Page One: Where New and Noteworthy Books Begin
Page One features a sample of titles we think you'll want to explore. With this installment, we offer excerpts from Invisible Bride by Tony Tost and Coin of the Realm by Carl Phillips.
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Page One features a sample of titles we think you'll want to explore. With this installment, we offer excerpts from Invisible Bride by Tony Tost and Coin of the Realm by Carl Phillips.
Notes of a Native Son, James Baldwin’s best-known book, was published in 1955 by Beacon Press. Baldwin’s editor then was Sol Stein, whom he’d known since high school. This essay is an excerpt from Stein’s Introduction to Native Sons by Baldwin and Stein, which will be published by One World, an imprint of Random House, next month. The book includes correspondence between Stein and Baldwin that produced Notes of a Native Son.
This year marks the centennial of the births of several renowned literary writers, including Isaac Bashevis Singer, Pablo Neruda, Louis Zukofsky, and Graham Greene.
Jonathan Safran Foer, author of Everything Is Illuminated (Houghton Mifflin, 2002), recently announced that he returned the money he received from the PEN American Center when he won the PEN/Robert Bigham Fellowship last month.
British fiction writer Andrea Levy recently won the Orange Prize for Fiction for her fourth novel Small Island (Review Books). She received £30,000 (approximately $54,900).
Rebecca Wolff's second collection of poems, Figment, won the 2003 Barnard Women Poets Prize and was published by Norton in April. Her first book, Manderley, was chosen by Robert Pinsky for the 2000 National Poetry Series; it was published by the University of Illinois Press the following year. That publication record alone would satisfy most poets. But Wolff's accomplishments don't end there.
The Man Group, the sponsor of the annual Man Booker Prize for Fiction, recently announced it will award the first Man Booker International Prize in 2005.

Like most poets, Henri Cole is “against the war” and uncomfortable in large crowds. He pulls at his dark sleeves and looks around nervously, searching as if he might find someone he knows. He is the only man in the room wearing a cardigan sweater and not a suit jacket. He is the only man, save the president, wearing his Many Lamps lapel pin during cocktails.
Dorland Mountain Arts Colony, located at the foothills of Palomar Mountain in Southern California, was destroyed by a wildfire on May 2, 2004. All of the buildings on the 300-acre nature preserve were reduced to ash and rubble. The five artists in residence at the time were evacuated safely, but a large number of antiques were lost.
For some writers, community service comes naturally. But for those of us who are accustomed to guarding our precious writing time with our lives, the very thought of adding another activity—no matter how worthy—is daunting. We watch in awe as fellow writers teach, mentor, and travel to remote locations to give workshops to populations ranging from the incarcerated to the homeless to senior citizens. Why do they do it? How do they find the time and emotional energy? Is it possible to serve others without neglecting one's own work?