Genre: Creative Nonfiction

Buinho Creative Hub Residencies

July/August 2025

Buinho Creative Hub offers residencies of two weeks to two months year-round to poets, fiction writers, and creative nonfiction writers in the historic town of Messejana, Portugal. Residents are provided with a single- or double-occupancy room in one of three traditional Portuguese houses, as well as access to private and shared studios. The Buinho residence also features a central studio and backyard workshop. The cost of the residency is €800 to €1,000 (approximately $894 to $1,118) per month, depending on the room; transportation and meals are not included.

Type: 
RESIDENCY
Ignore Event Date Field?: 
yes
Event Date: 
December 31, 2025
Rolling Admissions: 
yes
Application Deadline: 
December 31, 2025
Financial Aid?: 
no
Financial Aid Application Deadline: 
December 31, 2025
Free Admission: 
no
Contact Information: 

Buinho Creative Hub Residencies, Rua Nova de São Brás 43, 7600-346 Messejana, Portugal. Carlos Alcobia, General Manager.

Carlos Alcobia
General Manager
Contact City: 
Messejana
Country: 
PT
Add Image: 
Genre: 
Poetry
Fiction
Creative Nonfiction

Spring Story Contest

Narrative
Entry Fee: 
$27
Deadline: 
July 31, 2025
A prize of $2,500 is given annually for a work of flash fiction, a short story, a graphic story, an essay, a memoir, or an excerpt from a work of fiction or creative nonfiction. A second-place prize of $1,000 is also awarded. The editors will judge. Using only the online submission system, submit up to 15,000 words of prose with a $27 entry fee by July 31. All entries are considered for publication. Visit the website for complete guidelines.
Tags: 
essays | short stories | short-shorts

Translation Awards

American-Scandinavian Foundation
Entry Fee: 
$0
Deadline: 
September 15, 2025
A prize of $2,500 and publication of an excerpt in Scandinavian Review is given annually for an English translation of a work of poetry, fiction, or creative nonfiction written in a Nordic language (Danish, Faroese, Finnish, Greenlandic, Icelandic, Norwegian, Sami, or Swedish). A prize of $2,000 and publication is also awarded annually to a translator whose literary translations from a Nordic language have not previously been published. An additional prize of $2,000 and publication is awarded for a translation from the Danish. Translations of works by 20th- and 21st-century Nordic authors that have not been published in English are eligible for all three prizes. Using only the online submission system, submit 15 to 25 pages of poetry in translation or 25 to 50 pages of prose in translation, a copy of the original work, a biographical statement about the author whose writing is being translated and the significance of their work, a document signed by or on behalf of the author granting permission for the translation to be entered into the competition, and a curriculum vitae by September 15. There is no entry fee. Visit the website for complete guidelines.

Summer Creative Nonfiction Contest

Prairie Schooner
Entry Fee: 
$20
Deadline: 
August 1, 2025
A prize of $1,000 and publication in Prairie Schooner is given annually for an essay. Submit up to 5,000 words of prose with a $20 entry fee by August 1. Visit the website for complete guidelines.

Andrea Long Chu: Authority

Caption: 

In this Center for Fiction event, author and critic Andrea Long Chu reads from her essay collection Authority (Farrar, Straus and Giroux, 2025) and talks about the inherent contradictions in the way people discuss and disagree about art, and traces the political and intellectual history of literary criticism in a conversation with Arielle Angel.

Genre: 
Creative Nonfiction
Tags: 
Andrea Long Chu
Authority
Farrar, Straus and Giroux
Center for Fiction
Arielle Angel
2025

Rehearsing

The Time Is Now
6.12.25

In the comedic documentary series The Rehearsal, Nathan Fielder helps ordinary people rehearse difficult conversations they may be dreading by creating precisely replicated environments and hiring actors to prepare for each scenario. The elaborate sets include a fully functioning bar with patrons, a household with a child actor, and an exact reproduction of a Houston airport terminal. Compose a personal essay about a necessary conversation that has been weighing on you and write out several vignettes exploring potential ways the exchange might play out given your knowledge of your own mindset as well as the person you’re confronting. Consider incorporating thoughts about how some reactions or behaviors may be impossible to predict. How might this rehearsal of sorts help calm your nerves or provide an understanding of your own social tendencies?

All Talk

The Time Is Now
6.5.25

“The price of the ride was listening to people talk.” This sentiment is expressed by the young narrator of Joe Westmoreland’s 2001 coming-of-age autofictional book, Tramps Like Us, reissued this week by MCD, to describe his hitchhiking adventures in search of queer belonging and identity. The novel portrays a wide range of characters Joe comes across, befriends, works with, sleeps with, and sometimes loses on the road and in various cities. Compose a memoiristic piece that recounts a cast of characters you’ve met in the past, perhaps only briefly as you traveled from one place to another, who had colorful tales about lives very different from your own. Incorporate snippets of dialogue, trying as best as possible to recall any idiosyncrasies in their speech or vocabulary. Reflect on what you learned from listening and why these stories have stayed with you through the years.

Flair for Drama

The Time Is Now
5.29.25

In the 1997 film Face/Off, an FBI agent survives an assassination attempt that kills his young son and is out for vengeance and justice. To foil this criminal’s next plot to bomb the city, the agent undergoes a secret surgery to replace his face with that of the criminal, only to have him surgically don the agent’s face, effectively creating a mirrored switch in physical identities and an epic showdown. Notable for its flabbergasting premise, another aspect of the film’s cult popularity is director John Woo’s signature style and trademark motifs: balletic action sequences, doves and churches, deadlocked gunfights, and coats blowing in slow motion in the wind. Write an essay about a dramatic situation from your past in which you insert small details and observations of physical description that complement the tone of your piece. How might you translate a slow-motion effect in cinema to a slow-motion moment in your storytelling?

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