Endangered Poetry Project, Graphic Novel Modernizes Jane Eyre, and More
Letters show Proust paid for favorable reviews of Swann’s Way; Durga Chew-Bose advises writers to take it slow; writer Kit Reed has died; and other news.
Genre: Creative Nonfiction
Junot Díaz on Puerto Rico, Banned Books Week, and More
Washington State poet laureate Tod Marshall speaks out against Trump; the Nation publishes an unseen Kurt Vonnegut story; the letter that inspired Kerouac’s On the Road; and other news.
Like Day and Night
Last Friday was the autumnal equinox, one of two times each year when the lengths of day and night in both hemispheres are equal because the sun is directly over the earth’s equator. Jot down several of your favorite memories of experiences that took place this summer during daylight hours, and then several that took place during the darkness of night. Look through your lists and select one daytime memory and one nighttime memory that share an element in common, such as geographical location, people present, or mood. Taking inspiration from the binary nature of the equinox, write a personal essay that focuses half on your daytime memory and half on your nighttime memory, and explores the connections between the two.
Well-Read Black Girl, 280-Character Literary Tweets, and More
Parul Sehgal shares her approach to book criticism; submitting to thirty journals at once; why U.S. and U.K. book covers are different; and other news.
Goodreads Celebrates Ten Years, Baldwin on Teaching in Tumultuous Times, and More
Eileen Myles on nature and landscape; Robert Frost house gifted to Bennington College; a lost essay by George Moses Horton; and other news.
Newport MFA at Salve Regina University
MFA Program
Poetry, Fiction, Creative Nonfiction
Newport, RI
Application Deadline:
Rolling Admissions
Application Fee:
$0
National Book Foundation Announces 5 Under 35, Jesmyn Ward on Health Care, and More
Showtime acquires rights to novel by Bill Clinton and James Patterson; Deborah Smith’s controversial translation of Han Kang’s The Vegetarian; the original plot of Charlie and the Chocolate Factory; and other news.
Traversing California on the Rural Libraries Tour
The Rural Libraries Tour is a result of a seventeen-year partnership between Poets & Writers’ Readings & Workshops program and the California Center for the Book (CalBook), which sends writers into rural and underserved areas of California to teach creative writing workshops in libraries or at venues promoted by the libraries. Some workshops are bilingual (English and Spanish), some reach teens, and most reach all ages and types of people. As the eighteenth year of programming approaches, the participating writing instructors reflect on their experiences teaching these workshops.
My visits to libraries in rural areas of Southern California are always a special treat for me as both an educator and an artist. In my regular teaching job, I am used to working with students for an extended period of time. With the Rural Libraries Tour, I am often entering completely new spaces with people I will probably never see again. Yet, in every single workshop that I have conducted during the past nine years, I have felt very much at home. I believe this is because the love of words and the desire to create binds us, regardless of where we are and if we will meet again. The potential for meaningful connections via words and art (even in a short amount of time) is always possible.
My poetic spirit is nourished in amazing ways each time. We don’t just read and write, we share intimate parts of ourselves and, collectively, we create. It’s amazing how often participants linger past the workshop to express how much they enjoyed being able to tap into themselves and write something that surprises them. There is a glow about them that is familiar; I know that feeling of having created something and feeling empowered or proud. These workshops—they’re a dynamic exchange of creative energy and they always reaffirm my love of poetry and community.
I’ve driven the road to Hollister, California numerous times over the past several seasons that I’ve participated in the Rural Libraries Tour, but this time was special. After having just released my book, All They Will Call You (University of Arizona Press, 2017), based on the famous 1948 plane crash that killed twenty-eight Mexican migrant workers, I knew I was returning to a community that not only knew the realities of migrant life very well, but more than that, Hollister is positioned on the western slope of the very canyon that the plane crashed down on—Los Gatos Canyon.
I was visiting with students, most of whom had come from migrant farm working families. They had never heard of this story before, but felt an immediate connection to it. They were rapt, and we conversed and shared stories for what seemed like hours. The most beautiful part came in the final minutes when students began asking if one of the passengers on the plane was named Rodriguez. And then another asked about the name Martinez. Another still wanted to know if there was a Ruiz who was killed. They were each going to go home and share this story with their parents. Perhaps they too were related. This is the power of stories, I nodded to myself. I never know what exchange will impact the people I get to work with, as well as myself. But always, I leave feeling grateful.
