Memory and Place

3.28.12

Like fiction, good nonfiction narratives are often driven by description of place. Think of a place that you know well—your kitchen, your office, or a spot you often visit—and, from memory, write a passage that describes that place. Focus on the physical characteristics of the space, leaving out any emotion that may be connected to it, and be as descriptive and detailed as possible. The next time you’re there, read your description and see how accurately your memory served you. Take note of the details you may have missed. 

Wish You Were Here

3.27.12

Look through your desk or visit a thrift store or drugstore to find a selection of postcards. Write short missives to yourself in the voice of an imagined character, sending a dozen or so cards to your home address. Allow your reaction to receiving the postcards and the messages themselves, inspire the beginnings of a story.

Art of the Arbitrary

3.26.12

Open a dictionary, an encyclopedia, or a book from your bookshelves to any page; choose a word, and write it down. Repeat this nine times. Write a poem with ten couplets (they need not rhyme) using one of the words from your list in each couplet, without using the first person.

Bob Flor on Pinoy Words Expressed Kultura Arts' Annual Reading

Bob Flor, co-founder and director of  Pinoy Words Expressed Kultura Arts' on organizing their annual April Reading.

I met Reni Roxas the editor and publisher of “Hanggang sa Muli – Homecoming Stories for the Filipino Soul” with Seattle University’s United Filipino Club and their Filipino Alumni Association to develop an April reading. Contributing writers included several local poets and memoir writers. Pinoy Words Expressed Kultura Arts worked with the UFC or their counterpart, the Filipino American Student Association at the University of Washington, since 2008 to host readings featuring Filipino writers.

I’ve learned a lot, and am continuing to learn a lot, in my classes at ACT, so it’s nice to step back into the role of teacher with these annual readings. Responsibilities are parsed out so students have an opportunity to organize and manage an event. They schedule the conference room, plan and implement the marketing, arrange book sales, set-up and secure refreshments. Students emcee and host these readings, usually attracting 40 to 50 people.

The Wednesday, April 18th evening program of poetry, memoir and short story includes:

Welcome, UFC Co-emcees Michael Cu and Rosalie Cabison
Remarks by SU Filipino Alumni Association, Mary Galvez
Editor's Remarks, Reni Roxas
Introduction to Selected Readings, Maria Batayola
"The Pretenders" narrated by Eddie Jose (son of F. Sionil Jose)
"Bridging the Gap Among Filipinos in America" by Greg Castilla
"First Visit to Balogo" by Toni Bajado
"Sambayan" by Jeff Rice
"The Soil of My Roots" by Dorothy Cordova
"Pinoy Heroes" guest reading by Robert Francis Flor
* Q&A Panel *
12-Minute Audience Writing Exercise: "What Homecoming Means to Me" and sharing of written works
Closing Remarks, UFC Co-emcees
Book-signing and refreshments

The students are great because they bring curiosity, enthusiasm and potential. Several have expressed interest in becoming writers and it’s a pleasure to help bridge the gap of taking their aspirations from dreams to reality. What could be better than getting to interact with the next generation of passionate writers?

Support for Readings/Workshops events in Seattle is provided by an endowment established with generous contributions from the Poets & Writers Board of Directors and others. Additional support comes from the Friends of Poets & Writers.

Michael Cirelli Features

P&W–supported presenter of literary events Michael Cirelli, author of Lobster With Ol' Dirty Bastard, Vacations on the Black Star Line, and Everyone Loves The Situation, blogs about his experience as a P&Wsupported poet.

As I began to get a steady hold on the roller coaster that is nonprofit management, while still finding time to engage NYC's rich literary scene, I quickly realized that not only did Urban Word NYC benefit from P&W’s Readings/Workshops program, but I would personally benefit from P&W support.

I was asked to read at the P&Wsupported Parachute Literary Festival in Coney Island. The coolest thing about the reading was that it was held at the New York Aquarium in front of a wall-to-ceiling sized tank of glowing jellyfish! So, while I read poems about robots, the jellyfish floated behind me looking like spaceships. Fitting. It was an incredible event and the venue made it extremely memorablenot to mention The Cyclone roller coaster and Totonno’s Pizza down the block.

My trajectory crossed paths with another amazing P&Wsupported reading, The Inspired Word series. What made this event special, aside from it being a great weekly open mic and feature, was that I was reading as a contributor to Best American Poetry 2011. My former professor and friend, poet David Lehman, hosted the reading and it was an honor to read with esteemed poets.

Being in NYC, the circles seem to get smaller and smaller. What once seemed like a dream, slowly became a reality that always seemed to be connected to P&W. I couldn’t have imagined ten years ago that one day I’d be part of a P&Wsupported reading for Best American Poetry...

Photo: Michael Cirelli. Credit: Syreeta McFadden.

