Origins

2.22.22

“My materialist mind, I can’t / shake it,” writes Solmaz Sharif in her poem “Now What” from her second collection, Customs, forthcoming in March by Graywolf Press. The speaker of the poem sits in a hotel in Ohio eating takeout and meditating on the origins of the meal, tracing connections back into history and the people whose hands made this food possible: “Within a perfect / little tub of garlic / butter // a relief of workers, of sickles / fields of soy.” Write a poem that meditates on the origins of a favorite condiment, seasoning, or meal. Try to establish a time and place in the poem by beginning in the present, then leap into the anecdotal or historical stories that come to you.

Graywolf Press Nonfiction Prize Open for Submissions

The deadline is approaching for the biennial Graywolf Press Nonfiction Prize, given for a promising manuscript-in-progress by a writer not yet established in the genre. Writers residing in the U.S. are eligible to apply. The winner will receive $20,000, publication by Graywolf Press, and a $2,000 stipend to provide support in completing the manuscript. Additionally, the Graywolf editors anticipate working with the Nonfiction Prize winner, offering editorial guidance as the writer works toward finishing their manuscript.  

Using only the online submission system, submit at least 100 pages of a nonfiction manuscript-in-progress, a one-page cover letter, including a short bio and project description, and a two- to ten-page project overview by February 28. There is no entry fee. Agented submissions are also eligible. The editors will judge. Visit the website for complete guidelines

Founded in 1974 in Port Townsend, Washington, and currently based in Minneapolis, the nonprofit independent press publishes around thirty books a year. For the Nonfiction Prize, the Graywolf editors are seeking innovative projects “that test the boundaries of literary nonfiction” in form and content, with a particular interest in writing that explores literary and cultural criticism, as well as craft. Previous winners of the prize include Esmé Weijun Wang (The Collected Schizophrenias), Leslie Jamison (The Empathy Exams), Eula Biss (Notes From No Man’s Land), and Kevin Young (The Grey Album). Founded in 1974 in Port Townsend, Washington, and currently based in Minneapolis, the nonprofit independent press publishes around thirty books a year. For the Nonfiction Prize, the Graywolf editors are seeking innovative projects “that test the boundaries of literary nonfiction” in form and content, with a particular interest in writing that explores literary and cultural criticism, as well as craft. Previous winners of the prize include Esmé Weijun Wang (The Collected Schizophrenias), Leslie Jamison (The Empathy Exams), Eula Biss (Notes From No Man’s Land), and Kevin Young (The Grey Album). 

 

Impediments

2.17.22

Last week’s Ten Questions series featured Sarah Manguso, whose first novel, Very Cold People (Hogarth, 2022), chronicles the coming of age of a young girl named Ruthie in a small town in Massachusetts. The series highlights the writing process of authors and how their books come together. Asked about writing impediments, Manguso replies: “At the risk of sounding coy, I’ll say that the biggest impediment to my writing life was recently removed from my life. I currently feel unimpeded.” Inspired by Manguso’s response, make a list of impediments to your writing life. Try to avoid superficial answers. Then, write an essay about how you see yourself overcoming these obstacles.

False Spring

2.16.22

For those in the Northern Hemisphere, temperatures are beginning to warm up indicating the coming of spring. This period in February, in which there can be a week of mild weather with birds chirping and plants blossoming followed by a deep freeze, is what climate scientists call “false spring.” Write a short story set in the interstices of seasons. For example, in the cold week at the end of summer signifying the coming of autumn, or just before spring. What tension can the setting of a story add to the conflict in a character?

National Anthem

2.15.22

As with this past weekend’s Super Bowl, singing “The Star-Spangled Banner,” the national anthem of the United States, before the start of sports events is a time-honored tradition. Poet Ada Limón has made that eventful moment the center of her poem “A New National Anthem,” which is included in her collection The Carrying (Milkweed Editions, 2018). “The truth is, I’ve never cared for the National / Anthem. If you think about it, it’s not a good / song,” writes Limón. “And what of the stanzas / we never sing, the third that mentions ‘no refuge / could save the hireling and the slave’? Perhaps, / the truth is, every song of this country / has an unsung third stanza.” Write a poem inspired by a country’s national anthem. What are your feelings about it? Is it a good song?

Upcoming Contest Deadlines

Opportunities abound in the last contests of February. Awards with a deadline of February 28 include a celebration of self-published books by Black authors and a prize honoring a story set in the Little Tokyo district of Los Angeles. Several others award book publication by an independent press. All contests offer a cash prize of at least $500 and two charge no entry fee. Good luck, writers!

Association of Writers & Writing Programs Award Series: Two prizes of $5,500 each and publication by a participating press are given annually for a poetry collection and a short story collection. In addition, two prizes of $2,500 each and publication by a participating press are given annually for a novel and a book of creative nonfiction. Presses participating in the 2022 award series are New Issues Press, Red Hen Press, University of Georgia Press, and University of Pittsburgh Press. Entry fee: $30.

