The Year You Were Born

4.11.13

Write an essay about the year that you were born. Research what was happening politically, socially, and environmentally, both in your town or city and around the world. Place yourself and your family among the events of that year, and try to find out where you fit into the picture of what was happening in the world.

Sentence Stealing

4.10.13

In Writers Recommend, author Alix Ohlin writes: “When I’m in direst need of inspiration, I do what I call ‘sentence stealing.’ I find a sentence from a writer I admire and write it down. ‘In the beginning I left messages in the street.’ Or, ‘Mrs. Dalloway said she would buy the flowers herself.’ Then I write my own version of the sentence, focusing only on its rhythms: by which I mean, replacing a noun with a noun, a verb with a verb. What’s left is a ghostly echo of the original sentence with no relationship to its actual content. And I follow that new sentence wherever it takes me, down the road to an unfolding story.” Using Ohlin’s method, write a story of your own.

Turn It Over

Choose a word or phrase you find yourself saying often (e.g. like, totally, hate, really, kind of) and write a poem using it as much as possible, turning it over and over, repositioning it, extending it, playing with its uses and the parts of speech into which it can be shaped.

Georgia Review Launches New Poetry Prize

The inaugural Loraine Williams Poetry Prize, sponsored by the Georgia Review, is currently open for submissions. A prize of one thousand dollars and publication in the Georgia Review will be given annually for a poem. Poets may submit up to three previously unpublished poems written in English, totaling no more than ten pages, with a fifteen-dollar entry fee by May 15. The editors will judge. 

The winning poem will be announced on August 15, and will be published in the Spring 2014 issue of the Georgia ReviewCurrent subscribers may enter the competition free of charge; nonsubscribers may choose to begin a subscription at the time of entry—thirty-five dollars for four issues, which is five dollars less than the regular price—in lieu of the entry feeSubmissions may be sent electronically or by mail to the Georgia Review, Loraine Williams Poetry Prize, 706A Main Library, 320 South Jackson Street, The University of Georgia, Athens, GA 30602. 

Founded at the University of Georgia in 1947, the Georgia Review is a quarterly print journal of poetry, fiction, creative nonfiction, reviews, and visual art. “Never stuffy and never shallow,” the editors write on the magazine’s website, “the Georgia Review seeks a broad audience of intellectually open and curious readers.” Past contributors have included established writers as Rita Dove, Stephen Dunn, Louise Erdrich, Philip Levine, Barry Lopez, Joyce Carol Oates, Natasha Trethewey, David Wagoner, and Paul Zimmer, as well as many new and emerging voices. 

For more information about the Georgia Review and for complete contest guidelines, visit the website

Joseph O. Legaspi on the Kundiman & Verlaine Reading Series

Poet Joseph O. Legaspi cofounded Kundiman, a nonprofit organization that serves Asian American poets. He blogs about curating P&W–supported Kundiman & Verlaine, a New York City–based reading series that has been running for ten years. The author of Imago (CavanKerry Press) and the forthcoming chapbook Subways (Thrush Press), he lives in Queens, New York, and works at Columbia University.

It started with an experiment. Before the poet Sarah Gambito and I fully conceived of Kundiman, the nonprofit we founded to serve Asian American poetry, there were the poems. At the time, in 2003, we were interested in the idea of poems as physical objects, as solid and tangible art pieces. We were also regulars imbibing lychee martinis at Verlaine, a bar on the lower east side of Manhattan where we befriended Gary Weingarten, a photographer and one of the owners of Verlaine. Presented with our idea, he provided us with the blank canvases: the walls inside Verlaine onto which we hung blown-up prints of poems. Words against a sheer white backdrop loomed large: our poems, as well as others by Prageeta Sharma and Li-Young Lee. Like a gallery, we hosted an opening with an amazing turnout.

