Take a Break With Me

Hey gente, I hope the first month of the new year has been good to you. I just finished a series of posts about a variety of ways to take part in the literary scene in Houston that are different from attending a reading or participating in a writing workshop. Today’s post will give us a little break from events and outlets. I am going to be a little selfish and share some things that I have been reading, listening to, and watching. It’s a busy life, so sometimes you just have to dig in and enjoy things in the comfort of your own home. Don’t worry—these are all still things definitely Houston and entirely literary that offer a taste of the city and new voices. Hope you enjoy!

Lupe’s “Take a Break” List (counting down from five):

5. A video of Fady Joudah and Carmen Giménez Smith reading for the 2018/2019 Inprint Margarett Root Brown Reading Series.

4. An interview with Houston author Bryan Washington for the Guardian.

3. An interview in Houstonia with Houston’s fourth poet laureate, Leslie Contreras Schwartz.

2. “Not-So-Subtle Asian Traits” by Houston writer Joshua Nguyen posted on Medium.

1. A video of the Houston finalists for the 2018 Brave New Voices International Youth Poetry Slam Festival.

You can keep up with literary news at Poets & Writers Magazine’s Daily News, and check out more videos of readings and author interviews in the Poets & Writers Theater.

Lupe Mendez is the literary outreach coordinator for Poets & Writers in Houston. Contact him at Houston@pw.org or on Twitter, @houstonpworg.

Sweet Emotion

2.11.20

In the Cut, seventy-eight new emotions are introduced, inspired by a theory that emotions are not just objective, biologically measurable states but are constructed interpretations of sensations affected by our cultures, expectations, and language. Writers, including Greg Jackson, Sara Nović, and Bryan Washington, name and describe new emotions like jealoushy: “The feeling of being jealous of someone while also having a crush on them,” and heartbreak adrenaline: “The strange feats of strength that can be accomplished after a devastating breakup.” Write a poem that revolves around a newly named emotion of your own invention, perhaps involving love, lust, or heartbreak. How does giving new language to a feeling expand your perspective?

Poets and Pies

Last week, I was invited by poet, professor, and event organizer M. L. Liebler to take part in his reading series known as Poets & Pies. As the title suggests, this literary showcase brings together a mix of writers and delicious pie! While the series is held at various locations around Metro Detroit, the February 5 event took place at the Main Branch of the Detroit Public Library.

The Main Library is a historical building listed in the National Register of Historic Places that is part of the city’s Cultural Center Historic District in the Midtown area. It is home to various spaces that are open to public use. For Poets & Pies, we found ourselves in the Explorers Room, a basement-level performance space complete with a stage, piano, and private bathrooms.

I shared the stage with Lori Tucker-Sullivan and Ruben Guevara. Lori is a Detroit-based writer whose poems, essays, stories, and reviews have appeared in various magazines and journals. Her essay “Detroit, 2015,” which explores her decision to return to Detroit after the death of her husband, was nominated for a Pushcart Prize by Midwestern Gothic and received a notable selection in Best American Essays 2015. Ruben is best known as the front man of the 1970s experimental rock band Ruben and the Jets and shared his history with the band and other encounters in the world of rock music. He also read a couple poems.

This event was funded in part by a Poets & Writers mini-grant. We enjoyed poetry, pie, and hilarious reflections on the life of a rocker. I think that Poets & Pies is a perfect example of how to curate a literary event that serves Detroiters of all artistic backgrounds while keeping things fresh and exciting. Their upcoming events will be held at the Hannan Center every month beginning on May 4. Check it out if you’re in town!

Justin Rogers is the literary outreach coordinator for Poets & Writers in Detroit. Contact him at Detroit@pw.org or on Twitter, @Detroitpworg.

Deadline Approaches for Yemassee Chapbook Contests

Submissions are open for the 6th annual Yemassee Poetry Chapbook Contest and the inaugural Yemassee Fiction Chapbook Contest. Sponsored by the literary magazine Yemassee, each contest awards a prize of $1,250, chapbook publication, and 25 author copies.

Using only the online submission system, submit 20 to 26 pages of poetry or 20 to 40 pages of fiction with a $18 entry fee by February 15. Gabrielle Calvocoressi will judge in poetry and Sarah Gerard will judge in fiction. Visit the website for complete guidelines.

Based at the University of South Carolina, Yemassee publishes two print issues each year as well as ongoing Monthly Spotlights featuring new poetry, fiction, and nonfiction. Previous winners of the journal’s poetry chapbook contest include Taneum Bambrick and Mick Powell.
 

Indiscernible Relations

In artist John Baldessari’s “Eight Soups: Corn Soup,” he borrows an image of a Henri Matisse painting of goldfish and writes the words “corn” and “soup” underneath it, while another piece includes a photograph of himself standing beneath a palm tree with a caption that says, “wrong.” In Deborah Solomon’s New York Times piece on Baldessari, who died earlier last month, she writes of a postcard the artist once sent from the Cincinnati Zoo to a friend: “The message bore no discernible relation to the photograph of the tiger cubs. In this way, it resembled his work. Text plus image and many possible paths between them.” As you go about your week, keep an eye out for readymade images—a photograph, a painting, an advertisement—and jot down words that immediately come to mind. Write an essay that uncovers, or makes discernible, the paths between the image and what it conjures up for you.