Austin Community College Balcones Prizes: Two prizes of $1,500 each are given annually for a poetry collection and a book of fiction published during the previous year. Entry fee: $25 for poetry and $30 for fiction. 

Black Caucus of the American Library Association Self-Publishing Literary Awards: Two prizes of $1,000 each are given annually for a poetry e-book and a fiction e-book by an African American writer self-published in the United States during the previous year. The awards honor books that depict “cultural, historical, and sociopolitical aspects of the Black Diaspora.” Entry fee: None.

Fish Publishing Flash Fiction Prize: A prize of €1,000 (approximately $1,164) and publication in the Fish Publishing anthology is given annually for a short short story. The winner is also invited to give a reading at the West Cork Literary Festival in July 2022. Tracey Slaughter will judge. Entry fee: €14 (approximately $16) for online entries or €16 (approximately $19) for postal entries. 

Little Tokyo Historical Society Short Story Contest: A prize of $500 and publication in Rafu Shimpo and on the Discover Nikkei website is given annually for a short story that takes place in the Little Tokyo district of Los Angeles. Entry fee: None.

Omnidawn Publishing First/Second Poetry Book Contest: A prize of $3,000, publication by Omnidawn Publishing, and 100 author copies is given annually for a first or second poetry collection. Mary Jo Bang will judge. Submit a manuscript of 40 to 120 pages with a $27 entry fee ($30 to receive a book from the Omnidawn catalogue) by February 28.

Red Hen Press Women’s Prose Prize: A prize of $1,000 and publication by Red Hen Press is given annually for a book of fiction or nonfiction by a writer who identifies as a woman. Melanie Conroy-Goldman will judge. Entry fee: $25.

Tupelo Press Snowbound Chapbook Award: A prize of $1,000 and publication by Tupelo Press is given annually for a poetry chapbook. Entry fee: $25. All entries are considered for publication. 

Visit the contest websites for complete guidelines, and check out the Grants & Awards database and Submission Calendar for more contests in poetry, fiction, and creative nonfiction. 

Failing Better

2.10.22

“The best thing to come out of all of this is that my perception of the novel’s failures really awakened a new awareness in me,” says Jonathan Evison in a conversation with Caroline Leavitt from the March/April 2018 issue of Poets & Writers Magazine, in which they discuss their failed novels and what went wrong. “So much of writing fiction is persuasion. But a subtle persuasion.” This week, write an essay that reflects on a piece of writing that you think has failed. Try to parse the technical and emotional issues that occur when something isn’t working.

Red Roses, Blue Violets

Boxes of chocolate, a bouquet of roses, candlelit dinners, greeting cards. As Valentine’s Day nears, the pressure to make a romantic gesture or celebrate the day looms with storefront decorations and advertisements. However, high expectations mixed with packed restaurants and a shortage of flowers can lead to disastrous and disappointing evenings. Write a story that takes place on Valentine’s Day, or the days leading up to it, in which a romantic evening goes awry. How can you amp up the stakes of the story early on to help build up the tension of the disappointing day?

On a Journey

“From narrow provinces / of fish and bread and tea, / home of the long tides / where the bay leaves the sea,” writes Elizabeth Bishop in her iconic poem “The Moose,” in which she writes about a bus ride through Nova Scotia, describing in detail both the natural landscape and the conversations happening inside the bus. The poem takes its title from the final scene, in which the bus stops in front of a moose in the middle of the road. Write a poem that takes place entirely within the stretch of a single journey. Be it by plane, bus, or car, how can you use the finite sense of a journey to your poem’s advantage?

Deadline Approaches for Ballard Spahr Prize for Poetry

Submissions are open for this year’s Ballard Spahr Prize for Poetry, a unique prize with no entry fee that champions “outstanding poets from the upper Midwest and brings their work to a national stage.” Administered by Milkweed Editions, the prize offers $10,000 and publication for a collection by a poet currently residing in Iowa, Michigan, Minnesota, North Dakota, South Dakota, or Wisconsin.

Using only the online submission system, submit a poetry manuscript of at least 48 pages by February 15. There is no entry fee. Tyehimba Jess will judge. The winner and finalists will be announced in April. Visit the website for complete guidelines.

Founded in 1980, Milkweed Editions is a nonprofit independent press of literary fiction, nonfiction, and poetry based in Minneapolis. The Ballard Spahr Prize is one of several awards offered by the press, including the Jake Adam York Poetry Prize, which is presented in partnership with Copper Nickel, and the Max Ritvo Poetry Prize. Recent books published as winners of the Ballard Spahr Prize include Return Flight by Jennifer Huang and Wound From the Mouth of a Wound by torrin a. greathouse; greathouse was featured in the sixteenth annual look at debut poets from Poets & Writers Magazine.

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