Genre: Fiction

Last week the New Yorker’s fiction department serial tweeted Jennifer Egan’s story “Black Box,” which appears in the magazine’s science fiction issue. Egan structured her story in prose bursts of 140 characters or fewer—the limit for a single tweet. Challenge yourself to write a story that could appear in small installments by shortening the length of the story’s paragraphs to one or two sentences. Try to advance the story with each terse paragraph.

Last week the PEN/Faulkner Foundation announced James Salter as the winner of its twenty-fifth annual PEN/Malamud Award for short fiction. The author, whose collection Dusk and Other Stories (North Point Press, 1988) won the 1989 PEN/Faulkner Award, will receive the five-thousand-dollar prize named in honor of story writer Bernard Malamud on December 7.

Salter is also the author of the story collection Last Night (Knopf, 2005), as well as novels such as A Sport and a Pastime (Doubleday, 1967), Light Years (Random House, 1975), and The Hunters (Harper, 1956). Also recognizing his contribution to short story form, he was awarded the 2010 Rea Award last summer.

Below is a brief digest of online access points to the literature and life of the author PEN/Malamud juror Alan Cheuse said "has shown us how to work with fire, flame, the laser, all the forces of life at the service of creating sentences that spark and make stories burn."

In a 1993 Paris Review interview (with Edward Hirsch), Salter said, "I've never had a story in The New Yorker; everything has been rejected." (Salter's story "Last Night" is available online in the November 18, 2002, issue of the New Yorker.) He also discusses practice (in solitude, in longhand), revision ("Normally I just go a sentence at a time"), and his own short fiction influences (Babel, Chekhov).

The Paris Review published a number of Salter stories, including "Am Strande von Tanger" (Fall 1968). Last year the journal awarded Salter the Hadada Prize, and celebrated the author with a month of coverage on the Paris Review Daily blog. (Online literary review fwriction paid similar tribute.)

The video below, the first in a series of four, Salter reads "Palm Court" from Last Night. The reading took place at an event held by the literary journal Narrative.

The sixth literary pairing in the biennial Rolex Mentor and Protégé Arts Initiative was announced earlier this month. The program, launched a decade ago, offers emerging artists the opportunity to spend a year under the tutelage of established professionals in their respective fields.

The 2012–2013 literature mentor, Canadian novelist Margaret Atwood, selected as her protégé thirty-seven-year-old British writer Naomi Alderman. The author of three novels—Disobedience (Viking, 2006), which won the Orange Award for New Writers, The Lessons (Viking, 2010), and The Liar's Gospel, forthcoming from Viking in August—Alderman is also a game designer (her latest, Zombies, Run!, is available as an iPhone app).

"The future is a subject of interest for both Margaret Atwood and me," Alderman says in an interview on the Rolex Arts Initiative website. "I have another life outside literary novels: I write computer games. I think games are going to be an important art form in the next hundred years. They’re only just beginning to approach what they'll be. Margaret’s work is grounded in the present, but also the same desire to look forward."

Atwood's thirteen novels include the dystopian classic The Handmaid's Tale (1985), the speculative work Oryx and Crake (2003), the Booker Prize–winning The Blind Assassin (2000), and, most recently, The Year of the Flood (2009). She is also the author of seven short story collections, as well as volumes of poetry and nonfiction and books for children.

In addition to time spent with her mentor in both London and Atwood's home city of Toronto, Alderman will receive twenty-five thousand dollars to subsidize her work during the mentorship year, followed by an additional twenty-five thousand after the program ends. Atwood, for her service as a mentor, receives an honorarium of fifty thousand dollars.

The finalists for this year's mentorship award, all interviewed by Atwood as part of the months-long protégé selection process, were Malaysian novelist Preeta Samarasan, author of Evening Is the Whole Day (Houghton Mifflin Harcourt, 2008); American author Claire Vaye Watkins, whose debut short story collection, Brattleborn, is forthcoming from Riverhead Books in August; and South African writer Mary Watson, who won the Caine Prize for short fiction in 2006.

Past mentees include Pulitzer Prize–winning American poet Tracy K. Smith; Togolese novelist and Prix Goncourt finalist Edem Awumey; and Australian novelist Julia Leigh, who recently made her debut in the medium of film as writer and director of Sleeping Beauty (2011).