When such a partnership presents itself, you run with it. The March 17, 2013, P&W–supported reading marked the tenth year of Kundiman & Verlaine, the only reading series that highlights Asian American poets. Over 130 readers have graced our stage, among them luminaries like Mei-mei Berssenbrugge, John Yau, Kimiko Hahn, Vijay Seshadri, Patrick Rosal, and Cathy Park Hong, along with emerging Asian American talents. In the spirit of community building, we have also invited poets from other literary circles like Cave Canem, LouderArts, and Acentos. Through the years, the series has exemplified the multiplicity and vitality of voices within the Asian American (and greater) literary community. At the March reading alone, for instance, were the following participants: Mandy Gor, a poet, painter, seamstress, and banker raised in Texas; Seni Seneviratne, a Sri Lankan living in England; and Kit Yan, a transgender spoken word phenomenon. The audience, from seemingly divergent backgrounds, were brought together by poetry. The Kundiman & Verlaine reading series embodies this spirit: big-hearted and celebratory. The lounge atmosphere helps, as well as the hour-long open bar before each reading.

The bottom line is that for a literary series to thrive, much generosity is needed: a place for gathering, a co-host/co-sponsor who shares your vision, an open-minded audience, and kind readers. Recently, another act of generosity: Poets & Writers, through its Readings/Workshops Program, has been able to provide honoraria to qualified readers. How lovely it’s been to compensate poets for their time and craft. Kundiman believes in paying poets, but because of our limited funds, we’ve been unable to do so—beyond the gift bags we give to readers as a token of our appreciation. Because of such patronage and generosity, the Kundiman & Verlaine reading series continues to be a welcoming, warm environment, full of heart.

Photo: (Top) Joseph O. Legaspi. Credit: Emmy Cateral. (Bottom, from left to right) Vikas Menon, Kit Yan, Seni Seneviratne, Mandy Gor, and Joseph O. Legaspi. Credit: JP Sevillano

Support for Readings/Workshops in New York City is provided, in part, by public funds from the New York State Council on the Arts and the New York City Department of Cultural Affairs, with additional support from the Louis & Anne Abrons Foundation, the Axe-Houghton Foundation, The Cowles Charitable Trust, the Abbey K. Starr Charitable Trust, and the Friends of Poets & Writers.

Notes of a Native Son

In the classic essay "Notes of a Native Son," James Baldwin writes about his relationship with his father, against the backdrop of a time of racial violence in America. Write an essay about your relationship with a parent and try to relate it to a larger aspect of the society and culture in which you were raised.

Saunders Wins PEN/Malamud Award

The PEN/Faulkner Foundation has announced that George Saunders will receive the 2013 PEN/Malamud Award. Given annually for a “body of work that demonstrates excellence in the art of short fiction,” the award comes with a five-thousand-dollar purse.

Considered a master of the short story, George Saunders’s most recent collection, Tenth of December, was published in January by Random House. A professor of creative writing at Syracuse University, his previous works include the story collections and novellas CivilWarLand in Bad Decline (1997), Pastoralia (2001), The Very Persistent Gappers of Frip (2005), The Brief and Frightening Reign of Phil (2005), and In Persuasion Nation (2007), and an essay collection, The Braindead Megaphone (2007). He is a regular contributor to the New Yorker, Harper’s, Esquire, GQ, and the New York Times Magazine. Saunders has received a MacArthur Fellowship, a Lannan Literary Fellowship, and four National Magazine Awards.

“Saunders is one of the most gifted and seriously comic short story writers working in America today,” said Alan Cheuse, a member of the Malamud Award selection committee, which is comprised of a panel of PEN/Faulkner directors. “And his comedy, like most great comedy, is dark….He's a Vonnegutian in his soul and, paradoxically, a writer like no one but himself.”

In addition to the prize money, PEN/Malamud Award winners are also invited to give a reading as part of the PEN/Faulkner Reading Series at the Folger Shakespeare Library in Washington, D.C. This year’s reading will take place in December. 

