September/October 1999

September/October 1999

Frank McCourt overcame a childhood of oppressive poverty—and a lifelong fear of writing about it—going on to compose the Pulitzer Prize-winning memoir Angela's Ashes and its sequel, Tis.

Features

Looking Forward to the Past: A Profile of Frank McCourt

by Carolyn T. Hughes
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An interview with the author of Angela's Ashes.

A Thinking Life: A Conversation With Pete Hamill

by Carolyn T. Hughes
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A profile of the author of A Drinking Life.

The Truth and Consequences of Creative Nonfiction

Surveying the Boundaries: An Inquiry Into Creative Nonfiction

by Sarah Heekin Redfield
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Defining the genre.

Tell Tale: Some Reflections on Disclosure

by Greg Garrett
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On creative nonfiction.

Fiction vs. Nonfiction: Wherein Lies the Truth?

by Helen Benedict
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Sometimes fiction can bring a writer closer to the truth.

News and Trends

Life After Ingram/Barnes & Noble Deal Folds

by Dana Goodyear
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Barnes & Noble withdraws bid to buy distributor.

Seneca Review Promotes Lyric Essay

by Mary Gannon
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On creative nonfiction.

The New Yorker Establishes $10,000 Awards

by Jim Andrews
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A new series of literary awards.

Verse Editors Launch Press

by Christina Davis
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A new small press.

The Practical Writer

How to Read Rejection: An Editor's Advice

by C. Michael Curtis
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Advice from the Atlantic Monthly editor.

A Writer's Counsel: E-rights and Author Agreements

by Alan J. Kaufman
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Legal advice concerning digital rights.

Amy Holman's Tough-Love Guide to Publishing: Simultaneous Submissions, Yea or Nay?

by Amy Holman
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Do simultaneous submissions speed the publication process or hinder it?

The Literary Life

Yeets and Kates: The Poetics of Pronunciation

by William Greenway
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If pronunciation is going to be saved anywhere, it will be in poetry, where the sound has something to do with the meaning of what is written, even in the loosest way.

Metromania: The Problems Poets Are Trying to Solve

by Michael Scharf
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On poetry's fractured audience.

Classifieds