To conclude my Black History Month themed posts, I interviewed poet Sunni Patterson. Patterson was instrumental in giving voice to New Orleans through her poetry after Hurricane Katrina. The performance of her poem “We Made It” on HBO’s Def Poetry Jam has over six hundred thousand views on YouTube. In many ways Patterson has become the face of New Orleans spoken word.

How has New Orleans shaped your poetry?
When you’re born and raised in New Orleans, you can’t help but have poetry in your bones. Even if you don’t know what it is, or what to call it, it’s there. From the way a story is told, the sayings, the anecdotes—all of it shapes my artistry. I know the music, air, culture, thickness of the city contributes to the sound of my poems.

Take us back to your appearance on Def Poetry Jam in 2007, what was that moment like for you?
I was asked to do it years before that performance. For some reason, I didn’t want to do it. Fast forward to after Hurricane Katrina. I’d just finished speaking at the University of Houston when I got the call from producers. I agreed immediately! I knew my voice and point of view about Hurricane Katrina and its impact on the city and residents needed to be heard.

I had no clothes after Katrina. A box of clothing from a church in Houston was sent to me. Most of the things I didn’t keep. I kept a crop top. I already had some denim material I wanted to use. I was leaving the next day, I called Mama Rukiya, she sewed something quickly with mudcloth and made detachable sleeves. Chile, I was sewing myself into the dress until it was time to go on stage! The needle and thread were still in the seams. It was a great experience.

Who are some of your poetry influences?
Ayi Kwei Armah, Lucille Clifton, Jayne Cortez, Neville Goddard, Zora Neale Hurston, Acklyn Lynch, Brenda Marie Osbey, Arturo Pfister, Rumi, Kalamu ya Salaam, Mona Lisa Saloy, and Sonia Sanchez.

What message do you have for the future writers of New Orleans?
My hope for the next generation of writers is to have hope. To hold the light. To honor the ancestors, elders, culture, children, and spirit of the city, but most importantly, to do the ugly, yet necessary, work of the heart. Those are the things that’ll keep them and us alive.

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As we prepare for our participation in the annual AWP Conference & Bookfair in March in San Antonio, I thought I’d share some of the literary festivals and conferences that Houston hosts. Last week, I wrote about Sin Muros: A Latinx Theater Festival, and today I want to tell you about Comicpalooza.

First, I have a confession: I am a comic book nerd. There, I said it. Some of you might read this and judge me and that’s okay. The real shameful thing is that I have never been to Comicpalooza and it looks exciting as hell!

This festival is now in its fifth year and boasts a thorough showing of comic fandom, appreciation, and literary craft. There is a slew of programming for every kind of audience, from cosplay to craft writing workshops on fantasy and noir, to open mics and DIY workshops on storyboarding for graphic novels. The festival even includes a Literature Conference with author panels, critique sessions with fellow writers, and fan roundtable discussions. The three-day event is Texas’s largest comic convention and what I love is that it’s all about community. If you’re interested, you can participate—that’s right, submissions are currently open for panel discussions and workshops. This year, Comicpalooza will be held over Memorial Day weekend, May 22–24 at the George R. Brown Convention Center in Downtown Houston. So if you happen to be in town, I hope to see you there!

Tuxedo Project resident fellow Rose Gorman has been working in conjunction with the Center for Detroit Arts and Culture at Marygrove College to help organize this year’s Contemporary American Authors Lecture Series. The series, which began in 1989, invites a nationally-known author to the campus for a lecture and reading that’s free and open to the public. There is also programming surrounding the event throughout the city that introduces Detroiters to the work of the featured author. Last year the series brought Elizabeth Acevado, a Dominican American poet and the author of The Poet X and With the Fire on High, to Detroit. I had the honor of sharing the stage with Acevado at Marygrove for the reading. Witnessing so many people there to hear Acevado’s words after weeks of diving into her work was moving to say the least.

On April 2, Roxane Gay will be featured and at the center of attention for this year’s event. Leading up to the date, numerous literary workshops, readings, and other activities will take place in the city to absorb Gay’s published works. According to Gorman, they are expecting to have programming happening every day of the week for the entire month of March! You will be able to find one-off events as well as weekly workshops encouraging participants to sit with a single text for more than one meeting. These will be hosted at locations such as the Room Project and Tuxedo Project.

Events begin this week and on Sunday, March 1 at ZAB Cultural Collective, a special five-week program will allow participants to enjoy a discussion group for Gay’s memoir, Hunger, that explores the text through the creation of visual art. These sessions will be led by Rose Gorman and artist Amanda Koss. “People can dive into emotions that they feel through color and shape,” says Gorman about the program. “The meaning is unique to the artist.” Read more about this program and register for events here.

Last week we took a little break and I hope you enjoyed my list of things to check out. Beginning this week, I want to highlight the big events: conferences and festivals. As many of you know, we are gearing up for a massive conference, the annual AWP Conference & Bookfair, run by the Association of Writers & Writing Programs, taking place in San Antonio, Texas in March. Poets & Writers and the literary outreach coordinators—Justin, Kelly, and I—will be there so come say hello if you’re at AWP!

Keeping that in mind, I’d like to dedicate some time in this blog to celebrate the literary festivals and conferences that take place here in Houston, including Sin Muros, Comicpalooza, Fade to Black Play Festival, and Zine Fest Houston.

First up, Sin Muros! Now in its third year, Sin Muros: A Latinx Theater Festival is a community-led playwriting festival focused on Texas-based Latinx voices and stories. The festival is put on by Stages, a nonprofit organization and historic theater in Houston, and offers a ton of access to literary craft for emerging artists. In Spanish, sin muros means “without walls” and the festival embodies this theme through its events.

Stages works with community leaders—playwrights, dramatists, poets, and activists—to put together a four-day festival for the public with many free events. Two plays (which are a part of Stages’s regular season) serve as anchors to a series of play readings and poetry readings; a generative, writing workshop (any genre is welcome); a professional development workshop for theater teachers; a children’s play; a town hall meeting focusing on issues Latinx artists face; and a poetry tent filled with booksellers, local literary organizations, and poets. Stages works with several literary and performance organizations to put the festival together, including Tintero Projects, Gente de Teatro, and TEATRX. Some of the work is in English. Some of the work is in Spanish. All of the work is Tejano.

This year’s festival over this past weekend was a great success. Every year it gets larger and larger, and I can’t wait for the next one.