I’m happiest when people of all ages and ethnicities appear at workshops. Including the California border towns of Imperial and Crescent City, I’ve visited small libraries tucked in Markleesville, Placerville, Alturas, Yreka, Etna, and Weaverville (in the Trinity Alps), Susanville and Quincy where, always, surprisingly gifted youngsters, teens, and adults appear with their pens and their souls waiting for expression. Most recently, twenty people gathered on round tables at the Shasta Library in Redding.
Our workshops together have welcomed me into the heartland of California as part of a larger mission: to bring love of language to small-town California. I’ve been heartened and changed as part of our years-long, far-and-wide endeavor. I feel delight and honor and, hey, almost “credible!” I feel held and loved by the support and camaraderie (not to mention pay!) provided by Poets & Writers and the California Center for the Book. These years of sessions nourish and transform my own writing. My (almost finished!) book about land and language includes many chapters about experiences and revelations in small libraries—“Damien’s Waterfalls” (South Lake Tahoe), “Sublime Limes” (Colusa), and “Cesar Stealing Words” (Williams), to name a few. Our rural libraries outreach adds a wildly colorful dimension to my writing and life.
Support for Readings & Workshops in California is provided by the California Arts Council, a state agency, and the National Endowment for the Arts, a federal agency. Additional support comes from the Friends of Poets & Writers.
Photo 1: Olga García Echeverría (Credit: Maritza Alvarez). Photo 2: Tim Z. Hernandez (Credit: Tim Z. Hernandez). Photo 3: Susan Wooldridge (Credit: Shannon Iris).Esmé Weijun Wang
Caption:
“The way that I write fiction is to kind of go in and just wander around.” In this video, Granta magazine’s Josie Mitchell speaks to Esmé Weijun Wang about her debut novel, The Border of Paradise (Unnamed Press, 2016), and her forthcoming essay collection, The Collected Schizophrenias, which won the 2016 Graywolf Press Nonfiction Prize.
Genre:
Applications Open for BuzzFeed’s Emerging Writers Fellowship
BuzzFeed has opened applications for its third annual Emerging Writers Fellowship. The fellowship awards three nonfiction writers a stipend of $14,000 and career mentorship from BuzzFeed News’s senior editorial staff. Beginning in March 2018, the fellows will spend four months in BuzzFeed’s New York City office and focus on writing cultural reportage and personal essays. Applications are open until December 4.
Launched in 2015 by Saeed Jones, the fellowship’s mission is to expand the media landscape and empower emerging writers, particularly those who are “traditionally locked out” of media opportunities. “Investing in diversity and emerging voices doesn’t just have to be a conversation on panels and roundtables; it can be a reality,” Jones said in an interview with Poets & Writers Magazine last year.
With the third round of applications opening today, BuzzFeed’s new executive editor of culture, Karolina Waclawiak, spoke with Poets & Writers Magazine about the 2018 program, advice for applicants, and the value of nurturing writers beyond the fellowship’s conclusion.
Will there be any changes to the 2018 fellowship program?
There are two major changes to the upcoming program: We are accepting three fellows instead of four, and we are increasing the stipend amount from $10,000 to $14,000. These changes ensure that our fellows receive as much personal attention as possible, as well as financial viability for living in New York City for the program’s duration.
What can fellows expect during a typical week in the program?
The fellows will pitch, write, and edit original pieces on a broad range of cultural coverage, which will be published on BuzzFeed. In addition, each week we bring in an industry professional to meet with the fellows, including staff writers from other publications, book and magazine editors, and agents. These meetings have proven to be very beneficial; last year all four fellows left the program with an agent!
Who would be considered an ideal applicant?
We encourage writers with a strong desire to create an impact on cultural conversations to apply. All experience levels are welcome—don’t be deterred if you don’t have a lot of clips. Over the past two years the fellows entered the program with varying levels of experience, and all grew as writers and professionals. This is a great opportunity and a rigorous program if your goal is to become a staff writer at a major publication, or even if you just want to elevate your platform and be seen in this industry of so many writers. On a practical note, I suggest reading the work of previous fellows before applying.
After two successful years completed, what have you noticed about this fellowship that sets it apart from similar programs?
We make a point to provide support and guidance for these writers beyond the conclusion of the fellowship. Whether they need help getting into residencies—for example, two of our fellows from last year were accepted to Breadloaf—or want assistance growing their network of other writers, editors, and publishers, we care about building sustainable careers for these important voices. The mentorship doesn’t end when the program ends.
To apply, using BuzzFeed’s online application form submit a resume or CV, 3 to 5 examples of your essays or articles, a statement of purpose, and two letters of recommendation by December 4. There is no entry fee. Visit the website for complete guidelines.
Photo: Karolina Waclawiak Credit: Eric Burg
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