A Turn of Phrase

The Time Is Now
3.8.22

“Poets are supposed to avoid clichés—bits of language so hackneyed as to seem drained of meaning—but I’m fascinated by what hyper-familiar turns of phrase can reveal and conceal,” writes Hannah Aizenman about her poem “As a Father of Daughters,” published in the Academy of American Poets’ Poem-a-Day series. The poem uses the phrase in the title as a jumping-off point for a seemingly associative list that hinges on the levity of rhyme and continues to reveal more about the original phrase. “As a failure of rathers / As a faithful support / As we gather together / As a fear of disorder,” writes Aizenman. Write a poem inspired by a common phrase or idiom that challenges its meaning. What will be revealed or concealed?

Deadline Approaches for the NEA Creative Writing Fellowships

G&A: The Contest Blog
3.4.22

Submissions are open for the National Endowment for the Arts Creative Writing Fellowships. Given in alternating years to prose writers and poets, in 2022 the NEA is accepting applications in poetry. Grantees will receive $25,000 each to “enable the recipients to set aside time for writing, research, travel, and general career advancement.” Writers who are citizens or permanent residents of the U.S., and who have published a poetry collection of at least 48 pages, or 20 or more individual poems or pages of poetry over the last seven years are eligible to apply.

Using only the online submission system, submit a completed application, which includes a brief project description, seven to ten pages of poetry, and a list of publications, by March 10. There is no entry fee. Visit the website for complete guidelines.

Through this fellowship program the NEA “seeks to sustain and nurture a diverse range of creative writers at various stages of their careers and to continue to expand the portfolio of American art.” Applicants can expect to receive a notification on the final status of their applications by December, at the earliest. Fellowship recipients will start to receive financial support for their literary projects between January 1, 2023, and January 1, 2024, and may have this support extended for up to two years. Recent creative writing fellows include prose writers Steve Almond, Marci Calabretta Cancio-Bello, Melissa Febos, Tope Folarin, Kelli Jo Ford, Shruti Swamy, and Laura van den Berg, and poets Threa Almontaser, Oliver Baez Bendorf, Kayleb Rae Candrilli, Leila Chatti, Oliver de la Paz, Diana Khoi Nguyen, and Valencia Robin. Through this fellowship program the NEA “seeks to sustain and nurture a diverse range of creative writers at various stages of their careers and to continue to expand the portfolio of American art.” Applicants can expect to receive a notification on the final status of their applications by December, at the earliest. Fellowship recipients will start to receive financial support for their literary projects between January 1, 2023, and January 1, 2024, and may have this support extended for up to two years. Recent creative writing fellows include prose writers Steve Almond, Marci Calabretta Cancio-Bello, Melissa Febos, Tope Folarin, Kelli Jo Ford, Shruti Swamy, and Laura van den Berg, and poets Threa Almontaser, Oliver Baez Bendorf, Kayleb Rae Candrilli, Leila Chatti, Oliver de la Paz, Diana Khoi Nguyen, and Valencia Robin.

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Impact

The Time Is Now
3.3.22

In a Q&A from the September/October 2021 issue of Poets & Writers Magazine, poet Claire Schwartz asks Kaveh Akbar, author most recently of Pilgrim Bell (Graywolf Press, 2021), about the relationship between creating art and living a socially meaningful life. Akbar speaks about Iranian poet Forugh Farrokhzad and her 1962 film The House Is Black, a documentary about a leprosarium in northern Iran, as an example of the ideal. The film catalyzed Iranian new wave cinema and funds flowed into the leprosarium for renovations: “Farrokhzad’s film did exactly what one might hope for their art to do: It improved the material conditions of her subjects and expanded the aesthetic possibilities of the field,” says Akbar. Write an essay that explores the ideal impact you want your work to have, using an artist as a role model to illustrate your vision.

Eyes Without a Face

The Time Is Now
3.2.22

In the latest installment of Craft Capsules, Allegra Hyde, author of Eleutheria, forthcoming from Vintage in March, writes about “face pareidolia,” a scientific term for the phenomenon of humans seeing faces in inanimate objects. Hyde finds evidence of this behavior used as a literary technique in a range of works from Homer’s The Odyssey to Alexandra Kleeman’s novel Something New Under the Sun (Hogarth, 2021), in which water is given “a human-like motive, which heightens the drama of the overall description.” This week, write a story that employs the personification, either literal or metaphorical, of an inanimate object. Whether it’s the clouds in the sky or a desk lamp, how does this human impulse to see ourselves help us better understand the world?