Support for Readings/Workshops in New York City is provided, in part, by public funds from the New York State Council on the Arts, and the Department of Cultural Affairs, with additional support from the Louis & Anne Abrons Foundation, the Axe-Houghton Foundation, the A.K. Starr Charitable Trust, and Friends of Poets & Writers.

Millhauser's We Others Triumphs at Story Prize

Last night Steven Millhauser took the Story Prize, the annual award celebrating a short story collection published in the previous year, at a ceremony in New York City. Following readings by the author, who began his career as a novelist (a Pulitzer Prize–winning one, at that), and his fellow finalists, Don DeLillo and Edith Pearlman, Millhauser's We Others (Knopf) was announced as the selection for this year's twenty-thousand-dollar award.

Millhauser, who admits influences ranging from Dr. Seuss's And to Think That I Saw It on Mulberry Street to makers, inventors, and craftsman (including those ne'er-do-wells of his youth who revealed their secret, and unmatched, talents in woodshop), was recognized for his skill at pushing the boundaries of the imaginative process. As prize director Larry Dark noted in his onstage interview with the author, one uniting feature of Millhauser's oeuvre is the "escalation of efforts" exemplified in stories such as "Snowmen," which the author presented last night. Millhauser followed the story with a reading of a "thingamajig," which he asked the audience to regard as such, avoiding classifying the two-minute lyric romp as a "poem" or "story."

Both DeLillo, shortlisted for The Angel Esmeralda (Scribner), and Pearlman, a finalist for Binocular Vision (Lookout Books), took home five thousand dollars each. The judges for this year's award were author Sherman Alexie, translator Breon Mitchell, and Louise Steinman of the Los Angeles Public Library.

After the prizes were presented (and the authors swamped with readers seeking autographs), the evening wound down with a party for the finalists, an intimate celebration in a Greenwich Village restaurant befitting the tiny beauty of, as DeLillo put it, "the classic American form."

The Dimensions of Suffering

3.21.12

In Sarah Manguso’s memoir The Two Kinds of Decay (Farrar, Straus and Giroux, 2008), the author writes, “suffering, however much and whatever type, shrinks or swells to fit the shape and size of a life.” Write about a time in which you experienced suffering—emotionally, physically, or otherwise—and try to focus on how that suffering fit into the shape of your life then, and how it has helped shape the life you know now.

Slogan Story

3.21.12

Record the slogans you see on billboards and in other advertising as you go about your daily routine—Prescription Drug Misuse Is a Growing Trend; Forever Engagements; Truth & Honesty: That's the Manfredi Way! Choose one from the list you've gathered and use it as the opening line for a story. 

Visit a Museum

3.20.12

Visit a museum or an art gallery. While looking at the art, transcribe fragments from the written descriptions and/or titles that accompany each work. Create a poem out of the fragments you've transcribed.

The Hopi Foundation's Owl & Panther Program Speaks Peace

Marge Pellegrino, author, teaching artist, and project manager for The Hopi Foundation’s Owl & Panther project, blogs about P&W–supported programs with refugee families.

When the University of Arizona’s Poetry Center asked me if our families would write poems in response to drawings by Vietnamese children for their upcoming Speak Peace exhibit, I jumped at the chance. Our participants are as young as five and as old as sixty. They’re from Bhutan, Congo, Ethiopia, Iraq, Nepal, and Somalia. Many carry private memories of armed conflict, some the scarcity they experienced in refugee camps. Others still witness a family member's haunting nighttime battles with post-traumatic stress disorder. We had never come this close to addressing their backgrounds directly.

With a grant from Poets & Writers we were able to bring Christopher Mcllroy to work with us and meet the challenge that would allow our refugee families to speak up for peace—and for those brave enough—to talk back to war. McIlroy recently published Here I Am a Writer, stories and poems by Native American students in the Arts Reach Program in Tucson. Mcllroy knows how to inspire. He was willing to coach our volunteers, which included artists, retired social workers, a psychologist, a graphic designer, students, and writers, so they would feel confident in working on poems one-on-one with our clients. He worked with a variety of approaches to address this difficult topic and invited the volunteers to put pen to paper to create their own poems before they started to work with our families.

With this foundation in place, we were ready to get to work with the participants. This was the first time some of our newer clients ever wrote a poem. We invited one of our participants from Ethiopia to choose one of the Vietnamese student’s images and express his response in music. Others wrote poems, then broke their poems apart and put the words back together again in a new order. After three writing sessions we were ready to rehearse. Oh, the poetry! But, also the drama and song!

The resulting performance was, for some, the first time they ever spoke before a group, and certainly the first time they saw themselves on television, when the local public television station’s Arizona Illustrated covered our Speak Peace event. After each workshop and reading, each person was applauded and validated. And, in that space where they wrote and spoke peace, they were, for a time, at peace.

Photo: Tilahun Liben  Credit: Aspen Green

Support for Readings/Workshops events in Tucson is provided by an endowment established with generous contributions from the Poets & Writers Board of Directors and others. Additional support comes from the Friends of Poets & Writers.

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