Established in 1988, the PEN/Malamud Award honors the late writer Bernard Malamud. Past winners have included, among others, John Updike, Saul Bellow, Eudora Welty, Grace Paley, Stuart Dybek, Joyce Carol Oates, Alice Munro, Junot Diaz, Lorrie Moore, Tobias Wolff, Amy Hempel, Nam Le, Edith Pearlman, and James Salter. 

Listen below as George Saunders discusses Tenth of December for the WNYC talk show Soundcheck.  

Based on History

Think about a person from history—Anne Boleyn, Martin Luther King Jr., Cleopatra, Abraham Lincoln—whose story you find compelling. Write a summary of this person's life, charting the ups and downs that made it remarkable. Using this summary as a plot, write a story that is set in the present and features a main character from your imagination.

Just Say It

Choose a poem—a classic work or something you've newly discovered—and memorize it. As you do so, note the rhythms, sounds, and structure that help you remember it. To test your memory, and in honor of National Poetry Month, consider reciting it to a friend in person, leaving a recording of it on a friend's voicemail, or sending an audio file of it to one or more friends via e-mail. 

National Book Award Judges Announced, Submissions Open Today

The judges for the 2013 National Book Awards were announced today. For the first time since the 1970s, the judges in each category will include not only writers, but also literary professionals such as editors, professors, and booksellers, in an attempt to broaden the reach of one of the country's most prestigious literary prizes. 

The judges in poetry include Nikky Finney, whose collection Head Off & Split won the 2011 National Book Award; Ada Limón, whose debut collection, Lucky Wreck, won the 2005 Autumn House Poetry Prize; D. A. Powell, who won the 2013 National Book Critics Circle Award for his collection Useless Landscape: A Guide for BoysJahan Ramazani, a professor at the University of Virginia whose book Poetry of Mourning: The Modern Elegy from Hardy to Heaney, was a finalist for the National Book Critics Circle Award; and Craig Morgan Teicher, the poetry reviews editor for Publishes Weekly whose collection Brenda Is in the Room and Other Poems won the 2007 Colorado Prize for Poetry. 

The judges in fiction include Charles Baxter, who was a finalist for the National Book Award in 2000 for The Feast of LoveGish Jen, the author of four novels and a collection of stories, and an American Academy of Arts and Sciences Fellow; Charles McGrath, the former editor of the New York Times Book Review and former deputy editor at the New YorkerRick Simonson, who has been a bookseller at Elliott Bay Book Company in Seattle, Washington, for over thirty-five years; and René Steinke, a 2005 National Book Award finalist for her novel Holy Skirts, and director of the MFA program at Fairleigh Dickinson University.

The judges in nonfiction include Jabari Asim, the author of The N Word and What Obama Means, a former book reviewer for the Washington Post, and an associate professor at Emerson College; André Bernard, vice president and secretary of the John Simon Guggenheim Memorial Foundation; M. G. Lord, author of The Accidental FeministForever Barbie, and Astro Turf, for which she received an Alfred P. Sloan Foundation grant; Lauren Redniss, a finalist for National Book Award in 2011 for Radioactive: Marie & Pierre Curie, A Tale of Love and Fallout; and Eric Sundquist, author and chair of the English Department at Johns Hopkins University.

“The expansion of the judging pool has given us an extraordinary diversity of voices on our panels,” said Harold Augenbraum, the executive director of the National Book Foundation, which sponsors the annual awards. “We expect spirited discussions throughout the process.” 

The judges for this year’s awards will be the first group in the history of the prizes to select a long list of ten titles in each of the four categories, to be announced on September 12. Twenty finalists from the long list will be announced on October 16, and the winners in each category will be announced at the sixty-fourth annual National Book Awards ceremony in New York City on November 20.  

Louise Erdrich took the 2012 award in fiction; David Ferry won in poetry, and Katherine Boo won in nonfiction.

The National Book Awards have been given annually since 1950 for books published in the current award year. Submissions for the 2013 prizes open today. Using the new online submission system, publishers may submit books published between December 1, 2012, and November 30, 2013, until June 3. Visit the website for complete submission guidelines

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