Genre: Creative Nonfiction

Robert J. DeMott Short Prose Contest

Quarter After Eight
Entry Fee: 
$15
Deadline: 
November 30, 2025

A prize of $1,008.15 and publication in Quarter After Eight is given annually for a prose poem, a short short story, a micro essay, or other work of short prose. Steven Dunn will judge. Using only the online submission system, submit up to three pieces of no more than 500 words, each with a $15 entry fee, by November 30. All entries are considered for publication. Visit the website for complete guidelines.

Literary Award

Athenaeum of Philadelphia
Entry Fee: 
$0
Deadline: 
December 1, 2025

Up to two prizes of $1,000 each and an invitation to give a public lecture at the Athenaeum of Philadelphia is given annually for books of fiction and/or nonfiction published in the current year that are by a writer from Philadelphia or examine and reflect life in the greater Philadelphia area. Members of the award committee will judge. Authors or publishers may submit two hard copies (or advance reader’s copies) of books published in 2025 by December 1. There is no entry fee. Visit the website for complete guidelines.

Quill Prose Award

Red Hen Press
Entry Fee: 
$10
Deadline: 
November 30, 2025

A prize of $1,000 and publication by Red Hen Press is given annually for a story or essay collection, a novel, a memoir, or a hybrid work of prose by a queer writer. Andrew Lam will judge. Using only the online submission system, submit a manuscript of at least 150 pages with a $10 entry fee by November 30. Visit the website for complete guidelines.

Literary Awards

Black Caucus of the American Library Association
Entry Fee: 
$0
Deadline: 
December 31, 2025

Four prizes of $1,000 each are given annually for a poetry collection, a debut novel, a book of fiction, and a book of nonfiction (including creative nonfiction) by African American writers published in the United States in the current year. The awards honor books that depict the “cultural, historical, or sociopolitical aspects of the Black Diaspora.” Publishers may nominate books published in 2025 by December 31. There is no entry fee. Visit the website for a list of jurors to whom books should be sent and complete guidelines.

Steinbeck Fellowships in Creative Writing

San José State University
Entry Fee: 
$0
Deadline: 
January 4, 2026

Six yearlong residencies at San José State University in San José, California, which include stipends of $15,000 each, are given annually to fiction writers and creative nonfiction writers. The fellows are required to give one public reading and reside in one of the counties within the San Francisco Bay Area or an adjacent county in the California central coast or central valley during most of the fellowship period. Using only the online submission system, submit up to 25 pages of prose, a project proposal, a résumé, and three letters of recommendation (uploaded by references) by January 4, 2026. There is no entry fee. Visit the website for complete guidelines.

Mythos

10.2.25

It’s Never Over, Jeff Buckley is a documentary directed by Amy J. Berg about the musician who died suddenly at the age of thirty in 1997, having only released one studio album, of which the single “Hallelujah,” a cover of Leonard Cohen’s song, was inducted into the Library of Congress’s National Recording Registry. Buckley’s biological father, a folk musician who rose to fame in the 1960s, died at the age of twenty-eight, and Berg explores the enduring status and mythos created around artists’ lives cut short, the idea of a suspended perfection mixed with the incomplete feeling of never enough. Think of an artist who seems to exist in a mythical state, perhaps because their popularity was short-lived or due to a mysterious or debated circumstance in their life. Write an essay that examines your interest in your chosen subject and reflect on the stories surrounding their life that perpetuates its mystery.

The New Nonfiction 2025 Reading

Caption: 

In this virtual reading and conversation, Poets & Writers Magazine features editor India Lena González introduces the five debut authors featured in “The New Nonfiction 2025” in the September/October issue: Sarah Aziza, Erika J. Simpson, Julian Brave NoiseCat, Amanda Hess, and Samina Najmi.

Sibling Rivalry

9.25.25

In the new thriller miniseries Black Rabbit, created by Zach Baylin and Kate Susman, Jude Law plays a restaurateur whose life is turned upside down with the sudden return of his brother, played by Jason Bateman. Their historically fraught bond spins into a vortex of the consequences of past betrayals and catastrophes, and the violence of the criminal underworld. Write a personal essay that explores your relationship with a sibling or someone with whom you share a close, long-standing relationship that may have similar elements of inextricable intimacy and rivalry. Incorporate memories of the experiences that have tied you together, as well as circumstances that have been challenging because of your closeness. What are the differences in your personalities that might have, at varied times, created complementary, synergistic energy and also been the root cause of clashes?

Rachel Kolb: Navigating Deafness in a Hearing World

Caption: 

“Communication is so important.” In this 2013 TEDx Talk, Rachel Kolb speaks about the value of communication and language, and the misconceptions about deafness. Kolb’s debut memoir, Articulate: A Deaf Memoir of Voice (Ecco Press, 2025), is featured in Page One in the September/October issue of Poets & Writers Magazine.

An Embarrassment

9.18.25

In “Is Mary Oliver Embarrassing?,” an essay by Maggie Millner, senior editor at Yale Review, she writes about omitting the poet from her list of early influences when asked in professional settings, despite the fact that “Oliver’s poems marked [her] permanently.” Millner writes: “It seemed clear that my disavowal of Oliver was more about my own shame and snobbery than about the merit of the work itself.” Think about an artist whose work you find value in but feel conflicted or embarrassed about, perhaps because you associate their work with your childhood when you had less discerning tastes or because of the opinions of peers in your field. Write a personal essay that explores the roots of your affinity and your feelings of conflict. Then revisit the artist in question and explore how you feel when you encounter their work without embarrassment.

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