapbook Competition
 
A prize of $1,500 and publication by Finishing Line Press is given annually for a poetry chapbook by a writer who identifies as a woman and has not yet published a full-length collection. English translations of poems originally written in another language are accepted. Leah Huete de Maines will judge. Deadline: September 15. Entry fee: $20.

University of Wisconsin Press
Brittingham and Felix Pollak Prizes

Two prizes of $1,500 each and publication by University of Wisconsin Press are given annually for poetry collections. Additional finalists will be published in the press’s Wisconsin Poetry series. Deadline: September 15. Entry fee: $28.

John Simon Guggenheim Memorial Foundation
Writing Fellowships

Fellowships of approximately $50,000 each are awarded annually to poets, fiction writers, and creative nonfiction writers on the basis of “exceptional creative ability.” Citizens and permanent residents of the United States and Canada with a “significant and appropriate record” of publication are eligible. Deadline: September 19. Entry fee: None.

Visit the contest websites for complete guidelines, and check out the Grants & Awards database and Submission Calendar for more contests in poetry, fiction, creative nonfiction, and translation.

Shared Questions

8.31.23

In “Singing Into the Silence of the State,” an essay from Dark Days: Fugitive Essays (Graywolf Press, 2023) by Roger Reeves, who speaks about his first book of prose in our September/October 2023 issue, many unanswered questions are posed to the reader. “What is the song that can be sung to soothe a fretting child in a bomb shelter?” writes Reeves. “What is the necessity of singing during catastrophe, whether State-created or virus-induced?” Through these questions, Reeves considers how to console his young daughter, himself, and the reader while in the midst of social unrest and a pandemic. Try writing an essay that begins and ends with a question. What are you asking your reader to consider and how can you offer consolation through this shared questioning?

Good Day’s Work

8.30.23

In 1894, President Grover Cleveland signed a law declaring the first Monday of September as a workers holiday after labor unions pushed for recognition of both the contributions and mistreatment of American workers. Some of the laws that protect workers today—the forty-hour workweek, minimum wage, and health coverage—began with celebrating Labor Day. Workplace struggles can inspire great writing, whether it be about feeling stuck in a dead-end job, as in Raven Leilani’s novel Luster (Farrar, Straus and Giroux, 2020), or real-life experiences, as in Philip Levine’s collection What Work Is (Knopf, 1991), in which the poems offer a portrait of assembly line workers. Write a short story centered around a protagonist’s relationship with a job. Try to tease out the spiritual and physical repercussions of our society’s relationship with work in your fiction.

Prying Lyric

8.29.23

“Erasure poetry is a reconsideration of an existing text. There was something very satisfying about “reconsidering” The Ferguson Report—striking through whole sections of it, as if undoing the harm that had been done,” says Nicole Sealey in our online exclusive interview about her new book, The Ferguson Report: An Erasure, published by Knopf in August. In the interview, the poet discusses both the difficulty of “prying lyric from a lyric-less document” and how erasure provided access to the words she may not have found on her own. This week, find a seemingly lyric-less document and consider the words that lure you in. Try writing your own erasure poem, rubbing out words for your response to the text. For further inspiration, see this poem from Sealey’s new book.

Deadline for Academy of American Poets First Book Award Nears

Debut poets, you’ve got a week left to submit to one of the nation’s most prestigious prizes: the First Book Award from the Academy of American Poets. The winner receives $5,000, publication by Graywolf Press, and a six-week all-expenses-paid residency at the Civitella Ranieri Center in Umbria, Italy. The winning book will also be distributed to over 5,000 members of the Academy of American Poets.

Using only the online submission system, submit a manuscript of 48 to 100 pages with a $35 entry fee by September 1. Victoria Chang will judge. Visit the website for complete guidelines.

Founded in 1975, and known until 2020 as the Walt Whitman Award, the prize was created to support first-time poets and the publication of their books. Past winners of the prize include Threa Almontaser, Jenny Xie, Mai Der Vang, Sjohnna McCray, Matt Rasmussen, and Jan Heller Levi. The prize is supported by financial contributions from the members of the Academy of American Poets.

Teen Spirit

8.24.23

In her essay “Dear Judy,” published in the New York Review of Books, Melissa Febos writes about her experience watching the film adaptation of Judy Blume’s groundbreaking novel Are You There God? It’s Me, Margaret. In the essay, Febos describes the companionship Blume’s novel provided through the difficult years of her adolescence. “There was no book I read more often than Are You There God? It’s Me, Margaret. It was almost twenty years old when I encountered it, but still more candid about bodily changes and the feelings they prompted than any other children’s book I had read,” writes Febos. Think of a work of art—be it literature, film, or otherwise—that struck a chord with you in your teens. Write an essay that reflects on how this work did or did not prepare you for the years to come.

Remembering

8.23.23

“While researching the mechanisms of memory, I uncovered a delightful and, yes, terrifying fact from neuroscience: Each time we recall an event, we change it,” writes Rebekah Bergman in a recent installment of our Craft Capsules series about using the slipperiness of memory to craft fiction. “Every memory I hold onto might just be a story I tell myself. And the more I tell it as a story, the more I forget about the original event.” Is there an event from your past that’s been rewritten by the mechanisms of memory? Try writing a short story inspired by the gaps between your core memories. How can you use the slipperiness of memory to craft the perspective of a character?

