Genre: Creative Nonfiction

Observations, Dreams, Stories

4.23.26

In the author’s note to his debut novel, The Copywriter, published by Scribner in February, poet and copywriter Daniel Poppick lists the types of writing that can be found in the work, a compilation of observations, questions, stories, lyrics, lists, fragments, and other forms that together constitute a portrait of contemporary life, language, and ideas, from the perspective of a poet sharing his notebook. “What follows is a work of fiction. But if it makes nothing happen, call it poetry,” writes Poppick. Spend a week keeping a journal or notebook of your own. Jot down bits and pieces of overheard, seen, or invented language as it occurs, allowing yourself the freedom to simply record without worrying too much about context or explication. Then comb through your notes and group your favorite snippets into a more coherent narrative, using recurrent themes or images to paint a portrait of your own life at this moment.

Alia Hanna Habib: Take It From Me

Caption: 

In this Green Apple Books event, literary agent Alia Hanna Habib reads from her guidebook, Take It From Me: An Agent’s Guide to Building a Nonfiction Writing Career From Scratch (Pantheon Books, 2026), and offers advice to aspiring writers in a conversation with Maia Ipp. Habib is featured in Agents & Editors in the May/June 2026 issue of Poets & Writers Magazine.

Messy Connections

4.16.26

In “Catfishing in Academe,” part of Lucy Ives’s Negative Utopia series published in the Believer, the author writes about her experience with a student’s AI-fabricated writing assignment in an introductory creative writing course. Ives considers the ways language models “threaten worlds” in the ways they “shave language of its messy connections to community, culture, history, poetry, and living bodies.” Spend some time jotting down notes about your favorite words, phrases, slang, or types of language you use with different people in your life. Then write a personal essay that explores how your own, idiosyncratic use of language has “messy connections” to community, culture, and history. How has your use of language evolved to reflect its particular associations with your own living body and those of others around you?

Julia Alvarez: A Life Reimagined

Caption: 

In this trailer for PBS’s American Masters documentary Julia Alvarez: A Life Reimagined, the life and work of the acclaimed Dominican American poet and novelist is explored through interviews, photographs, and archives. A profile of Alvarez about her new poetry collection, Visitations (Knopf, 2026), appears in the May/June 2026 issue of Poets & Writers Magazine.

National Book Awards

National Book Foundation
Entry Fee: 
$135
Deadline: 
May 13, 2026
Four prizes of $10,000 each are given annually for books of poetry, fiction, nonfiction, and young people’s literature written by U.S. writers and published in the United States during the previous year. A $10,000 prize is also given for an English translation of a book of fiction or nonfiction by a living writer and translator published in the United States during the previous year. Finalists in all categories receive $1,000 each. Using the online submission form, publishers may submit titles published or scheduled for publication between December 1, 2025, and November 30, 2026, with a $135 entry fee per title by May 13. Additionally, a digital copy and six hard copies (or bound galleys) of the books must be submitted to the judges and the National Book Foundation by June 5. Visit the website for the required entry form and complete guidelines.

Literary Awards

New Letters
Entry Fee: 
$24
Deadline: 
May 18, 2026
Three prizes of $2,000 each and publication in New Letters are given annually for a poem, a short story, and an essay. Using only the online submission system, submit up to six poems totaling no more than 30 pages or a story or an essay of up to 8,000 words with a $24 entry fee, which includes a digital subscription to New Letters, by May 18. All entries are considered for publication. Visit the website for complete guidelines.

Kellman Prize for Immigrant Literature

Restless Books
Entry Fee: 
$20
Deadline: 
May 31, 2026
A prize of $10,000 and publication by Restless Books is given annually for a debut book of fiction or nonfiction by a first-generation immigrant. The winner will also receive a writing residency at Millay Arts in Austerlitz, New York. Writers who have not published a book of fiction or nonfiction in English are eligible. Using only the online submission system, submit a prose manuscript of at least 45,000 words, a curriculum vitae, and a one-page cover letter with a $20 entry fee by May 31. Visit the website for complete guidelines.

Chapbook Prize

Tusculum Review
Entry Fee: 
$20
Deadline: 
June 15, 2026
A prize of $1,500 and publication in Tusculum Review is given annually for a collection of poems, a short story, or an essay in alternating years. The winner’s work is also published as a limited-​edition stand-alone chapbook with original art. This year’s prize will be awarded in poetry. Nate Marshall will judge. Submit a manuscript of 20 to 30 pages with a $20 entry fee, which includes a subscription to Tusculum Review, by June 15. All entries are considered for publication. Visit the website for complete guidelines.

Literary Prizes

Washington Writers’ Publishing House
Entry Fee: 
$28
Deadline: 
June 30, 2026
Two prizes of $1,500 each, publication by Washington Writers’ Publishing House, and 25 author copies are given annually for a poetry collection and a short story collection or novel. Additionally, a prize of $1,500, publication by Washington Writers’ Publishing House, and 25 author copies is given in alternating years for a poetry collection in translation or a book of creative nonfiction. This year the prize will be awarded in creative nonfiction. Winners are also invited to participate in readings at Politics & Prose in Washington, D.C. and the Writer’s Center in Bethesda, Maryland. Writers who live in Washington, D.C., Maryland, or Virginia are eligible. Using only the online submission system, submit a poetry manuscript of 70 to 100 pages, a novel or story collection of 150 to 250 pages, or a work of creative nonfiction between 150 and 250 pages with a $28 entry fee by June 30. Visit the website for complete guidelines.

PEN/Jean Stein Grants For Literary Oral History

PEN America
Entry Fee: 
$0
Deadline: 
June 15, 2026
Two grants of $15,000 each are given annually for nonfiction works-in-progress that “use oral history to illuminate an event, individual, place, or movement.” Using only the online submission system, submit 6 to 10 pages of unedited transcribed interviews, a writing sample of 20 to 40 pages of nonfiction using the submitted project interviews, a curriculum vitae, and an outline and description of the project by June 1. There is no entry fee. Visit the website for complete guidelines.

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