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Two prizes of $1,000 each and publication in Slippery Elm are given annually for a single poem and a short story or essay. Using only the online submission system, submit up to three poems of any length or up to 5,000 words of prose with a $15 entry fee, which includes the latest issue of Slippery Elm, by February 1. All entries are considered for publication. Visit the website for complete guidelines.
At least two fellowships of $5,000 each are given annually to poets, fiction writers, and creative nonfiction writers who are legal residents of Alabama and have lived in the state for a minimum of two years. Using only the online submission system, submit up to 20 pages of poetry or prose and a résumé including a list of publications by March 2 at 5 PM CDT. There is no entry fee. Visit the website for complete guidelines.
Two residencies of up to four months at the Stadler Center for Poetry & Literary Arts at Bucknell University, which include a stipend of $5,000 each, are given annually to writers working on a first or second book in any literary genre, including poetry, fiction, creative nonfiction, hybrid work, and graphic novels. Using only the online submission system, submit a writing sample of up to 20 pages, a curriculum vitae, and three letters of recommendation by February 1. There is no entry fee. Visit the website for complete guidelines.
Three prizes of $1,000 each and a five-day stay at Shake Rag Alley Center for the Arts in Mineral Point, Wisconsin, are given annually for a poetry collection, a book of fiction, and a book of creative nonfiction published in the previous year. Writers who are residents of Wisconsin or who have previously resided in Wisconsin for at least five years are eligible. For the Edna Meudt Poetry Book Award, submit an application form and two copies of a book of at least 48 pages published in 2025 with a $30 entry fee ($20 for Arts + Literature Laboratory members) by January 15. For the Edna Ferber Fiction Book Award and the Norbert Blei/August Derleth Nonfiction Book Award, submit an application form and two copies of a book of any length published in 2025 with a $30 entry fee ($20 for Arts + Literature Laboratory members) by January 15. All poetry and prose books must be received by January 20. Visit the website for complete guidelines.
Two prizes of $5,000 each are given biennially for books of fiction and nonfiction published in the previous two years. The awards, cosponsored by the Stanford University Libraries and the William Saroyan Foundation, are “intended to encourage new or emerging writers” and honor the “life, legacy and intentions of William Saroyan.” Writers who have published up to two books are eligible. Submit five copies of a fiction or nonfiction book published between January 1, 2024, and December 31, 2025, with a $50 entry fee by January 30. Visit the website for the required entry form and complete guidelines.
’Tis the season for spending? The end of the year is often associated with spending money on last-minute gifts, groceries for parties, travel and outings with family and friends, and holiday sales for your own treats. This week write a personal essay on your traditions and philosophies around holiday spending. How have they evolved over the years? Do you have memories or anecdotes of extravagant purchases or of thrift-savvy techniques? You might reflect on how seasonal cultural traditions influence spending and how those traditions are maintained, broken, or might even evolve. What are alternatives to conventional modes of consumption and capital?
Lulu Wang’s 2019 film, The Farewell, begins with a group of relatives convening in China on the pretext of a wedding but who are actually there to bid farewell to the family matriarch from whom they are hiding her terminal cancer diagnosis. The protagonist of the film, a woman in her thirties who has lived in the United States for most of her life, struggles with this concept and is told by her uncle that it is their duty to carry the emotional burden of her grandmother’s illness for her. “You think one’s life belongs to oneself,” he says. “But that’s the difference between the East and the West. In the East, a person’s life is part of a whole. Family. Society.” Think back to a time when you have carried a burden for someone else and write an essay that examines your personal experience with this concept. Are there situations in which withholding the truth or keeping something secret feels reasonable, ethical, or even honorable to you?
In this 60 Minutes interview, Margaret Atwood speaks about her response to book banning, her new memoir, Book of Lives: A Memoir of Sorts (Doubleday, 2025), and why she says the popularity of her novel The Handmaid’s Tale is “not due to me or the excellence of the book. It’s partly the twists and turns of history.”
What’s the story behind the story? Springsteen: Deliver Me From Nowhere, the new biopic directed by Scott Cooper, relays a behind-the-music creation story of Bruce Springsteen’s 1982 acoustic album Nebraska, which was composed and recorded in a New Jersey bedroom. The album represents the singer’s desire for pure art that is free of the constraints and adornments of being a superstar in the music industry. Think about the story behind one of your own stories, perhaps a personal essay you wrote years ago that sprang from a sense of urgency. Write an essay that recounts the story behind this story describing in detail the emotions that played throughout the creative act, where you worked on it, and how the subject matter dictated the process of its writing.
In this Books Are Magic event, Lana Lin reads from her book The Autobiography of H. Lan Thao Lam (Dorothy, a Publishing Project, 2025) and discusses how she uses both Gertrude Stein and Audre Lorde’s genre-bending approaches to autobiography in order to highlight Asian diasporic narratives in a conversation with Monique Truong.
