Genre: Creative Nonfiction

(Not) Quitting While You’re Ahead

7.19.18

As it turns out, human beings aren’t the only ones allowing their emotions to cloud their judgment. In a study published last week in Science, researchers reported findings that mice are as likely as people to have a hard time letting go of a task in which they have already invested time, energy, or another resource despite receiving any potential gain. Write a personal essay about a time when you were unable to let go of something, such as a relationship with a person or a comfortable living situation, even if there was no longer a way of moving forward or your energies would have been better spent elsewhere. What emotions were at play while you made the decision to stay put in stagnant circumstances? What happened when you finally let go?

Jordy Rosenberg

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“If I understood Marx, I thought, I could understand my mother.” At Books Are Magic in Brooklyn, Jordy Rosenberg reads from his essay “The Daddy Dialectic,” which was published in the Los Angeles Review of Books. Rosenberg speaks about his debut novel, Confessions of the Fox (One World, 2018), in “The Business of Relationships” in the July/August issue of Poets & Writers Magazine.

Speculative Memoir

7.12.18

In an interview published earlier this year by Electric Literature, Sofia Samatar discusses the concept of speculative memoir with authors Matthew Cheney, Carmen Maria Machado, and Rosalind Palermo Stevenson, all who have written work that blends memoir with elements of the highly imaginative that is typically reserved for science fiction, fantasy, and fabulist literature. Machado talks about alternating between real events and genre fiction that act as extended metaphor. Stevenson says, “In some ways introducing the imagined is perhaps a way of daring to approach the material.” Think of a specific memory whose particulars seem blurry or difficult to approach. Write a speculative essay or short memoiristic piece in which you approach this memory by inserting a blatantly fictional aspect or character. How does this element of fiction open up new or alternative possibilities for the way you’ve long recalled this event, situation, or relationship?

John Freeman

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“Even if what you’re writing seems boring to you...you’re preparing yourself for the moment when life or something else broadsides you and you need to write.” John Freeman, editor of the essay anthology Tales of Two Americas: Stories of Inequality in a Divided Nation (Penguin Books, 2017), shares writing advice and what his favorite authors have in common.

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