Genre: Creative Nonfiction

Rose Post Creative Nonfiction Competition

North Carolina Writers’ Network
Entry Fee: 
$12
Deadline: 
January 15, 2026

A prize of $1,000 is given annually for an essay “that is outside the realm of conventional journalism and has relevance to North Carolinians.” The winning essay is also considered for publication in Ecotone. Writers who are legal residents of North Carolina or who are members of the North Carolina Writers’ Network are eligible. Julie Marie Wade will judge. Submit an essay of up to 3,500 words (two copies if submitting by postal mail) with a $12 entry fee ($10 for NCWN members) by January 15. Visit the website for complete guidelines.

Page Prize in Nonfiction

Pinch
Entry Fee: 
$15
Deadline: 
January 31, 2026

An award of $1,000, publication in Pinch, and two contributor copies will be given annually for a work of flash creative nonfiction. Using only the online submission system, submit a work of flash prose of up to 1,000 words with a $15 entry fee by January 31. All entries are considered for publication. Visit the website for complete guidelines.

Jan Garton Prairie Heritage Book Award

Prairie Heritage, Inc.
Entry Fee: 
$0
Deadline: 
January 31, 2026

A prize of $1,000 is given annually for a published poetry collection, book of fiction, or book of creative nonfiction that “illuminates the heritage of North America’s mid-continental prairies.” Authors, publishers, and the general public may submit two copies of a book by January 31. There is no entry fee. Visit the website for complete guidelines.

Morton, McCarthy, and Sarabande Prizes

Sarabande Books
Entry Fee: 
$34
Deadline: 
February 15, 2026

Three prizes of $2,000 each and publication by Sarabande Books are given annually for a poetry collection, a work of fiction, and an essay collection. For the Kathryn A. Morton Prize in Poetry, using only the online submission system, submit a poetry collection of at least 48 pages with a $34 entry fee by February 15. For the Mary McCarthy Prize in Short Fiction, using only the online submission system, submit a collection of stories or novellas or a short novel of 150 to 250 pages with a $34 entry fee by February 15. For the Sarabande Prize in the Essay, using only the online submission system, submit an essay collection of 150 to 250 pages with a $34 entry fee by February 15. Visit the website for complete guidelines.

Literary Arts Fellowships

Alabama State Council on the Arts
Entry Fee: 
$0
Deadline: 
March 2, 2026

At least two fellowships of $5,000 each are given annually to poets, fiction writers, and creative nonfiction writers who are legal residents of Alabama and have lived in the state for a minimum of two years. Using only the online submission system, submit up to 20 pages of poetry or prose and a résumé including a list of publications by March 2 at 5 PM CDT. There is no entry fee. Visit the website for complete guidelines.

Prizes in Poetry and Prose

Slippery Elm
Entry Fee: 
$15
Deadline: 
February 1, 2026

Two prizes of $1,000 each and publication in Slippery Elm are given annually for a single poem and a short story or essay. Using only the online submission system, submit up to three poems of any length or up to 5,000 words of prose with a $15 entry fee, which includes the latest issue of Slippery Elm, by February 1. All entries are considered for publication. Visit the website for complete guidelines.

Purchase Power

The Time Is Now
12.4.25

’Tis the season for spending? The end of the year is often associated with spending money on last-minute gifts, groceries for parties, travel and outings with family and friends, and holiday sales for your own treats. This week write a personal essay on your traditions and philosophies around holiday spending. How have they evolved over the years? Do you have memories or anecdotes of extravagant purchases or of thrift-savvy techniques? You might reflect on how seasonal cultural traditions influence spending and how those traditions are maintained, broken, or might even evolve. What are alternatives to conventional modes of consumption and capital?

Burdens

The Time Is Now
11.27.25

Lulu Wang’s 2019 film, The Farewell, begins with a group of relatives convening in China on the pretext of a wedding but who are actually there to bid farewell to the family matriarch from whom they are hiding her terminal cancer diagnosis. The protagonist of the film, a woman in her thirties who has lived in the United States for most of her life, struggles with this concept and is told by her uncle that it is their duty to carry the emotional burden of her grandmother’s illness for her. “You think one’s life belongs to oneself,” he says. “But that’s the difference between the East and the West. In the East, a person’s life is part of a whole. Family. Society.” Think back to a time when you have carried a burden for someone else and write an essay that examines your personal experience with this concept. Are there situations in which withholding the truth or keeping something secret feels reasonable, ethical, or even honorable to you?

Margaret Atwood on 60 Minutes

Caption: 

In this 60 Minutes interview, Margaret Atwood speaks about her response to book banning, her new memoir, Book of Lives: A Memoir of Sorts (Doubleday, 2025), and why she says the popularity of her novel The Handmaid’s Tale is “not due to me or the excellence of the book. It’s partly the twists and turns of history.”

Genre: 
Poetry
Fiction
Creative Nonfiction
Tags: 
Margaret Atwood
60 Minutes
interview
The Handmaid's Tale
Book of Lives: A Memoir of Sorts
Doubleday
memoir
2025

Backstory

The Time Is Now
11.20.25

What’s the story behind the story? Springsteen: Deliver Me From Nowhere, the new biopic directed by Scott Cooper, relays a behind-the-music creation story of Bruce Springsteen’s 1982 acoustic album Nebraska, which was composed and recorded in a New Jersey bedroom. The album represents the singer’s desire for pure art that is free of the constraints and adornments of being a superstar in the music industry. Think about the story behind one of your own stories, perhaps a personal essay you wrote years ago that sprang from a sense of urgency. Write an essay that recounts the story behind this story describing in detail the emotions that played throughout the creative act, where you worked on it, and how the subject matter dictated the process of its writing.

Pages

Subscribe to Creative Nonfiction