Get a head start this month by submitting to contests with a deadline of May 15. These poetry, fiction, and nonfiction awards include several contests for emerging writers and a prize for a documentary project that features both images and text. All offer a prize of $1,000 or more.

Academy of American Poets James Laughlin Award: A prize of $5,000 is given annually for a second book of poetry by a living poet to be published in the coming calendar year. The winner also receives an all-expenses paid weeklong residency at the Betsy Hotel in Miami Beach, Florida. Copies of the winning book are purchased and distributed to members of the Academy of American Poets. Rick Barot, Gabrielle Calvocoressi, and Honorée Jeffers will judge. Entry fee: none.

Academy of American Poets Lenore Marshall Poetry Prize: A prize of $25,000 is given annually for a poetry collection by a living poet published in the United States during the previous year. The winner also receives an all-expenses paid ten-day residency at Glen Hollow in Naples, New York. Copies of the winning book are purchased and distributed to members of the Academy of American Poets. Garrett Hongo, Carol Muske-Dukes, and Tim Seibles will judge. Entry fee: $75.

American Poetry Review Stanley Kunitz Memorial Prize: A prize of $1,000 and publication in American Poetry Review is given annually for a single poem by a poet under the age of 40. The editors will judge. Entry fee: $15 (includes a copy of the prize issue).

Carve Raymond Carver Short Story Contest: A prize of $2,000 and publication in Carve is given annually for a short story. The winning story will also be read by three literary agents. Pam Houston will judge. Entry fee: $15 ($17 for electronic submissions).

Center for Documentary Studies Dorothea Lange–Paul Taylor Prize: A prize of $10,000 and publication in the Center for Documentary Studies digital periodical is given annually for a documentary project that incorporates images and text in any genre. The winning piece will also be placed in the Archive of Documentary Arts at Duke University’s Rubinstein Library. Independent and collaborative fieldwork projects are eligible. Entry fee: $60.

Gaudy Boy Press Poetry Book Prize: A prize of $1,000 and publication by Gaudy Boy Press, an imprint of the literary nonprofit Singapore Unbound, is given annually for a poetry collection by an Asian writer. Cyril Wong will judge. Entry fee: $10.

Lost Horse Press Idaho Prize for Poetry: A prize of $1,000, publication by Lost Horse Press, and 20 author copies is given annually for a poetry collection by a U.S poet. Entry fee: $28.

Pittsburg State University Cow Creek Chapbook Contest: A prize of $1,000, publication by Pittsburg State University, and 25 author copies is given annually for a poetry chapbook. Marcus Wicker will judge. Entry fee: $15.

Ploughshares Emerging Writer’s Contest: Three prizes of $2,000 each and publication in Ploughshares are given annually for a poem or group of poems, a short story, and an essay. Each winner also receives a consultation with the literary agency Aevitas. Writers who have not published a book or chapbook are eligible. Ilya Kaminsky, Kirstin Valdez Quade, and Esmé Weijun Wang will judge for poetry, fiction, and nonfiction, respectively. Entry fee: $24 (includes subscription).

Ruminate Janet B. McCabe Poetry Prize: A prize of $1,500 and publication in Ruminate is given annually for a single poem. Katie Peterson will judge. Entry fee: $20 (includes a digital copy of Ruminate).

University of Nebraska Press Backwaters Prize: A prize of $2,000, publication by University of Nebraska Press, and 20 author copies is given annually for a poetry collection. An honorable mention prize of $1,000 and publication by University of Nebraska Press will also be given. Matt Mason will judge. Entry fee: $30.

Visit the contest websites for complete guidelines, and check out the Grants & Awards database and Submission Calendar for more contests in poetry, fiction, and creative nonfiction.

“The writer’s obligation in the age of X is to pay attention,” writes Wayne Koestenbaum in a recent Paris Review essay. This phrase is repeated throughout the piece as Koestenbaum floats from one memory to another and suggests that a writer should “revisit books to which we have ceased paying sufficient attention, books we have failed adequately to love” and “play with words and to keep playing with them—not to deracinate or deplete them, but to use them as vehicles for discovering history, recovering wounds, reciting damage, and awakening conscience.” Write an essay about your personal perspective on the role of a writer today. Allow for a fluctuating and expansive definition, one that can accommodate not-writing, playfulness, contradictions, and elasticity.

There are only a couple days left for this year’s National Poetry Month and I wanted to celebrate by highlighting some New Orleans poets and their recorded readings. Some have been created during the COVID-19 quarantine and others showcase the venues we miss visiting. If you’re looking for virtual readings to watch from home, check out the online events in the Literary Events Calendar and follow me on Twitter, @nolapworg.

1. Jessica Kinnison, cofounder of the Dogfish reading series, reads poems for the Virtual New Orleans Poetry Festival 2020.

2. Sunni Patterson reads a poem with musical accompaniment for the Letters From the Porch video series, which brings musicians and performers together to offer gratitude to the medical community.

3. Slam New Orleans member FreeQuency reads her poem “Lessons on Being an African Immigrant in America” at the 2014 National Poetry Slam Finals.

