Genre: Creative Nonfiction

Breaking Boundaries

3.20.25

How much creative work do you do in a day? When Chinese artist and activist Ai Weiwei was asked this question for the New York Times Style Magazine’s Artist’s Questionnaire series, he said, “My work is trying to break the boundary of what is normally called ‘creative.’ I avoid trying to be creative. I try to push myself into normal life and bring the integrity of a normal life into the so-called art world.” Take inspiration from the idea of breaking down these boundaries and consider all the different ways your creative identity potentially bleeds over into your daily tasks and vice versa. Write a personal essay that begins with an exploration of how your relationship to language, craft, or aesthetics has affected your general outlook. Then expand on how this artistic perspective manifests in your day-to-day habits, actions, and interactions.

Five Years Later

3.13.25

On March 11, 2020, the World Health Organization declared COVID-19 a global pandemic. Five years later, it may all feel like a distant dream (or nightmare) or completely forgotten, but there’s no denying that the pandemic created irrevocable changes in our world, both big and small. Write a personal essay that reflects on how your life has transformed in the last five years. You might trace certain hopes, fears, or expectations as they evolved over the course of each year and consider where you are today. What have been the biggest shifts in your mindset regarding relationships with family and friends, socializing, health, finances, and travel?

Hanif Abdurraqib and Eve L. Ewing

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In this 2024 Writers on Writing event hosted by the Newberry Library and StoryStudio Chicago, Hanif Abdurraqib and Eve L. Ewing discuss their literary careers, the craft of writing, and how they tackle the complexities of art and activism.

More to a Book

“There’s so much more to a book than just the reading; there is a sensuousness,” author and illustrator Maurice Sendak once said in a 1970 interview. Contrary to the growing demand of audiobooks and e-books, the tactile and tangible presence of a printed book is still regarded by antiquarian and rare book collectors, as well as bookstore lovers. Write a personal essay that examines your own book collecting philosophies, whether you dabble in digital editions or hold onto print books from certain periods of your life. As a reader and a writer, how do you perceive the value and enjoyment of a book as an object—the tactile delights, the smell, the sound of the pages, the craftsmanship, the wear and tear, the inscriptions found in used tomes? What does this say about your artistic pursuits and how they have evolved over time?

Rebe Huntman

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In this Left Bank Books event, Rebe Huntman talks about her journey to Cuba following her mother’s passing, which inspired her debut memoir, My Mother in Havana: A Memoir of Magic & Miracle (Monkfish Book Publishing Company, 2025). For more from Huntman, read her installation of our Ten Questions series.

Oral History

2.27.25

Have you ever conducted an oral history interview? There are many reasons for recording one, from documenting family stories to reporting the experiences of survivors of tragedies and storing knowledge and perspectives of a particular region or culture. Try your hand at documenting personal reflections by turning to a friend, acquaintance, or family member and conduct a short interview with them, selecting a particular element of their life that you would be curious to know more about and that they wouldn’t mind sharing. You might browse your local library’s oral history projects, maps, and photographs for ideas. Afterward, write a personal essay about the experience. How did preparing the questions and asking someone to share their stories affect the dynamic of your relationship?

A Conversation With Omar El Akkad

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For this Conduit Club event hosted by Max Porter in London, Egyptian Canadian novelist and journalist Omar El Akkad discusses his debut memoir, One Day, Everyone Will Have Always Been Against This (Knopf, 2025), and reflects on the “derangement of language” while reporting the War on Terror and the threats faced by journalists in Gaza today.

Sarah Chihaya: Bibliophobia

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In this episode of Poured Over: The Barnes & Noble Podcast hosted by Miwa Messer, book critic and editor Sarah Chihaya talks about her debut memoir, Bibliophobia (Random House, 2025), and the concept of “life ruiner” books that “not only make you want to keep reading, but make you read the world around you differently.”

Memories of Eating

2.20.25

In “Eat, Memory,” an essay published by Harper’s Magazine in 2017, author David Wong Louie, who passed away a year after its publication, wrote about his experiences enduring years of treatment for throat cancer. Radiation, chemotherapy, a gastrostomy feeding tube, and laryngectomy surgery all affected his lifelong love for eating food and drinking, and he discovered how his memories of time spent with family and friends were deeply tied to communal dining. Write a lyric essay composed of short vignettes of memories you have that are tied to food—whether preparing and cooking meals, celebrating while eating out at a restaurant, buying produce at the market, or recalling phases of favorite snacks shared with friends. Taken together, how do these memories reveal a larger portrait of how you’ve enjoyed or been nourished by time spent around food?

Arati Kumar-Rao: Marginlands

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For this 2024 Mathrubhumi International Festival of Letters event, Arati Kumar-Rao talks about how her book, Marginlands: A Journey Into India’s Vanishing Landscapes (Milkweed Editions, 2025), is not about a specific place, but can be somewhere at “the edge of our psyche” in a conversation with Prem Panicker. Rao’s book is featured in Page One in the March/April issue of Poets & Writers Magazine.

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