Genre: Poetry

Vermont Studio Center

March/April 2025

The Vermont Studio Center offers two-, three-, and four-week residencies year-round to poets, fiction writers, creative nonfiction writers, and translators in Johnson, Vermont, a village located in the heart of the northern Green Mountains. Residents are provided with time and space to write, as well as readings, craft talks, and one-on-one manuscript consultations with invited visiting writers. Residents receive a private room, a private studio, and meals. The cost of the residency is $2,700 for a two-week stay, $3,825 for a three-week stay, and $4,950 for a four-week stay.

Type: 
RESIDENCY
Ignore Event Date Field?: 
yes
Event Date: 
April 8, 2025
Rolling Admissions: 
no
Application Deadline: 
March 31, 2025
Financial Aid?: 
yes
Financial Aid Application Deadline: 
March 31, 2025
Free Admission: 
no
Contact Information: 

Vermont Studio Center, 80 Pearl Street, P.O. Box 613, Johnson, VT 05656. (802) 635-2727.

Contact City: 
Johnson
Contact State: 
VT
Contact Zip / Postal Code: 
05656
Country: 
US
Add Image: 
A large red building with a gray roof next to a river.
Genre: 
Poetry
Fiction
Creative Nonfiction
Translation

Palestinian Writing From the Diaspora: Susan Muaddi Darraj

Caption: 

In this episode of the Ehkili podcast, Sahar Mustafah talks to author and editor Susan Muaddi Darraj to discuss her anthology, Ask the Night for a Dream: Palestinian Writing From the Diaspora (Palestine Writes Press, 2024), and the significance of amplifying Palestinian literary voices.

Genre: 
Poetry
Fiction
Creative Nonfiction
Tags: 
Susan Muaddi Darraj
Sahar Mustafah
afikra
Ehkili
podcast
Ask the Night for a Dream: Palestinian Writing From the Diaspora
anthology
Palestine Writes Press
2024
interview

Sarah M. Broom and Tracy K. Smith at the New Orleans Book Festival

Caption: 

In this New Orleans Book Festival event hosted at Tulane University, authors Sarah M. Broom and Tracy K. Smith speak about the origins of their writing practices, the cultural impact of their respective literary works, and the power of storytelling to reach the truth in a conversation with Vann R. Newkirk II, senior editor at the Atlantic.

Genre: 
Poetry
Creative Nonfiction
Tags: 
Sarah M. Broom
Tracy K. Smith
Vann R. Newkirk II
New Orleans Book Festival
Tulane University. writing process
2025

Humor Me

The Time Is Now
4.1.25

April is National Humor Month, which means it’s the perfect time to be reminded that everyone has a funny bone. The annual observance was conceived to heighten public awareness of the therapeutic value of humor, laughter, and joy. This week, consider what others have said about your sense of humor over the years. Does it lean toward puns or dad jokes? Is it witty or dark, laconic or bizarre, goofy or lighthearted? Write a short series of poems that showcases your specific sensibility around amusement and how you value humor and joy in your life. You might find it helpful to recount recent experiences and images that made you chuckle or guffaw and try to manifest in your poem what specifically made you laugh out loud.

Interior/Exterior

The Time Is Now
3.25.25

In a 2023 BOMB Magazine interview by Wendy Xu, she asks Emily Lee Luan about the cinematic, image-specific aesthetic of the poems in her collection 回 / Return (Nightboat Books, 2023). “I think my poems try to understand internal emotional change through the external world—that might be why image and scene are so central,” says Luan. “If you look at something for long enough, then you might be able to understand what’s happening within you.” Take inspiration from this juxtaposition between interiority and externality, and the notion of finding understanding and connection through prolonged observation, and write a poem that uses extensive imagery to reflect the speaker’s internal emotional state. In lieu of expository description, how does imagistic expression lend a different kind of dynamism to your work?

Development and Denouement

The Time Is Now
3.18.25

Over the course of Rita Dove’s three-stanza prose poem “Prose in a Small Space,” the speaker meanders through a sequence of questions, observations, and digressions, periodically returning to the functionality of the prose poem form itself. “Prose likes to hear itself talk; prose is development and denouement, anticipation hovering near the canapés, lust rampant in the antipasta,” writes Dove. This week, forgo the options of line breaks and nonstandard grammar of more conventional poetry, and compose a series of short prose poems that take greater advantage of other poetry elements—rhythm, prosody, diction, pacing, and sensory details. Allow your prose to “hear itself talk,” develop, and conclude.

Pages

Subscribe to Poetry