Quiddity, a literary journal out of Benedictine University in Springfield, Illinois, has launched its inaugural contest for a prose book trailer. The biennial competition is open to short films based on both unpublished manuscripts and published books of fiction or creative nonfiction, offering a five-hundred-dollar prize in each category.

Aside from the cash prize, Quiddity will also arrange to promote the winning trailers in the journal and on National Public Radio member station WUIS Springfield, as well as on the Web sites of both. The journal's prose editor David Logan and emerging novelist A. D. Carson will judge.

Authors should submit films of no longer than three minutes in the manuscript category, and publishers or presses should submit entries for published books; entry is free. Complete guidelines and entry forms are available on the Quiddity website.

Entries aren't due until December 10, but a look at Carson's sample trailer below might leave some writers wanting to carve out substantial time to get production just right, or assemble a crew—friends and colleagues are permitted to assist in the trailer's creation. Videos simply featuring authors reading do not qualify for this competition.

For Allison Amend, author of the story collection Things That Pass for Love and the novel Stations West, the road to publication has been a slightly bumpy one. It has required tenacity and perseverance, coupled with faith in her considerable talent. An Iowa MFA grad, with several prestigious credits, and for at least ten years, no books—she diligently wrote, placed articles and stories, applied for residencies and fellowships, freelanced, taught freshman comp, while her peers openly debated why Allison Amend had not yet published a book. She'd been a finalist or semi-finalist in so many first book award contests she'd stopped listing them on her resume.

In 2004, she finished a historical novel, Stations West. A version of the first chapter had appeared in One Story in 2002. And she landed a big-time agent, who shopped the book to over thirty publishing houses, at first big, and then small. Many editors liked it; some came tantalizingly close to saying yes, but ultimately none offered to publish it. Amend’s agent suggested she put her hard-wrought novel, as they say, in the drawer. Subsequently, she and the agent parted ways. But Amend persisted on her own, finally finding a publisher for her book, despite having no representation. The novel was published in 2010, to critical acclaim, and nominated for the $100,000 Sami Rohr prize. She's now represented by Terra Chalberg at the Susan Golomb Literary Agency. (Terra Chalberg answers reader-submitted questions in The Poets & Writers Guide to Literary Agents.)

Of all authors, Amend knows the pros and cons of working with an agent. In this video, she shares her experience. 

Write a scene in which two characters who are close (friends, relatives, a couple) are secretly angry at each other about something that has happened in the past. Decide what they are angry about before writing the scene but don't write about it directly. Instead, reveal the tension between them in the dialogue and in the actions involved in accomplishing a mundane task they are doing together, such as moving a couch, setting up a tent, making dinner, or painting a house.

The winner has been announced for the fourth biennial Man Booker International Prize, which carries a purse of sixty thousand pounds. For American Philip Roth, who was honored for his lifetime contributions to fiction, that translates to roughly ninety-seven thousand dollars.

Roth's oeuvre—from Goodbye, Columbus (Houghton Mifflin, 1959) to Nemesis (Houghton Mifflin Harcourt, 2010)—has "stimulated, provoked and amused an enormous, and still expanding, audience," said chair of judges Rick Gekoski. "His imagination has not only recast our idea of Jewish identity, it has also reanimated fiction, and not just American fiction, generally."

A three-time finalist for the international award, Roth was joined on this year's shortlist by U.K. authors John le Carré (whose request to be removed from the shortlist was unsuccessful) and Philip Pullman, Australian David Malouf, Chinese author Su Tong, and Americans Marilynne Robinson and Anne Tyler. Past winners of the prize include Chinua Achebe of Nigeria, Ismail Kadare of Albania, and Alice Munro of Canada.

In the video below, Roth talks about beginning a novel and the years-long process of working on one, and why he doesn't worry about the reader.

For the next few weeks Camille Rankine, program and communications coordinator at Cave Canem Foundation, will give us the rundown on the longtime P&W-supported literary organization.

Toi Derricotte and Cornelius Eady founded Cave Canem in 1996 with the intuition that African American poets would benefit from having a place of their own in the literary landscape. That summer, twenty-six poets gathered at Mount St. Alphonsus Conference Center in Esopus, New York. “The first night when everyone sat in a circle and started breaking down about how they had never felt safe and never studied with an African American poet, you could see something had really happened,” Toi Derricotte recalled. “People broke open,” said Cornelius Eady, describing the first workshop in an interview for the Poetry Foundation. “And then everyone hung out by the river and built a fire and really claimed the space.”

In the fifteen years since its founding, Cave Canem’s community has grown to become an influential movement with a renowned faculty and high-achieving national fellowship of over three hundred, many of whom have been P&W-supported and/or listed in the Directory of Poets & Writers. From inception, the organization’s week-long writing retreat has provided sustenance and a safe space to take artistic chances.

This June, the tradition will continue at the sixteenth annual summer retreat, held at the University of Pittsburgh at Greensburg in Pennsylvania. Here, fifty-four fellows will commune with their peers and study with world-class poets Toi Derricotte, Cornelius Eady, Terrance Hayes, Carl Phillips, Claudia Rankine, and Natasha Trethewey. As Harryette Mullen, recipient of P&W's fourth annual Jackson Poetry Prize, put it, in this environment “black poets, individually and collectively, can inspire and be inspired by others, relieved of any obligation to explain or defend their blackness."

