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A prize of $1,500 and publication in Georgia Review is given annually for a short story or an essay. Kiese Laymon will judge. Submit a story or essay of up to 9,000 words with a $25 entry fee by January 15, 2026; mailed submissions must include a cover page with contact information and a brief bio, a self-addressed envelope, and a check for entry-fee payment. Visit the website for complete guidelines.
A prize of $5,000 and publication by Red Hen Press is given annually for a story collection, a novella, a novel, or other book-length work of fiction. Using only the online submission system, submit a manuscript of at least 150 pages with a $25 entry fee by January 15, 2026. Visit the website for complete guidelines.
A prize of $1,000 and publication by Green Linden Press is given annually for a book of poetry, fiction, or creative nonfiction translated from any language into English. Christopher Nelson will judge. Submit a manuscript of at least 48 pages with a $25 entry fee by November 30. All finalists will be considered for publication. Visit the website for complete guidelines.
A prize of $1,000 and publication by Red Hen Press is given annually for a story or essay collection, a novel, a memoir, or a hybrid work of prose by a queer writer. Andrew Lam will judge. Using only the online submission system, submit a manuscript of at least 150 pages with a $10 entry fee by November 30. Visit the website for complete guidelines.
A prize of $5,000 and publication by Hub City Press is given biennially for a short story collection. Emerging writers who have not published a story collection or more than one book in any other genre and who currently reside in Alabama, Arkansas, Florida, Georgia, Kentucky, Louisiana, Mississippi, North Carolina, South Carolina, Tennessee, Texas, Virginia, or West Virginia and who have lived there for at least two consecutive years are eligible. Catherine Lacey will judge. Using only the online submission system, submit a manuscript of 140 to 220 pages (no story should exceed 15,000 words) with a $25 entry fee by December 31. Visit the website for complete guidelines.
A prize of $1,000 and publication by Regal House Publishing is given annually for a story collection. Heather Bell Adams will judge. Using only the online submission system, submit a manuscript of 100 to 350 pages with a $25 entry fee by December 1. Visit the website for complete guidelines.
Watch the trailer for the graphic novel series adaptation of Robert Louis Stevenson’s The Strange Case of Dr. Jekyll and Mr. Hyde. Developed by Ridley Scott and Mechanical Cake, the two-volume series will be released on Halloween and imagines a world where Hyde overtakes Dr. Jekyll. Written by Jesse Negron with Joe Matsumoto, and artists Gary Erskine and Chris Weston, Johnny Depp portrays the sinister character.
In this Service95 Book Club conversation hosted by Dua Lipa, Percival Everett revisits his award-winning 2021 novel, The Trees, and talks about how the murder and image of Emmett Till urged him to write the story, and how important the relationship between author and reader is to art. “People find their truth in art. It’s not complete until the reader comes to it. That’s when meaning gets made,” says Everett.
In Vaim (Transit Books, 2025) by Nobel Prize–winning author Jon Fosse, translated from the Norwegian by Damion Searls, one might search for certainty and stability in vain as the fishing village from which the novel gets its title is not a place in the real world, and perhaps not even a real place within the world of the book. Ania Szremski, senior editor of 4Columns, describes the novel as a “a book of amphibolous belief” with a protagonist who “wavers between ‘yes’ and ‘no.’” Write a short story that revolves around a character who inhabits a place that may or may not really exist. In Fosse’s book, the protagonist’s motorboat grounds the reader while the use of shifting points of view and lack of punctuation can be unsettling. How do you inject your own story with both stabilizing and destabilizing elements to create tension and momentum?
“I think I’m a natural maximalist, and I still enjoy orchestrating a complex, layered scene or sentence, but I often found myself paring down versus building up.” —Jade Chang, author of What a Time to Be Alive
