Remembering Denis Johnson, Gwendolyn Brooks Centennial, and More
James Wood on W. G. Sebald; Elena Ferrante on the TV adaptation of My Brilliant Friend; inside poetry publisher Wave Books; and other news.
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James Wood on W. G. Sebald; Elena Ferrante on the TV adaptation of My Brilliant Friend; inside poetry publisher Wave Books; and other news.
Poets and writers share their notes on writing in this series of micro craft essays. In the latest installment: the energy of long sentences.
Hisham Matar has won the 2017 Rathbones Folio Prize for his memoir, The Return: Fathers, Sons, and the Land in Between (Random House, 2016). Formerly known as the Folio Prize and given exclusively to fiction books, the annual £20,000 prize is now given for a book in any genre written in English and published in the United Kingdom in the previous year.
The Return, which also won a 2017 Pulitzer Prize, follows Matar’s return to his native home of Libya in search of answers to his father’s disappearance. About the book, Folio judges Ahdaf Soueif, Rachel Holmes, and Lucy Hughes-Hallett said, “The Return shows what a novelist at the top of his game can do with nonfiction. It gives the reader the same aesthetic, the same satisfaction of the great literary works that enter our lives and stay with us forever.” In addition to The Return, Matar is the author of two acclaimed novels, In the Country of Men (2008) and Anatomy of a Disappearance (2012).
The seven finalists were The Vanishing Man: In Pursuit of Velázquez by Laura Cumming; This Census-Taker by China Miéville; The Sport of Kings by C. E. Morgan; The Argonauts by Maggie Nelson; Golden Hill by Francis Spufford; Do Not Say We Have Nothing by Madeleine Thien; and Burning Country: Syrians in Revolution & War by Leila Al-Shami and Robin Yassin-Kassab. The finalists were chosen from sixty-two books nominated by the Folio Prize Academy, an international group of writers and critics.
O. Henry Prizes announced; Jon Hamm to record audiobook of recently discovered Walt Whitman novel; the growing number of literary novelists writing science fiction; and other news.
“I think it’s really important for writers to understand themselves as artists.” At the 92nd Street Y, longtime friends Eileen Myles and Chris Kraus read from their work and have a conversation about their life experiences and writing processes.
Hisham Matar wins £20,000 Folio Prize; poet to spend five days in Mall of America; the poem read at the vigil for the Manchester bombing; and other news.
What do Ancient Rome, Western Civilization, the History of China, Early Middle Ages, the Civil Rights Movement, U.S. Constitutional History, and Dolly Parton have in common? They’re all the subjects of courses offered this past year at the University of Tennessee in Knoxville. “Dolly Parton’s America: From Sevierville to the World” is a history class that uses Parton’s life as a lens through which to view pop culture in the twentieth century, cultural politics, and the history of the Appalachian region. Choose a local celebrity from your city, region, or state, and write a personal essay that explores the intersection of the pop icon’s cultural context and your own memories of time spent in this locale.
U.S. Postal Service releases Thoreau Forever stamp; the Library of Congress makes twenty-five million records free for public download; Lowell Jaeger appointed Montana state poet laureate; and other news.
Poets and writers share their notes on writing in this series of micro craft essays. In the latest installment: remembering the life-saving importance of reading.
A new bill proposes giving the president more power over the U.S. Copyright Office; the finalists for the 2017 CLMP Firecracker Awards; a new biography of Diana Trilling considers her marriage and role as a critic; and other news.