Congratulations to the finalists of the ninth annual Firecracker Awards for Independently Published Literature from the Community of Literary Magazines and Presses (CLMP). The awards celebrate the best independently published books of fiction, creative nonfiction, and poetry as well as the best literary magazines in the categories of debut and general excellence. 

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CLMP will announce the winners during a virtual awards ceremony on June 22 at 6:00 PM EST. Each winner in the books category will receive $1,000 to $2,000 for the press and $1,000 for the author or translator. The magazine winners will each receive $1,000. The publishers of winning books receive a free one-year membership to CLMP, and magazine winners receive a one-year CLMP member subscription to Submittable. All winners are included in a national publicity campaign. Good luck, everyone!

FICTION

Brother Alive by Zain Khalid
Grove Atlantic, July 2022

God’s Children Are Little Broken Things by Arinze Ifeakandu
A Public Space Books, June 2022

Stories of a Life by Nataliya Meshchaninova, translated by Fiona Bell
Deep Vellum, February 2022

Violets by Kyung-sook Shin, translated by Anton Hur
Feminist Press, April 2022

When I Sing, Mountains Dance by Irene Solà, translated by Mara Faye Lethem
Graywolf Press, March 2022

CREATIVE NONFICTION

Brown Neon by Raquel Gutiérrez
Coffee House Press, June 2022

Conversations with Birds by Priyanka Kumar
Milkweed Editions, November 2022

Imminent Domains: Reckoning with the Anthropocene by Alessandra Naccarato
Book*hug Press, October 2022

O by Tammy Nguyen
Ugly Duckling Presse, April 2022

Optic Subwoof by Douglas Kearney
Wave Books, November 2022

POETRY

Customs by Solmaz Sharif
Graywolf Press, March 2022

Look at This Blue by Allison Adelle Hedge Coke
Coffee House Press, March 2022

Maafa by Harmony Holiday
Fence Books, April 2022

The Rupture Tense by Jenny Xie
Graywolf Press, September 2022

Togetherness by Wo Chan
Nightboat Books, September 2022

MAGAZINES/BEST DEBUT

128 Lit

The Ampersand Review of Writing & Publishing

Lampblack

LIBER: A Feminist Review

Lines & Breaks

MAGAZINES/GENERAL EXCELLENCE

The Arkansas International

Ecotone

Ninth Letter

Orion

Oxford American
 

In “Once Upon a Dream,” the first essay in The Male Gazed: On Hunks, Heartthrobs, and What Pop Culture Taught Me About (Desiring) Men, published in May by Catapult, Manuel Betancourt recounts the complicated feelings and moments of self-reflection that he experienced as an impressionable eight-year-old watching Disney’s classic animated 1959 film Sleeping Beauty. More captivated at first by Princess Aurora and her woodland creatures, Betancourt examines how gazing at Prince Phillip’s “slim, alluring body” startled him. “This was the first of many instances in which the silvery images on-screen kindled a growing realization that maybe I wasn’t like other boys,” he writes. Can you remember watching an animated film or television show that startled you into a new realization about yourself? Write an essay that reflects on the ways in which a particular cartoon character struck a chord with you.

If you’re not at the beach this Memorial Day, why not apply to some writing contests with a June 1 deadline? There is no entry fee for three generous awards: the Bard Fiction prize, which comes with $30,000 and a one-semester appointment as a writer-in-residence at Bard College; PEN America’s PEN/Heim Translation Fund Grants, which offer awards of up to $4,000 to support the translation of book-length works; PEN America’s PEN/Jean Stein Grants for Literary Oral History, which offer awards of $15,000 to two nonfiction works-in-progress that “use oral history to illuminate an event, individual, place, or movement.” All other contests offer a cash award of $1,000 or more and publication. Good luck, writers!

American Short Fiction
Halifax Ranch Fiction Prize
A prize of $2,500 and publication in American Short Fiction is given annually for a short story. The winner also receives a weeklong, all-expenses-paid writing retreat at the Tasajillo Residency in Kyle, Texas. Entry fee: $20.

Bard College
Bard Fiction Prize
A prize of $30,000 and a one-semester appointment as writer-in-residence at Bard College is given annually to a U.S. fiction writer under the age of 40. The recipient must give at least one public lecture and meet informally with students but is not expected to teach traditional courses. Entry fee: None.

