How to Identify a First Edition
Learn how to decipher the sometimes arcane methods that publishers use to label first editions (the language and lines of numbers on copyright pages) in this incredibly helpful video from AbeBooks.
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Learn how to decipher the sometimes arcane methods that publishers use to label first editions (the language and lines of numbers on copyright pages) in this incredibly helpful video from AbeBooks.
The 2011 ReLit Awards, celebrating books of poetry and fiction by Canadian authors published with Canadian small presses, were announced last night at the Ottawa International Writers Festival. Presented along with signature rings featuring movable dials of type—a gift that almost didn't come to pass this year due to funding shortages—the awards' focus is on "ideas, not money" (no prize purse accompanies the honor).
The 2011 awards went to poet Dani Couture for Sweet and Craig Francis Power for his novel, Blood Relatives, both published by Toronto-based Pedlar Press. Tony Burgess won for his short story collection Ravenna Gets, from Anvil Press in Vancouver. The winning books were all published in 2010.
There is no entry fee for presses to submit books, which are due at the end of January each year. Visit the ReLit website for submission guidelines.
In the video below, Couture reads three poems from her winning book, including the title piece.
The folks at Random House and its many imprints, including Knopf, Doubleday, Crown, and Vintage Books, have a little fun promoting Colson Whitehead's latest book, Zone One, a literary zombie novel published last week by Doubleday.
Last night in New York City the Mrs. Giles Whiting Foundation offered another group of emerging writers what could be a life- and career-altering gift. Since 1985, the foundation has annually offered fifty-thousand-dollar prizes to ten writers whose early work suggests the promise of a flourishing career—Jeffrey Eugenides, Yiyun Li, Jonathan Franzen, Mary Karr, and Terrance Hayes are among the 270 poets, authors, and playwrights to have received the award in the past.
The 2011 Whiting Writers' Award honorees, most of whom have published only one book, are poets Don Mee Choi, Eduardo C. Corral, Shane McCrae, and Kerri Webster; fiction writers Scott Blackwood, Ryan Call, Daniel Orozco, and Teddy Wayne; memoirist Paul Clemens; and playwright Amy Herzog. None of these writers applied for the award; winners are nominated by a group of anonymous literary professionals, which have historically included editors, agents, bookstore owners, and critics.
Poet Mark Doty, who received the Writers' Award in 1994, delivered the prize address, encouraging the winners to "savor this brilliant occasion of attention and celebration" and store it for those inevitable occasions where rejection and self-doubt threaten to define the day.
"May these awards...help you to negotiate with your doubts," he said. "May this award lend you aid and comfort while you move ahead in what I hope will be a long, happy work in service of what is real."
In the video below, Don Mee Choi reads from her book, The Morning News Is Exciting (Action Books, 2010).
My guiding philosophy of writing, maybe even of life, is that the path to the truth runs through shame. So dig through your memory banks and write about the most shameful episode you can remember. The challenge here is to provide the reader the basic dramatic context, then to slow down and move moment-to-moment during the worst of it. This need not be for general consumption. It's more an exercise in radical disclosure.
Today's fiction prompt comes from fiction writer Steve Almond, whose most recent book God Bless America: Stories was published this week by Lookout Books.
The author of several novels, including The Hours, Flesh and Blood, and By Nightfall, has had it with readers who "stand in front of the bullet train of history" and insist that books must be made out of paper—as this video from inReads makes abundantly clear. "The world changes; things move on," the Pulitzer Prize-winning author says.
The author of The Buddha in the Attic, who was profiled by Renée H. Shea in the September/October 2011 issue, talks about her novel's nomination for this year's National Book Award in fiction. "I feel lucky to even have an audience," she says. "A prize is something I never really thought about. Usually my concerns are very local, like 'Can I make it through this sentence or through this paragraph?'"
Chip Kidd, the associate art director at Knopf and Pantheon, talks about his cover design for Haruki Murakami's novel 1Q84. Note the Spirograph drawings behind his desk (three of them were featured in Kidd's design of the January/February 2010 cover of Poets & Writers Magazine). And read Ken Gordon's take on the girth of Murakami's huge book and others in the current issue.
Richard Nash, the former head of Soft Skull Press and currently the CEO of Cursor and publisher of Red Lemonade who's interviewed by Gabriel Cohen in the current issue's special section, is shown here at this year's BookExpo America, where he discussed the ongoing changes in the publishing industry.
Pick a short story by another writer and use its ending as the beginning for a new story of your own.