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A prize of $1,500, publication by Lit Fox Books, and 25 author copies will be given annually for a poetry collection. Kristina Marie Darling will judge. Using only the online submission system, submit a poetry manuscript of at least 48 pages by January 15, 2026. There is no entry fee. Visit the website for complete guidelines.
Publication in The Pushcart Prize: Best of the Small Presses is awarded annually for works of poetry, fiction, and creative nonfiction published by literary magazines or small presses during the current year. Editors may nominate up to six poems, short stories, novel chapters, or essays published, or scheduled to be published, in 2025; submit one copy of each work by December 1. There is no entry fee. Visit the website for complete guidelines.
The author of no swaddle (University of Iowa Press, 2025) reflects on approaching uncertainty on the page.
“Forget about apples and oranges—nothing rhymes with orange anyway. Never mind those plums that William Carlos Williams sneaked from the icebox. The most poetic fruit of all is the blackberry,” writes A. O. Scott, critic at large for the New York Times Book Review, citing blackberry-inclusive works by poets such as Margaret Atwood, Emily Dickinson, Robert Hass, Seamus Heaney, Galway Kinnell, Yusef Komunyakaa, and Sylvia Plath. Compose a poem inspired by what you consider the most poetic fruit, describing the textures and tastes of your selection, and its associations in the world and in other works of art. Spend some time thinking about the name of the fruit itself, its sounds and component parts and etymological roots. Does conjuring words and phrases that recall the qualities of the fruit take your poem in a surprising or unexpected direction?
The author of no swaddle (University of Iowa Press, 2025) considers the legacies and influences of authors engaged in similar forms and topics.
In this Poets House event, four poets read from their new books: Kimberly Alidio, author of Traceable Relation (Fonograf Editions, 2025); Courtney Bush, author of A Movie (Lavender Ink, 2025); Natalie Shapero, author of Stay Dead (Copper Canyon Press, 2025); and Emily Skillings, author of Tantrums in Air (The Song Cave, 2025).
In this World Poetry Salon event hosted by the New York Public Library and Limelight Poetry, Colm Tóibín reads from his collection Vinegar Hill (Beacon Press, 2022) while accompanied by musician Martin Hayes and joins Leonard Schwartz in a conversation about Ireland’s history and sense of place.
“This is how the text exchange ends. / Not with an explicit farewell but with a two-day pause followed by a thumbs-up-emoji reaction,” writes Reuven Perlman in “How Other Things End” recently published in the New Yorker with an epigraph of T. S. Eliot’s famed last lines from “The Hollow Men.” “This is how the career ends. / Not with a retirement party and a gold watch but with a second career in the gig economy.” Taking inspiration from Perlman’s comedic perspective of dark times, write a humorous poem that consists of your own inventions of anticlimactic contemporary situations in which the outcome is a letdown, with more of a fizzle than a gratifying conclusion. What modern references would you include to put your own stamp on this concluding episode?
The author of no swaddle (University of Iowa Press, 2025) considers the value of both engaging with and refuting a traditional form.
In this 2021 Under the Volcano video, Cyrus Cassells reads a poem about Federico García Lorca that he began writing in Tepoztlán, Mexico. Cassells is the recipient of the 2025 Jackson Poetry Prize.