4. Brad Richard reads from his collection Parasite Kingdom (The Word Works, 2019). Richard codirects the LGBTIQ reading series the Waves with poet Elizabeth Gross.

5. New Orleans poet Skye Jackson reads from her chapbook, A Faster Grave (Antenna Press, 2019), for a book launch reading at Malvern Books.

6. Justin Lamb, a former Slam New Orleans member and the program director at Bard Early College in New Orleans, performs “The Friend Zone.”

7. Megan Burns, cofounder of the New Orleans Poetry Festival and Trembling Pillow Press publisher, reads for the Unlikely Salons reading series at the Zeitgeist Theatre and Lounge in Arabi, Louisiana.

8. Gina Ferrara, host of the Poetry Buffet series, reads her poem “The Religion Once But No Longer Shared” at Cafe Istanbul in New Orleans.

Bonus: 826 New Orleans program director Kyley Pulphus offers an online writing workshop for their #agoodtimetowrite series.

In what circumstances are a person’s true colors revealed? Sometimes in times of chaos or upheaval, latent strengths, abilities, foibles, or idiosyncrasies come to the surface, which can be as much of a surprise to oneself as to others. This week, write a short story in which your main character learns something new about themselves during a crisis. Is there an unexpected feeling of panic, wild and unpredictable behavior, or is all eerily calm? Does your character step up to the plate or cower under pressure?

“It’s astonishing to me that there is so much in Memory, yet so much is left out: emotions, thoughts, sex, the relationship between poetry and light,” writes Bernadette Mayer in the introduction to her book Memory (Siglio Press, 2020), featured in the Written Image in the May/June issue of Poets & Writers Magazine. The book presents a collection of photographs and text from 1971 when Mayer shot a roll of film every day for the month of July and wrote in a journal—a record of her consciousness. Taking inspiration from this project, jot down notes describing several images and observations each day this week. Then, write a poem that combines them into a single, sequential mass, a contemporaneous manifestation of your conscious mind.

To help writers impacted by the COVID-19 pandemic, we will be highlighting emergency funds available to writers. For more sources of support, read our running list of resources for writers in the time of coronavirus.

We Need Diverse Books is issuing grants of $500 to members of the children’s literature publishing community “who are experiencing dire financial need,” specifically diverse authors, illustrators, and publishing professionals whose incomes have been affected by the COVID-19 pandemic.

Writers and illustrators who have lost income due to canceled school or library visits, and who have published at least one book-length title for children or teens at a traditional publishing house, are eligible; children’s publishing professionals who have been furloughed or recently laid off from a publisher or literary agency are also eligible. All applicants must identify as people of color, as Native American, or as LGBTQIA+, or have a disability or belong to a marginalized religious or cultural minority; additionally, they must be U.S. residents and at least eighteen years of age.

Using online the online application system, submit information about personal finances, a statement of need, and a recent bank statement. Author and illustrator applicants must also list publication history and provide evidence of the cancellation of at least three school or library visits. Applications are accepted on a rolling basis. Visit the website for complete guidelines.

We Need Diverse Books estimates that applications will be processed within two to three weeks. Applications will be capped at seventy but may be reopened after the judging committee has reviewed the first round.

We Need Diverse Books first emerged as a social media campaign and protest in 2014, which called out the publishing industry for the lack of diversity in children’s literature. We Need Diverse Books has since become a nonprofit organization with the vision to build “a world in which all children can see themselves in the pages of a book.”

Submissions are open for the 2020 Poetry London Prize. This international award, given for a single poem written in English, is run by the British literary magazine Poetry London. The winner will receive £5,000 (approximately $6,170). A second-place prize of £2,000 (approximately $2,468) and a third-place prize of £1,000 (approximately $1,234) will also given. All three winning poems will be published in the magazine’s Autumn 2020 issue and on its website.

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Using only the online submission system, submit poems of no more than 80 lines with a £8 entry fee (approximately $10) per poem, or £4 (approximately $5) per poem for Poetry London subscribers, by May 1. For low-income poets, limited free entries are available on a first-come, first-served basis. Poet, critic, and translator Ilya Kaminsky will judge. Visit the website for complete guidelines.

The winners will be notified by July 17 and will be awarded their prizes at the Poetry London Autumn 2020 issue launch reading in September. Previous first-place winners of this competition include poets Romalyn Ante, Liz Berry, and Richard Scott.

In the May/June issue of Poets & Writers Magazine, Cathy Park Hong discusses the writing process for her first nonfiction book, Minor Feelings: An Asian American Reckoning (One World, 2020), in an interview by Dana Isokawa. Hong talks about patching together “scenes, personal anecdotes, analyses of books, vents about things” and how this eventually developed into a form. “I began mixing and matching these paragraphs the way you would put together stanzas for a poem, and that’s how I arrived at a modular form.” Write a personal essay that revolves around an important belief, opinion, or question. Begin accumulating different paragraphs that contribute to your argument, and then collage them together, perhaps using other texts and facts from research. What’s your organizing principle in providing shape to this structure?