Genre: Fiction

Supernatural Fiction Award

Ghost Story
Entry Fee: 
$20
Deadline: 
April 30, 2026
A prize of $1,500 and publication on the Ghost Story website is given biannually for a short story with a supernatural or magical realist theme. The editors will judge. Using only the online submission system, submit a story of 1,500 to 10,000 words with a $20 entry fee by April 30. Visit the website for complete guidelines.

Susan Kamil Emerging Writers Prize

Book Industry Charitable Foundation
Entry Fee: 
$0
Deadline: 
March 31, 2026
Five prizes of $10,000 each are given annually for an excerpt of a poetry, fiction, or creative nonfiction manuscript-in-progress written by a bookseller. Writers who are working on full-length manuscripts of poetry, fiction (including graphic novels), or creative nonfiction (including memoirs), who have not previously published a book in any genre, and who are currently employed at a bookstore or comic bookstore in the United States (after at least three consecutive months of employment) are eligible.

Train Dreams: Reimagining Denis Johnson

Caption: 

In this LIVE From NYPL event, director Clint Bentley screens clips from his latest film, Train Dreams, and discusses the timeliness of its release amidst concerns about ecological disaster and racial violence. The film is an adaptation of the 2011 novella of the same name by Denis Johnson.

Genre: 

Far From Home

Recent and unusual, “fish out of water” animal sightings include a coyote swimming through the San Francisco Bay to Alcatraz Island, and a rare Galápagos albatross flying high up above the Pacific off the central coast of California, likely having traveled over three thousand miles beyond its typical range. This week write a short story about a character who takes off on a journey of vast distances, possibly one filled with potential risks and unknown factors. Will you reveal your character’s motivations right off the bat, gradually, only in the final moments of the narrative, or at all? You might decide to experiment with writing sections of the story from different points of view and shifting from more zoomed-out descriptive passages to moments of interior monologue.

Madeline Cash: Lost Lambs

Caption: 

“I think that you kind of put everything into a first novel.” In this event hosted by the University of Notre Dame’s Creative Writing Program, Madeline Cash reads from her debut novel, Lost Lambs (Farrar, Straus and Giroux, 2026), and talks about her range of influences, including artist Henry Darger and filmmaker Wes Anderson.

Genre: 

Fear Factor

1.28.26

“The nice thing about writing fiction is that we can put our characters through things we’d never be brave—or foolhardy—enough to do,” writes Larissa Pham in a recent essay published on Literary Hub about how her debut novel, Discipline (Random House, 2026), was inspired by writing about a subject that scared her. “Through our writing, we leap into the unknown.” This week consider some of your greatest fears, anything from creepy crawlies to the loss of loved ones to melodramatic betrayal. Write a short story that revolves around one of these fears, concocting an arc that fluctuates between moments of slow, modulated actions and descriptions of higher tensions. Do you find yourself inclined to take the story to intense extremes or to end things on a simmer?

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