2012 MFA Rankings: Twenty-Five Honorable Mentions

by
Staff
From the September/October 2011 issue of
Poets & Writers Magazine

Note: The following table appeared in the September/October 2011 issue of Poets & Writers Magazine. Our most recent coverage of MFA programs is available in the September/October 2012 issue, on newsstands now.

 

 

Download the 2012 rankings of the nation's twenty-five honorable-mention MFA programs.

Notes: The top-fifty and honorable-mentions rankings correspond to the most frequently applied-to programs for the 2010–2011 application cycle, as reported by 640 MFA applicants surveyed from April 16, 2010, to April 15, 2011. [star] (honorable mention); — (unranked); Nonfiction Rank: n/a (not applicable) indicates nonfiction track is not offered; Total-Funding Rank takes into account program duration; Selectivity Rank: n.d. (no data available); Size refers to total number of students per matriculating class: XS (2–9), S (10–19), M (20–31), L (32–49), XL (50+); Full Funding refers to the percentage of a matriculating class that receives full funding: Very Few (0–15), Few (16–29), Some (30–59), Most (60–89), Nearly All (90–99), All (100); Cost of Living is compared with Ann Arbor, Michigan; Teaching Load: n/a (not applicable) indicates too few teaching appointments to warrant inclusion in this category, n.d. (no data available) indicates teaching load is unknown, Light (an average of two courses or fewer to teach per academic year), Average (an average of three courses to teach per academic year), Heavy (an average of four courses or more to teach per academic year); GRE Required: * (GRE scores required of applicants with an undergraduate GPA below 3.0), ** (GRE subject test is also preferred or required), *** (scores required only from applicants seeking funding); Cross-genre: (genre availability may be limited by program).  Read more information about the methodology used to determine the rankings and for the rankings of the remaining eighty-one full-residency MFA programs.

 

Comments

Sorry, guys. You both sound

Sorry, guys. You both sound petty and pretentious. Why don't you use some of that motivation for your next masterpiece?