Weeds

The Time Is Now
3.1.22

As many turn to gardening in warmer temperatures, so come the unwanted but sturdy weeds, popping up regardless of how often they’re removed. Louise Glück’s poem “Witchgrass” explores this perspective from an anthropomorphized incarnation of witchgrass, a common summer annual weed of field crops and small fruit. The result is a testament to the sheer force of nature, as well as a critique of humanity’s obsession with weeding out the seemingly unnecessary: “I don’t need your praise / to survive. I was here first, / before you were here, before / you ever planted a garden.” Write a poem from the perspective of a pesky, unwanted plant or animal. What strength can you find in the underdog?

Upcoming Contest Deadlines

G&A: The Contest Blog
2.25.22

With a new month on the horizon, we’re looking ahead to contests with deadlines of March 14 or March 15. These awards offer opportunities for poets, fiction writers, and nonfiction writers! The contests include awards that celebrate women writers over the age of 40 and Latinx poets; all offer cash prizes of $1,000 or more, with opportunities for a handful of lucky winners to receive $10,000.

Airlie Press Prize: A prize of $1,000 and publication by Airlie Press is given annually for a poetry collection. The editors will judge. Deadline: March 15. Entry fee: $25.

Bellingham Review Literary Awards: Three prizes of $1,000 each and publication in Bellingham Review are given annually for works of poetry, fiction, and creative nonfiction. The 49th Parallel Award for Poetry is given for a poem or group of poems. The Tobias Wolff Award for Fiction is given for a short story or a flash fiction piece. The Annie Dillard Award for Creative Nonfiction is given for an essay or a flash nonfiction piece. All entries are considered for publication. Deadline: March 15. Entry fee: $20.

Colorado Review Nelligan Prize for Short Fiction: A prize of $2,500 and publication in Colorado Review is given annually for a short story. Ramona Ausubel will judge. All entries are considered for publication. Deadline: March 14. Entry fee: $15 ($17 for online submissions).

Fourth Genre Steinberg Memorial Essay Prize: A prize of $1,000 and publication in Fourth Genre is given annually for an essay. Mary Cappello will judge. All entries are considered for publication. Deadline: March 15. Entry fee: $20.  

Hidden River Arts Eludia Award: A prize of $1,000 and publication by Sowilo Press is given annually for a first book of fiction by a woman writer over the age of 40. Deadline: March 15. Entry fee: $20.

James Jones Literary Society First Novel Fellowship: A prize of $10,000 is given annually for a novel-in-progress by a U.S. writer who has not published a novel. Runners-up will each receive $1,000. Deadline: March 15. Entry fee: $33.

National Poetry Series Open Competition: Five prizes of $10,000 each and publication by participating trade, university, or small press publishers are given annually for poetry collections. The 2022 publishers are Beacon Press, Ecco, Milkweed Editions, Penguin Books, and University of Georgia Press. Deadline: March 15. Entry fee: $35.

Prairie Schooner Raz-Shumaker Book Prizes: Two prizes of $3,000 each and publication by University of Nebraska Press are given annually for a poetry collection and a short story collection. Kwame Dawes will judge. Deadline: March 15. Entry fee: $25.

Robinson Jeffers Tor House Foundation Poetry Prize: A prize of $1,000 is given annually for a single poem. Forrest Gander will judge. Deadline: March 15. Entry fee: $10.

University of Notre Dame Andrés Montoya Poetry Prize: A prize of $1,000 and publication by University of Notre Dame Press is given biennially for a debut poetry collection by a Latinx poet residing in the United States. Alexandra Lytton Regalado and Sheila Maldonado will judge. Deadline: March 15. Entry fee: None. 

Verse Tomaž Šalamun Prize: A prize of $1,000 and publication by Factory Hollow Press is given annually for a poetry chapbook. The winner will also receive a monthlong residency in summer 2023 in a private apartment at the Tomaž Šalamun Center for Poetry in Ljubljana, Slovenia. Prose poetry, hybrid works, and translations of works of poetry by living writers from any language into English are also eligible. Ilya Kaminsky will judge. Deadline: March 15. Entry fee: $17 ($13 for students).

The Word Works Washington Prize: A prize of $1,500 and publication by the Word Works is given annually to a U.S. or Canadian poet for a poetry collection. Deadline: March 15. Entry fee: $25.

Visit the contest websites for complete guidelines, and check out the Grants & Awards database and Submission Calendar for more contests in poetry, fiction, and creative nonfiction.