Wedding Bells

8.22.23

The epithalamium, a lyric written and performed for a couple at their wedding ceremony, originated in ancient Greece with the earliest evidence of the form found in the fragments from Sappho’s seventh book in 600 BC. The form remains popular in contemporary poetry with traditional and nontraditional examples such as Jason Schneiderman’s “Stories About Love / Wedding Poem for Ada & Lucas” and poems by Alexandria Hall and Phillip B. Williams. This week, write your own version of an epithalamium. Whether it be for the future wedding of a loving couple you know or one that reflects on the institution of marriage, share your take on the ancient form.

Upcoming Contest Deadlines

Don’t let August slip past you: Submit to one or more of a dozen writing contests with a deadline of August 30 or August 31. Prizes include $3,000 and publication for a book of poetry; $1,000 and publication for a debut collection of poems, short stories, or essays; $1,000 and publication for a book of poetry by a writer over the age of 60; and more than $1,000, publication, and accommodations to give a reading at the Cork International Poetry Festival in Ireland for a poetry chapbook. All contests offer an award of $1,000 or more, and one has no entry fee. We wish you luck!

Aesthetica
Creative Writing Award

Two prizes of £2,500 (approximately $3,121) each and publication in Aesthetica Creative Writing Annual are given annually for a poem and a short story. In addition, the winner in poetry receives a membership to the Poetry Society in London, a six-week writing course from Curtis Brown Creative (a writing school led by authors and literary agents), a course from the arts organization Poetry School, and a subscription to Poetry London. The winner in short fiction receives a six-week writing course from Curtis Brown Creative and a consultation with the literary agency Redhammer Management. Both winners receive subscriptions to literary magazines Granta and Mslexia, as well as a five-day course from the London-based creative writing nonprofit Arvon. Deadline: August 31. Entry fee: $15.

Anthology Magazine
Short Story Competition

A prize of €1,000 (approximately $1,099) and publication in, plus a subscription to, Anthology Magazine will be given annually for a short story. Deadline: August 31. Entry fee: $20.

Black Lawrence Press
St. Lawrence Book Award

A prize of $1,000 and publication by Black Lawrence Press is given annually for a debut collection of poems, short stories, or essays. The editors and a panel of previous St. Lawrence Book Award winners will judge. Deadline: August 31. Entry fee: $28.

Grid Books
Off the Grid Poetry Prize

A prize of $1,000 and publication in print and audio formats by Grid Books is given annually for a poetry collection by a writer over the age of 60. Marianne Boruch will judge. Deadline: August 31. Entry fee: $25.

Gemini Magazine
Flash Fiction Contest

A prize of $1,000 and publication in Gemini Magazine is given annually for a short short story. The editors will judge. Deadline: August 31. Entry fee: $7.

Gulf Coast
Barthelme Prize for Short Prose

A prize of $1,000 and publication in Gulf Coast is given annually for a short work of prose. Deadline: August 31. Entry fee: $26.

Gulf Coast
Prize in Translation

A prize of $1,000 and publication in Gulf Coast is given in alternating years for a group of poems or a prose excerpt translated from any language into English. The 2023 prize will be given for a work of prose. Deadline: August 31. Entry fee: $13.

Journal of Experimental Fiction
Kenneth Patchen Award

A prize of $1,000 and publication by Journal of Experimental Fiction and JEF Books is given annually for an innovative novel. Carla M. Wilson will judge. Deadline: August 31. Entry fee: $25.

Munster Literature Centre
Fool for Poetry International Chapbook Competition

A prize of €1,000 (approximately $1,099); publication by Southword Editions, Munster Literature Centre’s publishing imprint; and 25 author copies is given annually for a poetry chapbook. The winner will also receive accommodations to give a reading at the Cork International Poetry Festival in 2024. Deadline: August 31. Entry fee: $27.

Omnidawn Publishing
Open Book Poetry Contest

A prize of $3,000, publication by Omnidawn Publishing, and 20 author copies is given annually for a poetry collection. Maw Shein Win will judge. Deadline: August 31. Entry fee: $35.

Talking Gourds
Fischer Prize

A prize of $1,000 is given annually for a single poem. The winner will also be invited to be a featured reader for a Bardic Trails online reading in 2024 and will receive a $100 honorarium for participating. Deborah Kay Kelly will judge. Deadline: August 30. Entry fee: $10.

Utica University
Eugene Paul Nassar Poetry Prize

A prize of $2,000 is given annually for a poetry collection published during the current year by a resident of upstate New York. The winner will also give a reading and teach a master class at Utica University in April 2024. Deadline: August 31. Entry fee: None.

Visit the contest websites for complete guidelines, and check out the Grants & Awards database and Submission Calendar for more contests in poetry, fiction, creative nonfiction, and translation.

Collected Memories

8.17.23

In his 1958 memoir, The House of Life, translated from the Italian by Angus Davidson, critic and scholar Mario Praz catalogues the objects found in the apartment in Rome where he resided for thirteen years. As an avid collector, Praz describes the furniture, pictures, and knickknacks he possesses, all of which have value in his eyes. Each object reveals more about his interior life as Praz connects them to the people he has met and loved. A rose embroidered on a sofa cover triggers the memory of his wife leaving him; he recalls wearing amber beads and an eyeglass when meeting renowned British designer William Morris’s daughter. Inspired by this unique work of literature, write a spatial autobiography of the objects in your home. Take your reader through a tour of your favorite things while weaving into your essay all the memories attached to them.

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