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From her home just outside of Fairbanks proper, a poet subverts mainstream Alaskan imagery to conjure the reality of her writing life, which includes a local waste transfer site, muddy shoulder seasons, and slow internet.
Grants of $10,000 each will be given annually to poets, fiction writers, nonfiction writers, and translators who are residents of New York State and are sponsored by an eligible
“I think that literature is really needed, and art in general. It’s saying something that cannot be said in any other way, and that’s why you do it.” In this interview, Norwegian author Jon Fosse, who won the Nobel Prize in Literature in 2023, talks about how music inspired him to write at a young age, and how pauses and silences are used to generate rhythm in his work.
“The sun had just gone out / and I was walking three miles to get home. / I wanted to die. / I couldn’t think of words and I had no future / and I was coming down hard on everything.” In Linda Gregg’s poem “New York Address,” which appears in her retrospective collection, All of It Singing: New and Selected Poems (Graywolf Press, 2008), the speaker recounts bleak existential angst. Despite the pain and darkness, there are glimmers of light. In the second half of the poem, questions are stubbornly answered with snappy, tidy pacing: “Yes I hate dark. No I love light. Yes I won’t speak. / No I will write.” Write a poem that goes all in on angst, channeling a time that felt overwhelmingly uncertain and full of trepidation. How can you experiment with sound and diction to gently steer the dramatic toward the life-affirming?
