Salt Body Shimmer

As of June 1, the stay-at-home order has been lifted in Michigan, however many of us are still taking extreme caution against the coronavirus. One silver lining to this extended time staying inside our home has been having plenty of time to spend with my wife Brittany Rogers who is also an active poet. She always stays three steps ahead of me with new books, so I thought that this would be a great time to share both of our thoughts on a new collection by someone we have both received mentorship from: Aricka Foreman.

I recently wrote about Foreman’s chapbook, Dream With a Glass Chamber published by YesYes Books in 2016. Now, I am excited to write about Foreman’s first full-length collection, Salt Body Shimmer, which will be released in August by YesYes Books.

When I asked Brittany how she would describe Foreman as a writer, she said, “Tender. Intentional. Interrogative. Complex.” These were all words we both agreed embody the writing across Foreman’s work.

After reading Salt Body Shimmer, Brittany said, “In these poems I feel very seen. They felt like an indication for me as a Black woman to tend to my mental health. Foreman teaches me consistently about nuance—about turning a vulnerable eye to things you wish not to feel.”

The four poems in particular that embodied these feelings best, and connected most closely to Brittany as a reader and writer were: “When the Therapist Asks You to Recount, You Have to Say It,” “Intake Interview,” “Consent Is a Labyrinth of Yes,” and “Before I Fire Her, The Therapist Asks What Is it Like to Be a Black Woman Here: A Monologue.”

For me, as I read this collection, I was brought back to something Foreman said to me during her time as my mentor, “Poetry is a documentation of history.” Just like that literary (and life) advice, Salt Body Shimmer captures moments at a pivotal time in Foreman’s history during a pivotal time in world history. The intersections are layered and far beyond the bounds of my conversation with Brittany. As I mentioned before, Brittany stays a few steps ahead of me, so I am still snapping my fingers at the first twenty pages. I can’t wait to dive deep into the other poems in the collection and learn another layer of lessons from one of my favorite mentors.

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