Genre: Creative Nonfiction

Upcoming Prose Contest Deadlines

Fiction and nonfiction writers: The weather’s changing and hopefully stirring up creative energy for you to put towards your writing. Consider submitting to the following contests with upcoming deadlines, each offering at least $1,000 and publication.

Hippocampus Magazine Remember in November Contest: A prize of $1,000 and publication in Hippocampus Magazine is given annually for an essay. The winner will also receive free admission to the annual HippoCamp Conference for creative nonfiction writers in Lancaster, Pennsylvania, in Summer 2018. Deadline: September 15. Entry fee: $12

Dzanc Books Prize for Fiction: A prize of $10,000 and publication by Dzanc Books is given annually for a novel. Lindsey Drager, Daniel A. Hoyt, and Chrissy Kolaya will judge. Deadline: September 15. Entry fee: $25

Dzanc Books Short Story Competition: A prize of $2,500 and publication by Dzanc Books is given annually for a story collection. Deadline: September 15. Entry fee: $25

Disquiet/Dzanc Books Open Borders Book Prize: A prize of $5,000 and publication by Disquiet, an imprint of Dzanc Books, will be given annually for a novel, a memoir, a collection of short stories or essays, or a cross-genre work that “exhibits a marked commitment to mutual understanding and cultural exchange across the globe.” Deadline: September 15. Entry fee: $25

TulipTree Publishing Stories That Need to Be Told Contest: A prize of $1,000 is given annually for a short story or an essay “that tells a story.” The winning work will also be published in the contest anthology, Stories That Need to Be Told. Deadline: September 16. Entry fee: $20

Visit the contest websites for complete guidelines and submission details. Check out our Grants & Awards database and Submission Calendar for more upcoming contests in poetry, fiction, and nonfiction.

State Your Beverage

Many people associate drinking apple cider with popular fall activities in the northern and eastern United States, such as apple picking and leaf peeping, but few likely know it is New Hampshire’s official beverage. The state approved the official designation in 2010 following a petition submitted by fourth-grade students. In fact, more than half the states in this country have official beverages, a trend started by Ohio, which made tomato juice its official beverage in 1965, and followed by Massachusetts (cranberry juice) and Florida (orange juice). Many other states (Wisconsin, New York, Vermont, and Oregon among them) selected milk. Write a personal essay or manifesto under the premise of petitioning for your own beverage of choice. Support your argument with personal memories, anecdotes, and research.

Rebel in the Rye

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Danny Strong’s directorial debut, Rebel in the Rye, is a biopic portraying J. D. Salinger’s earlier years, focusing on his service during World War II and the 1951 publication of The Catcher in the Rye. The film is adapted from Kenneth Slawenski’s biography J. D. Salinger: A Life (Random House, 2011), and stars Zoey Deutch, Nicholas Hoult, and Kevin Spacey.

A Different Tongue

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In a New York Times review of three recently reissued books by English-born artist and author Leonora Carrington, Parul Sehgal describes Carrington’s habit of writing in rudimentary Spanish or French, an example of exophony, the practice of writing in a language that is not the writer’s native tongue. Sehgal also recounts Samuel Beckett, who after adopting French, stated in a letter: “More and more my own language appears to me like a veil that must be torn apart in order to get at the things (or the Nothingness) behind it.” Write a short essay about a particularly resonant memory. Then try rewriting the same memory either in another language, even if you only have a basic knowledge of it, or in a style of English that has been “torn apart” and defamiliarized. Do you find this practice freeing or limiting? Which elements of the memory and your storytelling are drastically altered, and what remains consistent throughout both versions?

The Brand New Catastrophe

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Mike Scalise reads from his debut memoir, The Brand New Catastrophe (Sarabande Books, 2017), at the Sunday Salon series in New York City. Scalise is featured in “The Unknown Yet Inevitable: Debut Literary Nonfiction of 2017” in the September/October issue of Poets & Writers Magazine.

Urban Possibilities: Giving Voice to Inner-City Job Seekers

Eyvette Jones Johnson and her husband Craig Johnson are founders of Urban Possibilities, an empowerment program that uses writing and performance to help inner-city job seekers thrive in the marketplace and in life. Craig is a photographer who chronicles their journey and Eyvette serves as executive director. For fifteen years, she was a TV producer creating shows for networks that include CBS, NBC, ABC, and PBS. Today, she uses skills honed in entertainment to help adults find their voices, tell their stories, and bring diverse audiences together to celebrate their talent. 80 percent of Urban Possibilities students are or have been homeless.

Each time an inner-city job seeker walks through our doors, we see unparalleled treasure. To make sure audiences and employers see it too, we know our job is to deliver light into deep dark places. The voices and stories of our students are buried under life’s toughest circumstances: homelessness, joblessness, abuse, addiction, and military trauma, among others. Our students are adults, often marginalized, fighting to survive and searching for work in the homeless capital of America: Los Angeles.

Supported by Poets & Writers from the day we began, our twelve-week Writing Empowerment program at Chrysalis job center is a fueling station that turns pain into power for those making their way back from the abyss. Writing and sharing their truths help ignite their comeback. Weekly classes, most recently led by P&W–supported teaching artist Jesse Bliss, help urban job seekers deal with trauma, rediscover their strength, and tell their stories poetically and with power—all skills needed for a successful job search.

Each class culminates in a public performance by students of their original work. Teaching artists from our partners at the Geffen Playhouse coach students to perform their pieces. In each show, we watch our students take the stage and take flight, including students like Norma and Keith.

In our classes, it is common to have students who have been rendered mute by the brutal blows they’ve faced, and Norma was no exception. A middle class woman hurled into silence and homelessness by domestic violence, she’d lost her will months before we met. Norma said, “I was preparing to take my life but this class opened my heart to see beyond my darkness and despair and showed me the greatness that was always there. Now I use my voice in the service of others like me. I use my talent to create change.”

Keith was silent in another way. A soldier in the British Army for over twenty years, he lived from a young age with the ravages of war and in the daily human wreckage of combat zones. He survived in a band of brothers, but watched many of them fall. His closest friend died in his arms in the heat of battle. As a soldier and a Brit, he was taught to keep it all in, buttoned up tight. “Expressing your feelings was something you just didn’t do. But I learned by sharing my story the burdens I carried magically started to lessen and this incredible feeling of empowerment took over. Now in expressing I have the ability to receive and give back,” said Keith.

Norma and Keith were featured artists at Poets & Writers’ Connecting Cultures Reading this summer. As my husband Craig and I watched them poised on the stage, they affirmed beliefs that have become our true north: that there is a sea of untapped potential in inner-city communities just waiting to be set free; our history, no matter how devastating, does not have to dictate our destiny; and the greatest treasures are often buried where many least expect to find them, like the exquisite gold in plain sight walking the streets of Los Angeles’s Skid Row.

Support for Readings & Workshops in California is provided by the California Arts Council, a state agency, and the National Endowment for the Arts, a federal agency. Additional support comes from the Friends of Poets & Writers.

Photos: (top) Eyvette Jones Johnson (Credit: Craig Johnson Photography). (middle) Eyvette Jones Johnson with Norma L. Eaton and Keith Brown (Credit: Craig Johnson Photography). (bottom) Urban Possibilities workshop reading group shot with Chrysalis staff (Credit: Craig Johnson Photography).

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