Genre: Creative Nonfiction

It’s Never Over, Jeff Buckley is a documentary directed by Amy J. Berg about the musician who died suddenly at the age of thirty in 1997, having only released one studio album, of which the single “Hallelujah,” a cover of Leonard Cohen’s song, was inducted into the Library of Congress’s National Recording Registry. Buckley’s biological father, a folk musician who rose to fame in the 1960s, died at the age of twenty-eight, and Berg explores the enduring status and mythos created around artists’ lives cut short, the idea of a suspended perfection mixed with the incomplete feeling of never enough. Think of an artist who seems to exist in a mythical state, perhaps because their popularity was short-lived or due to a mysterious or debated circumstance in their life. Write an essay that examines your interest in your chosen subject and reflect on the stories surrounding their life that perpetuates its mystery.

In the new thriller miniseries Black Rabbit, created by Zach Baylin and Kate Susman, Jude Law plays a restaurateur whose life is turned upside down with the sudden return of his brother, played by Jason Bateman. Their historically fraught bond spins into a vortex of the consequences of past betrayals and catastrophes, and the violence of the criminal underworld. Write a personal essay that explores your relationship with a sibling or someone with whom you share a close, long-standing relationship that may have similar elements of inextricable intimacy and rivalry. Incorporate memories of the experiences that have tied you together, as well as circumstances that have been challenging because of your closeness. What are the differences in your personalities that might have, at varied times, created complementary, synergistic energy and also been the root cause of clashes?

In “Is Mary Oliver Embarrassing?,” an essay by Maggie Millner, senior editor at Yale Review, she writes about omitting the poet from her list of early influences when asked in professional settings, despite the fact that “Oliver’s poems marked [her] permanently.” Millner writes: “It seemed clear that my disavowal of Oliver was more about my own shame and snobbery than about the merit of the work itself.” Think about an artist whose work you find value in but feel conflicted or embarrassed about, perhaps because you associate their work with your childhood when you had less discerning tastes or because of the opinions of peers in your field. Write a personal essay that explores the roots of your affinity and your feelings of conflict. Then revisit the artist in question and explore how you feel when you encounter their work without embarrassment.