Genre: Poetry

National Book Awards

National Book Foundation
Entry Fee: 
$135
Deadline: 
May 13, 2026
Four prizes of $10,000 each are given annually for books of poetry, fiction, nonfiction, and young people’s literature written by U.S. writers and published in the United States during the previous year. A $10,000 prize is also given for an English translation of a book of fiction or nonfiction by a living writer and translator published in the United States during the previous year. Finalists in all categories receive $1,000 each. Using the online submission form, publishers may submit titles published or scheduled for publication between December 1, 2025, and November 30, 2026, with a $135 entry fee per title by May 13. Additionally, a digital copy and six hard copies (or bound galleys) of the books must be submitted to the judges and the National Book Foundation by June 5. Visit the website for the required entry form and complete guidelines.

Gravity of Kindness

Naomi Shihab Nye’s poem “Kindness,” which appears in her 1995 book, Words Under the Words: Selected Poems, begins: “Before you know what kindness really is / you must lose things….” The next two stanzas start similarly with: “Before you learn the tender gravity of kindness / you must travel…” and “Before you know kindness as the deepest thing inside, / you must know sorrow….” Compose a three-stanza poem that takes a cue from this parallel structure, starting the first line of each stanza with: “Before you know _____, you must _____.” Think about a quality, such as kindness, that you highly value and how your understanding of it has changed over time. What are the lessons you have learned and what do you hope to pass on to others?

Aurora Writers Workshop

The 2026 Aurora Writers Workshop will be held from June 5 to June 7 at several locations throughout downtown Aurora, Illinois. The workshop will feature small-group craft workshops, a keynote address, a group dinner with a faculty reading, an open mic reading, and generative writing sessions for poets and fiction writers. The faculty includes poet Faisal Mohyuddin and fiction writer Meg Cass. Poet and fiction writer M. Rae Henry will give the keynote address. The cost of the conference, which includes one dinner and a continental breakfast on Sunday, is $200.

Type: 
CONFERENCE
Ignore Event Date Field?: 
no
Event Date: 
June 5, 2026
Rolling Admissions: 
yes
Application Deadline: 
April 9, 2026
Financial Aid?: 
no
Financial Aid Application Deadline: 
April 9, 2026
Free Admission: 
no
Contact Information: 

Aurora Writers Workshop, 1030 Northfield Drive, Aurora, IL 60505. Kristin LaTour, President.

Kristin LaTour
President
Contact City: 
Aurora
Contact State: 
IL
Country: 
US

Talismans

3.31.26

In a recent piece published on Literary Hub, Maggie Smith describes her writing space—the objects she considers talismans, the furnishings, and accessories that surround her as she works. Some notable items include: her clear desk from CB2, black Uni-Ball Vision Elite pens, an Audre Lorde postcard from a friend, a fortune cookie message, and a card from her high school English teacher. Compose a series of short poems that zero in on a few favorite tools or accoutrements that you like to use or have with you when you write. Include details of the brands, types, and personal touches of each item. What memories are associated with them? How can you combine functional physical descriptions in your verse with thoughtful reflections of what these objects bring to mind?

Zell Visiting Writers Series: Carl Phillips

Caption: 

In this 2025 event hosted by the Helen Zell Writers’ Program at the University of Michigan, Carl Phillips reads from his most recent collection, Scattered Snows, to the North (Farrar, Straus and Giroux, 2024), and answers questions about the relationship between the natural world and human experience, and his use of notebooks to collect images.

Genre: 

Color Theory

3.24.26

“Sometimes colors become points of departure to go into stories or anecdotes from things that I believe correspond to those colors,” says writer and comedian Julio Torres explaining the origins of his solo theater project, Color Theories, in an interview with Douglas Corzine published in the Brooklyn Rail last fall. In the show, Torres performs a memoiristic blend of stand-up and art lecture that “engages with the idea that colors are a form of classification, like saying something is a mineral, animal, or vegetable, something is either red or blue or yellow or green, et cetera.” Launching off from this idea, compose a series of short poems, each focusing on a different color. Incorporate ideas, moods, people, and abstract things in the world—such as systems or cultural concepts—that you associate with that color. How might vastly different objects and memories be categorized as the same color?

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