Genre: Poetry

Leave the dog days of summer behind and reinvigorate your writing practice by submitting to one of the following fourteen contests, which close on August 30 or August 31. These contests include opportunities for writers at all stages of their careers; one contest is reserved for poets over the age of 60. All offer a cash prize of $1,000 or more.

Aesthetica Creative Writing Award: Two prizes of £2,500 (approximately $3,434) each and publication in Aesthetica Creative Writing Annual are given annually for a poem and a short story. The winner in poetry also receives a membership to the Poetry Society in London, and the winner in short fiction receives a consultation with the literary agency Redhammer Management. Both winners receive a subscription to Granta and a selection of books from Vintage Books. Oz Hardwick will judge in poetry and Katy Guest will judge in fiction. All entries are considered for publication. Deadline: August 31. Entry fee: £12 (approximately $16) for one poem and £18 (approximately $25) for one short story.

Black Lawrence Press St. Lawrence Book Award: A prize of $1,000 and publication by Black Lawrence Press is given annually for a debut collection of poems or short stories. The editors will judge. Deadline: August 31. Entry fee: $25.

Ex Ophidia Press Poetry Book Prize: A prize of $1,000, publication by Ex Ophidia Press, and 10 author copies is given annually for a poetry collection. Kathleen Flenniken will judge. Deadline: August 31. Entry fee: $25.

Gemini Magazine Flash Fiction Contest: A prize of $1,000 and publication in Gemini Magazine is given annually for a short short story. The editors will judge. Deadline: August 31. Entry fee: $7.

Grid Books Off the Grid Poetry Prize: A prize of $1,000 and publication by Grid Books is given annually for a poetry collection by a writer over the age of 60. Jimmy Santiago Baca will judge. Deadline: August 31. Entry fee: $25.

Gulf Coast Barthelme Prize for Short Prose: A prize of $1,000 and publication in Gulf Coast is given annually for a short work of prose. Molly McCully Brown will judge. Deadline: August 31. Entry fee: $20 (includes subscription).

Gulf Coast Prize in Translation: A prize of $1,000 and publication in Gulf Coast is given in alternating years for a group of poems or a prose excerpt translated from any language into English. The 2021 prize will be given for prose. Sophie Hughes will judge. Deadline: August 31. Entry fee: $10 (include half-year subscription) or $20 (includes full-year subscription).

Journal of Experimental Fiction Kenneth Patchen Award: A prize of $1,000 and publication by Journal of Experimental Fiction and JEF Books is given annually for an innovative novel. Deadline: August 31. Entry fee: $25.

Masters Review Short Story Award for New Writers: A prize of $3,000 and publication in Masters Review is given twice yearly for a short story by an emerging writer. Writers who have not published a book are eligible, as are writers who have published a book with a circulation of less than 5,000. The winning story will also be sent to literary agents from the Bent Agency, Carnicelli Literary Management, Compass Talent, Fletcher & Company, Sobel Weber, and Writers House for review. Kristen Arnett will judge. Deadline: August 30. Entry fee: $20.

Munster Literature Center Fool for Poetry International Chapbook Competition: A prize of €1,000 (approximately $1,191) and publication by the Munster Literature Center is given annually for a poetry chapbook. The winner will also receive accommodations to give a reading at the Cork International Poetry Festival in March 2022. All entries are considered for publication. Deadline: August 31. Entry fee: €25 (approximately $30)

Omnidawn Publishing Open Book Prize: A prize of $3,000, publication by Omnidawn Publishing, and 100 author copies is given annually for a poetry collection. John Yau will judge. Deadline: August 31. Entry fee: $27.

Talking Gourds Fischer Prize: A prize of $1,000 is given annually for a single poem. The winner will also be featured in a Bardic Trails reading online. Donald Levering will judge. Deadline: August 31. Entry fee: $10 for a poem of up to three pages (add an additional $10 for postal submissions).

University of New Orleans Press Lab Prize: A prize of $10,000 and publication by University of New Orleans Press is given annually for a short story collection or novel. Deadline: August 31. Entry fee: $28.

Utica College Eugene Paul Nassar Poetry Prize: A prize of $2,000 is given annually for a poetry collection published in the previous year by a resident of upstate New York. The winner will also give a reading and teach a master class at Utica College in April 2022. Deadline: August 31. Entry fee: None.

Visit the contest websites for complete guidelines, and check out the Grants & Awards database and Submission Calendar for more contests in poetry, fiction, and creative nonfiction.

In Paul Tran’s “Progress Report,” published on Literary Hub and featured in their forthcoming debut poetry collection, All the Flowers Kneeling (Penguin Poets, 2022), the poem catalogues the speaker’s life while filling out a form: “Photograph of the ’93 Mazda MPV he reportedly turned into an ice cream truck. / I marked Humor. / Holes where the nails had been in the wall. / I marked Self-harm.” The poem, made up of single end-stopped lines, uses a call-and-response technique to reveal new information as it progresses. Write a poem in which the speaker is filling out a form—perhaps a progress report, an immigration document, or a demographic survey. How can you use the poem’s form as a way of highlighting an important event?

In C. K. Williams’s poem “Marina,” published in the New Yorker in 2005, the speaker is reading essays by Marina Tsvetaeva as a bug makes its way across the table. As the poem progresses, lines from Tsvetaeva’s essays are interlaced with descriptions of the bug dragging its transparent wings behind it, and the bug becomes a metaphor for her difficult life. “‘The soul is our capacity for pain.’ // When I breathe across it, / the bug squats, quakes, finally flies. / And couldn’t she have flown again, / again have been flown?” Write a poem involving lines from a writer you admire. Try, as Williams does, to elucidate or challenge the featured lines.