In addition to the retreat, several public readings, including a tented event at City of Asylum/Pittsburgh on June 23, will showcase the work of fellows, faculty, and visiting poet Amiri Baraka. 

Photo: Cave Canem Founders, Toi Derricotte and Cornelius Eady. Credit: Rachel Eliza Griffiths

Support for Readings/Workshops in New York City is provided, in part, by public funds from the New York State Council on the Arts, and the New York City Department of Cultural Affairs, with additional support from the Louis & Anne Abrons Foundation, the Axe-Houghton Foundation, the A.K. Starr Charitable Trust, and the Friends of Poets & Writers.

Compose a poem collaboratively with a friend. Write one line and send it to your friend via e-mail, or by passing a notebook back and forth, and invite your friend to write the next line, building on what you wrote. Continue composing the poem together, line by line, until you have at least twenty lines. Then each of you consider the draft and revise it independently. Compare your final versions.

P&W-sponsored poet Michael Czarnecki blogs about the New York State literary events he's participated in this past year.

A sliver of a moon shines off to my right, low in the western sky. Straight ahead, Jupiter guides me as I drive south, home on Wheeler Hill a little less than an hour away. A short while ago I left the Lima Public Library. A half dozen people attended a writing workshop that I facilitated, excited about the method presented, anxious to do some writing. Behind the wheel, I felt good about the ideas I presented, the encouragement I had given.

Lima is a small village, about 2,500 people, in upstate New York. The surrounding area is mostly farmland and newer rural suburbia. My home, Wheeler Hill, is even more rural, isolated. Dirt roads and Old Order Amish neighbors. I am a country person, but also a poet and small press publisher. For more than two decades, I’ve made my living solely through creative work. Much of that work on the road is in small communities, like Lima.

In the past year I’ve given readings and/or held workshops in many small communities throughout New York State: Big Flats, Tupper Lake, Indian Lake, Watkins Glen, Henderson, Warsaw, Gouverneur, Dundee, Naples, and Mexico. These programs could not have happened were it not for the support of Poets & Writers. Many of these are repeat venues for me. The first four have active writers’ groups that were formed, in large part, because of my continual encouragement over the years.

Of special note is Watkins Glen. Seventeen years ago Charlotte Dickens called me (I didn’t know her) and asked if I could help her start a writers group in the community. She had been given my contact information from the local library, where I had facilitated a program a couple of years before. Over dinner we talked about possibilities. We left with a plan that I would facilitate the first few of the monthly meetings and then she would take over. I also suggested she have a monthly reading series, featuring published writers followed by an open reading. I felt strongly that hearing experienced writers would benefit burgeoning writers who met around the table every month. The writers group still meets twice a month and the reading series continues to flourish! This, in a village of a little over 2,000 people and a county with about 20,000! Scores of poets and prose writers have read in the series, local and regional, as well as those from distant states.

As I turn into our one third of a mile long hayfield driveway, the moon hangs even lower in the western sky, soon to be gone. I am pleased with another successful workshop in a small upstate community. Pleased that I have been invited to come back again next year. Pleased that Poets & Writers encourages such programming throughout the whole of New York State, supporting events in all sixty-two counties every year. And finally, I’m pleased to return to quiet, peaceful home on Wheeler Hill.

Photo: Michael Czarnecki.

Support for the Reading/Workshops in New York is provided, in part, by public funds from the New York State Council on the Arts, with additional support from the Friends of Poets & Writers.

Blackbird, the online literary magazine of Virginia Commonwealth University (VCU) in Richmond, has announced a new award for short fiction.

Given in honor of late Richmond-born fiction writer Rebecca Mitchell Tarumoto, a two-thousand-dollar prize will be given annually for a story submitted to the journal over the course of each year, specifically by an emerging writer.

The inaugural winner, selected from among writers published in Blackbird this year, will be announced in the Fall 2011 issue. In addition to the monetary prize, the winner will be invited to give a reading on the VCU campus next spring, and may also be asked to put in appearances at Richmond-area elementary and high schools.

Blackbird does not charge a fee for submissions, and prefers writers to send work using the magazine's electronic form. For details on how to submit, visit the Blackbird website.

Choose a bureaucracy: the Department of Motor Vehicles, the Post Office, the Army,etc. Imagine two people who work there, one a supervisor, the other an underling, and write their letters of resignation. Then write a scene where the two former co-workers meet for coffee three years later.

The New York Public Library held its eleventh annual Young Lions Fiction Award celebration last night, honoring five emerging fiction writers with books published in 2010. After readings of the finalists' works by actors Billy Crudup and Martha Plimpton, Chicago author Adam Levin was named winner of the ten-thousand-dollar prize for his novel The Instructions (McSweeney's Books).

Levin's fellow honorees, receiving one thousand dollars each, are John Brandon for Citrus County (McSweeney's Books), Patricia Engel for Vida (Grove Press), Suzanne Rivecca for Death Is Not an Option (Norton), and Teddy Wayne for Katptoil (Harper Perennial).

The award, cofounded by Ethan Hawke, Rick Moody, Jennifer Rudolph Walsh, and Hannah McFarland, is given annually for a work of fiction by a writer age thirty-five or younger.

In the video below, McSweeney's Books presents a teaser trailer for Levin's winning novel.