The Long and Rolling Line
The author of Ocean of Clouds (Knopf, 2025) considers the lineage of his own loping lines and encourages poets to try them.
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Genre: Poetry
Perhaps the World Ends Here
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“This table has been a house in the rain, an umbrella in the sun.” In this video that originally aired in 2012, poet Joy Harjo reads her poem “Perhaps the World Ends Here,” which appears in her collection The Woman Who Fell From the Sky (Norton, 1994), for PBS NewsHour.
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Unnatural Habitat
Write a poem that begins with the image of an animal arriving where it should not be, such as a whale in an office space or a Zebra in a suburban backyard. Allow this surreal scene to take you to unexpected places and metaphors. Is the animal an omen or is it concealing a secret? Focus on the literal and symbolic dimensions of the encounter, drawing out the scene to illuminate overlooked truths, inner stirrings, and the quiet absurdities of the world around you.
Plotting Form Ahead of Time
The author of Ocean of Clouds (Knopf, 2025) considers the benefits of planning elements of a poem before its composition.
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Margaret Atwood on 60 Minutes
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In this 60 Minutes interview, Margaret Atwood speaks about her response to book banning, her new memoir, Book of Lives: A Memoir of Sorts (Doubleday, 2025), and why she says the popularity of her novel The Handmaid’s Tale is “not due to me or the excellence of the book. It’s partly the twists and turns of history.”
When Objects Dream
In “Man Ray: When Objects Dream,” a new survey exhibition at the Metropolitan Museum of Art in New York, among the many works on display are over fifty of the artist’s “rayographs,” photograms made in the early twentieth century by placing objects on or near light-sensitive photo paper that is then exposed to create dramatically silhouetted images with high contrast. In these works, everyday objects—a comb, bottle, lightbulb, eggbeater, key, and wrench—become defamiliarized through Man Ray’s manipulation of placement and movement, capturing what poet Tristan Tzara described as the moment “when objects dream.” Browse through some of the rayographs and select one image that particularly resonates with you. Compose a poem that imagines the dreams in your chosen image. In your deciphering of the objects, ask yourself what do they dream?
Ten Questions for Devon Walker-Figueroa
“It can take days, months, years for me to know when notes pass into the arena of poem or story.” —Devon Walker Figueroa, author of Lazarus Species
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Harryette Mullen: Regaining Consciousness
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In this event hosted by City Lights Bookstore, Harryette Mullen reads from her latest poetry collection, Regaining Consciousness (Graywolf Press, 2025), and talks about how her poetics remain playful even in the face of disaster in a conversation with Tonya M. Foster.
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Catching the “Chune”
The author of Ocean of Clouds (Knopf, 2025) reflects on the practice of poetry as one of both composition and listening.
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Watched From Above
“Avoid movement on roofs, between buildings, and near windows. / Do not stand where you will stand out.” In Carolyn Forché’s poem “On Being Watched From Above,” published in the New Yorker and forthcoming in the anthology I Witness: An Anthology of Documentary Poetry (Wesleyan University Press, 2026) edited by Kwoya Fagin Maples and Erin Murphy, she draws from official Territorial Defense text to write a documentary poem that, void of specific names and places, reflects the horrors of contemporary warfare and surveillance technology. Taking a cue from the imperative and direct language in Forché’s poem, write your own poem that expresses sentiments around society’s increasing use of surveillance and monitoring. In an era in which these modes are oftentimes presented as serving a greater good, what might be overlooked about the costs to our ways of life?
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