Deadline Approaches for the Derek Walcott Prize for Poetry

The inaugural Derek Walcott Prize for Poetry is open for submissions. Sponsored by Arrowsmith Press, in partnership with the Derek Walcott Festival and the Boston Playwrights’ Theatre, the award will be given for a poetry collection written by a living poet who is not a U.S. citizen. Books published anywhere in the world during the previous calendar year, in English or translated into English, are eligible. The winner will receive a cash prize of $1,000, a reading at the Boston Playwrights’ Theatre, the publication of a limited-edition broadside by Arrowsmith Press, and a weeklong residency at one of Walcott’s homes in either St. Lucia or Port-of-Spain, Trinidad. If the winning work is a translated book, the prize money will be shared between the translator and the poet.

Publishers may submit books published between January 1, 2019 and December 31, 2019 with a $20 entry fee by February 15. Multiple submissions are permitted, but each book requires a separate submission and fee. Visit the website for complete guidelines.

The winner of the prize will be announced in May and will be invited to give a reading in Boston in October 2020. Glyn Maxwell, the editor of Walcott’s Selected Poems and a friend of the late poet, will judge. The prize was established by Walcott’s family to honor his lifelong support of emerging writers.

Photo: Derek Walcott

Community Book Center: Opening Doors for Black Writers

For Black History Month, I will be writing about Black writers and institutions that have contributed to the Black literary experience in New Orleans. This first post is dedicated to Community Book Center.

When I walk into Community Book Center, I feel like I am stepping into my grandmother’s house. I’m usually greeted by the straight talk of Mama Jen (Jennifer). “Where yo ass been?” is usually her first question to me followed by, of course, a hug. It is the balance of realness and love that makes this place so special, not only for me but for so many Black writers in the city.

If you are a Black writer in New Orleans, it’s likely not every literary door is open to your work. At Community Book Center, the emphasis on community allows Black writers of all levels and genres an opportunity to promote and sell their books, and discover authors that make you feel represented and invited in.

Community Book Center is owned by Vera Warren Williams and is currently the only Black-owned bookstore left in New Orleans, to my knowledge. It has thrived for more than thirty years and survived Katrina, gentrification, and the ever-changing publishing industry.

Whenever I’m there, I feel a sense of pride because I don’t have to look for the African American section like in other bookstores—the entire store ignores the white gaze that Toni Morrison often spoke about. When I browse the shelves and see all the books for children, women, parents, and families that span the Black and African experience, I know that I am home. Thank you, Community Book Center!

Kelly Harris is the literary outreach coordinator for Poets & Writers in New Orleans. Contact her at NOLA@pw.org or on Twitter, @NOLApworg.

More Than Meets the Eye

In “The Machines Are Coming, and They Write Really Bad Poetry (But Don’t Tell Them We Said So)” on Lit Hub, Dennis Tang writes about the results of using GPT-2, an artificial intelligence language program, to generate poetry in the style of Emily Dickinson, Shakespeare, Robert Frost, Maya Angelou, and Sylvia Plath. Phrases, snippets, and passages are submitted to the program, which then produces several lines of writing that attempt to mimic the original text’s style. Using the Talk to Transformer website, try feeding the program one or two sentences from a story you’ve written in the past and see what the machine generates. Then, go with the flow of AI and use its verse to continue the story in a new, unexpected direction. 

Literary Community Outside the Box: Part Five

This will be the last in my series of posts exploring the unique platforms that contribute to the literary community in Houston, which have included Nuestra Palabra: Latino Writers Having Their Say, the blogs and podcasts Dear Reader and Bootleg Like Jazz, and the ekphrastic series Words & Art. Today I want to let you know about the Afrofuturism Book Club.

Educator and Detroit native Jaison Oliver founded the Afrofuturism Book Club in 2016 with the hope of building community around a shared interest for fantasy and science and speculative fiction written from a Black perspective. The format is real chill. The group meets monthly to read and discuss short stories by authors like Chimamanda Ngozi Adichie, Octavia Butler, and Samuel Delany, as well as comic books, films, and television series. I haven’t had a chance to attend a meeting yet, but I know they are happening, because every time I see Jaison post about the book club, I want to kick myself for not attending.

I know from the last invitation I saw online, the book club covered the new HBO television series adaptation of Watchmen for their January meeting. Every month is something new to enjoy! Meetings are usually held at a cozy, local coffee shop and you can sign up to find out more.

Lupe Mendez is the literary outreach coordinator for Poets & Writers in Houston. Contact him at Houston@pw.org or on Twitter, @houstonpworg.

Biodiversity

Marshes, rivers, forest, mountains, butterfly wings, fungi, fruits, flowers, birds, leaves, foxes, bears, wolves, and whales. The Biodiversity Heritage Library, billed as the “world’s largest open access digital library,” is a free archive of over fifty-seven million pages of sketches, illustrations, diagrams, studies, and research of life on Earth from the fifteenth century to the present. Browse through their Flickr gallery and choose a group of images that you find particularly intriguing, striking, curious, or beautiful. Write a poem that considers the life forms and ecosystems depicted in the illustrations and how they affect your imagination today.

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