Genre: Not Genre-Specific

Brits Buy Book TV

by
Kevin Canfield
2.15.05

Apart from brief interludes on The Oprah Winfrey Show and NBC’s Today, books don’t often end up on U.S. television. The recent launch of the Quill Awards—a new national book award program sponsored by Reed Business Information and NBC that will include a televised ceremony in October—may have authors feeling like celebrities, but an entire network show devoted to the written word is still a rarity. Not so in the United Kingdom, where several programs are proving that literature can make compelling television.

Workshop: A Revolution of Sensibility

by
Jane Ciabattari
1.1.05

From the beginning the founders of the Associated Writing Programs and other pioneers have argued that, through effective creative writing programs, students can attain lifelong skills of critical thinking, empathy for others, and an understanding of the creative process, the key to all innovation. The schools featured in this article—Knox College, Oberlin, and Sarah Lawrence—have been working to make undergraduate creative writing degrees a hallmark of their respective institutions for some time now.

 

Kirkus Reviewed

by
Kevin Canfield
1.1.05

The biweekly magazine Kirkus Reviews publishes pre-publication book reviews, offering professional opinions of approximately 5,000 titles per year. But the tables have turned on the 72-year-old publication as writers and publishers offer their own appraisals of its recent decision to charge money for some book reviews. 

Literary MagNet

by
Kevin Larimer
1.1.05

Literary MagNet chronicles the start-ups and closures, successes and failures, anniversaries and accolades, changes of editorship and special issues—in short, the news and trends—of literary magazines in America. This issue's MagNet features Softblow, the Quarterly Literary Review Singapore, Poetry Billboard, the 2nd Rule, No Tell Motel, Boulevard, American Letters & Commentary, FIELD, Boston Review, Pleiades, Witness, and Gulf Stream

An Interview With Editor Lewis Turco

by
Daniel Nester
12.15.04

In the world of hip-hop, Lewis Turco would be considered an “Original Gangsta,” an “O.G.”—a title given to someone who started it all. In the more genteel business of poetry writing, however, Turco would be called an “Institution,” and what he started was nothing less than a renewed appreciation of poetic forms. Since its first edition in 1968, his reference book The Book of Forms has become a standard text for poets of all stripes. A cross between The Joy of Cooking and According to Hoyle for poets, Turco’s text remains a rarity: a reference book with personality. Turco’s lucid, empathetic entries on every form under the sun continue to serve many poets writing their first pantoums or settling drunken bets on the rhyme scheme of the rimas dissolutas (abcdef abcdef ghijlk ghijlk ..., if written in sestets).

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