Situating the Self in a Lineage of Writers

The author of no swaddle (University of Iowa Press, 2025) considers the legacies and influences of authors engaged in similar forms and topics.
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The author of no swaddle (University of Iowa Press, 2025) considers the legacies and influences of authors engaged in similar forms and topics.
In this Poets House event, four poets read from their new books: Kimberly Alidio, author of Traceable Relation (Fonograf Editions, 2025); Courtney Bush, author of A Movie (Lavender Ink, 2025); Natalie Shapero, author of Stay Dead (Copper Canyon Press, 2025); and Emily Skillings, author of Tantrums in Air (The Song Cave, 2025).
In this World Poetry Salon event hosted by the New York Public Library and Limelight Poetry, Colm Tóibín reads from his collection Vinegar Hill (Beacon Press, 2022) while accompanied by musician Martin Hayes and joins Leonard Schwartz in a conversation about Ireland’s history and sense of place.
“This is how the text exchange ends. / Not with an explicit farewell but with a two-day pause followed by a thumbs-up-emoji reaction,” writes Reuven Perlman in “How Other Things End” recently published in the New Yorker with an epigraph of T. S. Eliot’s famed last lines from “The Hollow Men.” “This is how the career ends. / Not with a retirement party and a gold watch but with a second career in the gig economy.” Taking inspiration from Perlman’s comedic perspective of dark times, write a humorous poem that consists of your own inventions of anticlimactic contemporary situations in which the outcome is a letdown, with more of a fizzle than a gratifying conclusion. What modern references would you include to put your own stamp on this concluding episode?

The author of no swaddle (University of Iowa Press, 2025) considers the value of both engaging with and refuting a traditional form.
In this 2021 Under the Volcano video, Cyrus Cassells reads a poem about Federico García Lorca that he began writing in Tepoztlán, Mexico. Cassells is the recipient of the 2025 Jackson Poetry Prize.
In this Rattlecast episode, host and editor of Rattle Timothy Green introduces Jennifer Manthey, who reads her poem “Locker Room Annunciation,” and Richard Siken, who reads from his latest collection, I Do Know Some Things (Copper Canyon Press, 2025), and reflects upon his decision to write prose poems as a means of grounding himself in the aftermath of a stroke.
“We live in such a fast-paced world: Poetry helps us slow down, deepen our attention, connect and live more fully,” says Arthur Sze in our online exclusive announcing his appointment as the twenty-fifth poet laureate of the United States. Taking inspiration from Sze’s insights on poetry’s ability to help us appreciate each moment, compile a cluster of words and phrases that come to mind when you recall the soundscape of a recent observation. As you jot down the grouping of words, allow the sounds of what’s already on the page to contribute to associative rhythms and any consonance or assonance in your brainstorm. Then, compose your poem using the full range of the page’s space, deprioritizing any urgency for ease of meaning-making for a piece that is first and foremost inextricable from its sound.

“I wish all writers the audiences they desire and the acclaim they deserve.” —Ashley M. Jones, author of Lullaby for the Grieving
“When the time of your life is a time of earthquakes.” In this PBS NewsHour interview, Arthur Sze reads from his latest collection, Into the Hush (Copper Canyon Press, 2025), and talks about his life and work, including his discoveries while translating literature. Sze has been named the twenty-fifth poet laureate of the United States.
