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“If we truly love a place and are tethered to a place, then it’s our job to get to know that place.” In this Good Morning America interview, Sarah M. Broom speaks about her debut memoir, The Yellow House (Grove Press, 2019), which is a finalist for the 2019 National Book Award in nonfiction.
“This novel is about violence and loss, but it’s also about finding answers.” At a Penguin Random House event with librarians, Julia Phillips speaks about her debut novel, Disappearing Earth (Knopf, 2019), which is a finalist for the 2019 National Book Award in fiction.
“I was thinking about a whole load of names, the likes of Hamsun, Dostoevsky, Kafka...authors whose writing would be completely unfamiliar to us if it weren’t for the transformative, transcendental power of translation.” Martin Aitken—who has translated numerous Scandinavian authors including Helle Helle, Josefine Klougart, Karl Ove Knausgaard, and Dorthe Nors—accepts the 2019 PEN Translation Prize for his translation from the Norwegian of Hanne Ørstavik’s novel Love (Archipelago Books, 2018).
“I became a writer not because I was seeking community but rather because I thought it would be something I could do alone and hidden in the privacy of my own room,” says Sigrid Nunez in her acceptance speech for the 2018 National Book Award in fiction, which she won for her seventh novel, The Friend (Riverhead Books, 2018). “How lucky to have discovered that writing books made the miraculous possible: to be removed from the world and to be a part of the world at the same time.”
“My frugal mouth spends the only foreign words it owns. / At present, on this sleeper train, there’s nowhere to arrive.” Jenny Xie, a finalist for the 2018 National Book Award in poetry, reads “Rootless” and “Ongoing” from her debut poetry collection, Eye Level (Graywolf Press, 2018). Xie is featured in “Wilder Forms: Our Fourteenth Annual Look at Debut Poets” in the January/February issue of Poets & Writers Magazine.
“We live on the unanswerable, assert / that acknowledgment is inartistic, / history is regressive, and aggression / looks like no one we know…” Justin Phillip Reed reads from his debut poetry collection, Indecency (Coffee House Press, 2018), for which he won the 2018 National Book Award in poetry. Reed is featured in “Wilder Forms: Our Fourteenth Annual Look at Debut Poets” in the January/February issue of Poets & Writers Magazine.
“What may exist between appearance, and disappearance, between sound and silence, as something that is nearly nothing…” Diana Khoi Nguyen, a finalist for the 2018 National Book Award in poetry, reads from her debut poetry collection, Ghost Of (Omnidawn Publishing, 2018). Nguyen is featured in “Wilder Forms: Our Fourteenth Annual Look at Debut Poets” in the January/February issue of Poets & Writers Magazine.
In this video from the New York Public Library, 2018 National Book Awards finalists, including Rebecca Makkai, Hanne Ørstavik, and Jeffrey C. Stewart, sit down to answer questions about their favorite books and which fictional character they’d want to hang out with.
“The Poet X is my third novel, but it’s the first one published.” At the New York State Writers Institute, Elizabeth Acevedo speaks about making the transition from poetry to fiction, facing rejection, and learning to persevere in the process of publishing her first novel, The Poet X (HarperTeen, 2018), which is longlisted for the 2018 National Book Award in young people’s literature.
“You’re writing in total isolation. It’s like getting dressed in the dark, the complete dark, and then you have to go out on stage.” On Late Night With Seth Meyers, Rebecca Makkai discusses what it feels like to publish a book, the research behind her new novel, The Great Believers (Viking, 2018), and why she enjoys teaching MFA students. The Great Believers is longlisted for the 2018 National Book Award in fiction.
