Genre: Creative Nonfiction

Granum Foundation Prizes

Granum Foundation
Entry Fee: 
$0
Deadline: 
August 1, 2025
A prize of $5,000 is given annually to a poet, fiction writer, or creative nonfiction writer to support the completion of a manuscript-in-progress. Up to three finalists are awarded at least $500 each. A Translation Prize of at least $1,500 is also given. Using only the online submission system, submit 12 poems or a prose sample of up to 25 pages by August 1. There is no entry fee. Visit the website for the required entry form and complete guidelines.

Radcliffe Institute Fellowships

Harvard University
Entry Fee: 
$0
Deadline: 
September 11, 2025
Fellowships of $78,000 each, as well as office space at the Radcliffe Institute and access to the libraries at Harvard University, are given annually to poets, fiction writers, and creative nonfiction writers to allow them to pursue innovative projects. Fellows, who are expected to reside in Cambridge, Massachusetts, or the surrounding Boston area during the fellowship period, September through May, also receive $5,000 to cover project expenses. Poets who have published a full-length collection or at least 20 poems in magazines or anthologies in the last five years and who are in the process of completing a manuscript are eligible. Fiction and nonfiction writers who have published one or more books, have a book-length manuscript under contract for publication, or have published at least three shorter works are eligible. Writers who are graduate students or enrolled in a degree-granting program at the time of application are not eligible. For 2026–2027 fellowships, submit up to 10 poems of any length or a short story, a recent book chapter, or an essay totaling no more than 30 pages; a curriculum vitae; a project proposal; and contact information for three references by September 11. There is no entry fee. Visit the website for the required entry form and complete guidelines.

Concord Free Public Library Writer-in-Residence Program

The Concord Free Public Library Writer-in-Residence Program offers a six-month residency from January to June to a poet, fiction writer, or creative nonfiction writer at the historic Concord Free Public Library (CFPL) in Concord, Massachusetts. The writer-in-residence is given a $10,000 stipend with the expectation that they will spend an average of eight hours a week at the library for the duration of the program and will develop public programming and social opportunities for the CFPL community.

Type: 
RESIDENCY
Ignore Event Date Field?: 
no
Event Date: 
January 1, 2026
Rolling Admissions: 
ignore
Application Deadline: 
May 15, 2026
Financial Aid?: 
no
Financial Aid Application Deadline: 
May 15, 2026
Free Admission: 
yes
Contact Information: 

Concord Free Public Library Writer-in-Residence Program, 129 Main Street, Concord, MA 01742. (978) 318-3383. Ricky Sirois, Assistant Library Director.

Ricky Sirois
Assistant Library Director
Contact City: 
Concord
Contact State: 
MA
Contact Zip / Postal Code: 
01742
Country: 
US

Andrea Long Chu: Authority

Caption: 

In this Center for Fiction event, author and critic Andrea Long Chu reads from her essay collection Authority (Farrar, Straus and Giroux, 2025) and talks about the inherent contradictions in the way people discuss and disagree about art, and traces the political and intellectual history of literary criticism in a conversation with Arielle Angel.

Rehearsing

6.12.25

In the comedic documentary series The Rehearsal, Nathan Fielder helps ordinary people rehearse difficult conversations they may be dreading by creating precisely replicated environments and hiring actors to prepare for each scenario. The elaborate sets include a fully functioning bar with patrons, a household with a child actor, and an exact reproduction of a Houston airport terminal. Compose a personal essay about a necessary conversation that has been weighing on you and write out several vignettes exploring potential ways the exchange might play out given your knowledge of your own mindset as well as the person you’re confronting. Consider incorporating thoughts about how some reactions or behaviors may be impossible to predict. How might this rehearsal of sorts help calm your nerves or provide an understanding of your own social tendencies?

All Talk

“The price of the ride was listening to people talk.” This sentiment is expressed by the young narrator of Joe Westmoreland’s 2001 coming-of-age autofictional book, Tramps Like Us, reissued this week by MCD, to describe his hitchhiking adventures in search of queer belonging and identity. The novel portrays a wide range of characters Joe comes across, befriends, works with, sleeps with, and sometimes loses on the road and in various cities. Compose a memoiristic piece that recounts a cast of characters you’ve met in the past, perhaps only briefly as you traveled from one place to another, who had colorful tales about lives very different from your own. Incorporate snippets of dialogue, trying as best as possible to recall any idiosyncrasies in their speech or vocabulary. Reflect on what you learned from listening and why these stories have stayed with you through the years.

Flair for Drama

5.29.25

In the 1997 film Face/Off, an FBI agent survives an assassination attempt that kills his young son and is out for vengeance and justice. To foil this criminal’s next plot to bomb the city, the agent undergoes a secret surgery to replace his face with that of the criminal, only to have him surgically don the agent’s face, effectively creating a mirrored switch in physical identities and an epic showdown. Notable for its flabbergasting premise, another aspect of the film’s cult popularity is director John Woo’s signature style and trademark motifs: balletic action sequences, doves and churches, deadlocked gunfights, and coats blowing in slow motion in the wind. Write an essay about a dramatic situation from your past in which you insert small details and observations of physical description that complement the tone of your piece. How might you translate a slow-motion effect in cinema to a slow-motion moment in your storytelling?

Pages

Subscribe to Creative Nonfiction