Boulevard
Emerging Poets Contest
A prize of $1,000 and publication in Boulevard is given annually for a group of poems by a poet who has not published a poetry collection with a nationally distributed press. The editors will judge. Entry fee: $18.

PEN America
PEN/Heim Translation Fund Grants
Ten grants between $3,000 and $4,000 each are given annually to support the translation of book-length works of poetry, fiction, and creative nonfiction that have not previously appeared in English or have appeared only in an “outdated or otherwise flawed translation.” An additional $5,000 grant, the PEN Grant for the English Translation of Italian Literature, is given to support the translation of a book of fiction or nonfiction from Italian into English. Manuscripts with up to two translators are eligible. Entry fee: None.

PEN America
PEN/Jean Stein Grants for Literary Oral History
Two grants of $15,000 are given annually for nonfiction works-in-progress that “use oral history to illuminate an event, individual, place, or movement.” Entry fee: None.

Salamander
Fiction Prize
A prize of $1,000 and publication in Salamander is given annually for a short story. Kirstin Valdez Quade will judge. Entry fee: $15

Visit the contest websites for complete guidelines, and check out the Grants & Awards database and Submission Calendar for more contests in poetry, fiction, creative nonfiction, and translation.

When travelers arrive at the Denver International Airport, they are greeted by a thirty-two-foot-tall sculpture of an electric blue steed with neon eyes and pulsing veins, locally known as Bluecifer. For over ten years, the notorious sculpture has sparked rumors and tall tales about the airport, including that a humanoid reptilian race lives under the facility and hundreds of miles of tunnels beneath the airport lead to subterranean survival bunkers. This week, write an essay about a sculpture or a place that has inspired tall tales. Do you believe any of the stories?

Although the summer solstice for the Northern Hemisphere is still a month away, the upcoming Memorial Day weekend celebrated by Americans often marks the unofficial beginning of summer. Some enjoy the long weekend with barbecues, road trips, and beach outings. While others visit cemeteries to honor and commemorate members of the military as well as loved ones who’ve passed away. Inspired by the days leading up to the start of summer, write a story set during a holiday weekend in which grief and celebration come to a head. What complicated emotions do your characters experience while enjoying their time off?

First published in the October 1999 issue of Poetry magazine, Yusef Komunyakaa’s “Seven Deadly Sins” is a series of seven poems, each one named after the deadly sins of medieval Christian theology. Each poem is a distinct lyric portrait with its own sentiment, style, and approach to the topic. In “Sloth,” Komunyakaa writes with an open-ended musicality: “In this / Upside-down haven, you’re reincarnated / As a fallen angel trying to go home.” In “Gluttony,” the poet sets the scene concretely in the first stanza: “In a country of splendor & high / Ritual, in a fat land of zeros, / Sits a man with string & bone / For stylus, hunched over his easel.” Inspired by this series, write a poem dedicated to one of the seven deadly sins: pride, avarice, lust, envy, gluttony, wrath, and sloth. What approach will you take?

Calling all emerging poets: Don’t forget to send your poetry manuscripts to Milkweed Editions’ Max Ritvo Poetry Prize, which offers an award of $10,000 and publication for a debut poetry collection.

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Using only the online submission system, submit a manuscript of at least 48 pages with a $25 entry fee by May 31. Nobel Prize–winning poet Louise Glück will judge. Visit the website for complete guidelines.

The Max Ritvo Poetry Prize celebrates the life of the acclaimed author of the poetry collections Four Reincarnations (2016) and The Final Voicemails (2018), both published by Milkweed Editions, an independent publisher based in Minneapolis. Ritvo, who died in 2016, “came into the Milkweed family like a ball of fire,” Daniel Slager, the press’s publisher, said when the prize was established in 2017. “I can think of no better way to honor Max and his legacy than a first-book poetry prize, which will honor outstanding accomplishment in the art form he excelled in, enriching American letters for years to come.”

In a recent installment of our Ten Questions series, Jennifer Lunden, author of American Breakdown: Our Ailing Nation, My Body’s Revolt, and the Nineteenth-Century Woman Who Brought Me Back to Life (Harper Wave, 2023), mentions a quote by Jean Cocteau she considers the best writing advice: “Listen carefully to first criticisms made of your work. Note just what it is about your work that critics don’t like—then cultivate it. That’s the only part of your work that’s individual and worth keeping.” Write a list of criticisms you have encountered as a writer—including ones you have of yourself. Then, write an essay that looks to the value in those parts of your voice.