Small Press Points: Damaged Goods Press
Since 2015 this indepedent press in Richmond, Virginia, has been championing “offbeat books” of poetry and lyrical nonfiction by queer and trans writers.
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Articles from Poet & Writers Magazine include material from the print edition plus exclusive online-only material.
Since 2015 this indepedent press in Richmond, Virginia, has been championing “offbeat books” of poetry and lyrical nonfiction by queer and trans writers.
The author reflects on five journals that published essays from their debut collection, Dark Tourist.
Anitra Budd got her start at Coffee House Press as an intern and now serves as publisher and executive director of the press. She discusses her approach to leadership and putting people before profit.
After collecting poetry books to lend to students, poet and educator Hiram Sims opened the Sims Poetry Library in Los Angeles. Today the library boasts a collection of over six thousand books and serves as a home base for poets in the community.
The agent answers questions about attracting agents using self-published books and whether to use a summary or a writing sample to pitch a memoir.
Ten debut poets who published in 2021, including Threa Almontaser and Shangyang Fang, discuss the inspiration for their books, their writers block remedies, and advice for other poets.
“If you feel that the story is good and that it needs to be read, then keep at it until you’re happy with it.” —Obed Silva, author of The Death of My Father the Pope
The translator of Migratory Birds and Permafrost shares how growing up between different languages and countries has led her to challenge conventional wisdom about the art of translation.
“This was the book I was meant to write my whole life.” —Neel Patel, author of Tell Me How to Be
The translator of Migratory Birds and Permafrost expresses the limits of translation when it comes to culturally specific institutions and terms.
“Thinking is really about 90 percent of the work.” —James Hannaham, author of Pilot Impostor
The translator of Migratory Birds and Permafrost uses Google Maps to immerse herself in the settings of her translation projects.
“I wrote this book with the constraint of honesty.” —Truong Tran, author of book of the other
“It felt as if my protagonist was in the room with me.” —Claire Oshetsky, author of Chouette
The author of I’m Not Hungry but I Could Eat revels in writing about food and the varied contexts surrounding its consumption.
This week’s installment of Ten Questions features Domenico Starnone and Jhumpa Lahiri, the author and the translator of Trust.
The author of I’m Not Hungry but I Could Eat leverages his intrusive thoughts from pet sitting for fiction.
Allegra Hyde’s Eleutheria, forthcoming from Vintage on March 8, 2022.
An author finds similarities between training for a marathon and finishing a book: Both require stamina, perseverance, good habits, maybe a ritual or two, and the ability to keep fear at bay.
“What does it take for any of us to change our core beliefs?” —Okezie Nwọka, author of God of Mercy
The author of I’m Not Hungry but I Could Eat shares the evolution of his thinking on how to represent bisexuality and queerness in fiction.
A first look at Eloisa Amezcua’s Fighting Is Like a Wife, which is forthcoming from Coffee House Press on April 12, 2022.
“I was using the text as a future image of what my own life could be.” —Shayla Lawz, author of speculation, n.
The author of I’m Not Hungry but I Could Eat seeks to write fat characters for whom fatness is not always an immediate concern.
Sasha Fletcher’s Be Here to Love Me at the End of the World, forthcoming from Melville House on February 8, 2022.