 

 

The Cruelest Months

The Time Is Now
2.24.22

For as long as writers have put pen to paper, springtime has been a fertile subject—mulled over, praised, longed for, and even forsaken. From Vladimir Nabokov’s 1926 novel, Mary, in which he writes that the feeling of “nostalgia in reverse” grows stronger in spring, to Angela Carter’s 1966 novel, Shadow Dance, in which she writes that “spring hurts depressives,” the season often symbolizes hope and anticipation, a climbing out of darkness. When the lingering coldness of winter remains, however, it is sometimes difficult to transition alongside the blossoms and sprouts. Taking inspiration from this fulcrum between seasons, write an essay about a period when you had trouble accepting the onset of spring. Spend time tracing the connection between the world outside and changing seasons of your emotional life.

Dead Letters

The Time Is Now
2.23.22

Angel Dominguez’s Desgraciado (the collected letters), published in February by Nightboat Books, comprises a series of letters addressed to Diego de Landa, a Spanish friar who attempted to destroy the written Mayan language in Maní Yucatán in the sixteenth century. This hybrid epistolary collection navigates the shared trauma and history of colonization while creating an intimate correspondence that returns agency to the descendant of a people de Landa tried to extinguish. “Dear Diego, I write to you because there’s nothing else to do; nothing to be done, and yet we must go on. Go on living, go on writing,” Dominguez writes. Draft a story in which a character corresponds with a figure from history. Whether through letters, dreams, or ghostly visitations, what would your protagonist ask this historical figure, and what would drive this quest for answers?

Origins

The Time Is Now
2.22.22

“My materialist mind, I can’t / shake it,” writes Solmaz Sharif in her poem “Now What” from her second collection, Customs, forthcoming in March by Graywolf Press. The speaker of the poem sits in a hotel in Ohio eating takeout and meditating on the origins of the meal, tracing connections back into history and the people whose hands made this food possible: “Within a perfect / little tub of garlic / butter // a relief of workers, of sickles / fields of soy.” Write a poem that meditates on the origins of a favorite condiment, seasoning, or meal. Try to establish a time and place in the poem by beginning in the present, then leap into the anecdotal or historical stories that come to you.

Graywolf Press Nonfiction Prize Open for Submissions

G&A: The Contest Blog
2.18.22

The deadline is approaching for the biennial Graywolf Press Nonfiction Prize, given for a promising manuscript-in-progress by a writer not yet established in the genre. Writers residing in the U.S. are eligible to apply. The winner will receive $20,000, publication by Graywolf Press, and a $2,000 stipend to provide support in completing the manuscript. Additionally, the Graywolf editors anticipate working with the Nonfiction Prize winner, offering editorial guidance as the writer works toward finishing their manuscript.  

Using only the online submission system, submit at least 100 pages of a nonfiction manuscript-in-progress, a one-page cover letter, including a short bio and project description, and a two- to ten-page project overview by February 28. There is no entry fee. Agented submissions are also eligible. The editors will judge. Visit the website for complete guidelines. 

Founded in 1974 in Port Townsend, Washington, and currently based in Minneapolis, the nonprofit independent press publishes around thirty books a year. For the Nonfiction Prize, the Graywolf editors are seeking innovative projects “that test the boundaries of literary nonfiction” in form and content, with a particular interest in writing that explores literary and cultural criticism, as well as craft. Previous winners of the prize include Esmé Weijun Wang (The Collected Schizophrenias), Leslie Jamison (The Empathy Exams), Eula Biss (Notes From No Man’s Land), and Kevin Young (The Grey Album). Founded in 1974 in Port Townsend, Washington, and currently based in Minneapolis, the nonprofit independent press publishes around thirty books a year. For the Nonfiction Prize, the Graywolf editors are seeking innovative projects “that test the boundaries of literary nonfiction” in form and content, with a particular interest in writing that explores literary and cultural criticism, as well as craft. Previous winners of the prize include Esmé Weijun Wang (The Collected Schizophrenias), Leslie Jamison (The Empathy Exams), Eula Biss (Notes From No Man’s Land), and Kevin Young (The Grey Album). 

Find a Writing Contest

The Grants & Awards database includes details about every writing contest we’ve published in Poets & Writers Magazine during the past year. We carefully review the practices and policies of each contest before including it, making the Grants & Awards database the most trusted resource for legitimate writing contests available anywhere.

Search the database

 

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